This week on The Rotten Horror Picture Show Podcast, Clay and Amanda are diving deep into one of the most haunting, beautifully crafted horror films of the 2000s: A Tale of Two Sisters (2003), the South Korean psychological masterpiece from director Kim Jee-woon. It’s a chilling, twisty story about two sisters returning home after time away in a mental institution — only to find their house filled with secrets, ghosts, and a deeply unsettling stepmother. Clay and Amanda explore its stunning cinematography, emotional depth, and how its story of grief and trauma slowly unravels into something much darker. It’s elegant, tragic, and terrifying all at once — a cornerstone of early-2000s Asian horror.

Now, that all sounds great and everything… but I gotta be honest with you — I grew up with brothers. Three of ‘em. Loud, smelly, cereal-devouring, video game-hoarding brothers. So, when I hear “a tale of two sisters,” I can’t help but feel like I’m watching some kind of mysterious alien ritual. Sisters whispering secrets? Dressing each other’s wounds? Comforting each other through unimaginable trauma? My brothers used to communicate exclusively in punches and burps. The only haunting in our house was the lingering smell of socks.

I’m sitting there watching this movie thinking, “Okay, they’re clearly bonded by something powerful and emotional… but where’s the scene where they fight over who gets the last slice of pizza?” Still, even if I can’t relate, I’ve gotta admit — the film’s atmosphere got under my skin. Clay and Amanda dig into what makes it so effective, from its slow-burn pacing to its gut-punch finale that flips everything you thought you knew upside down.

So, yeah. I might not get sisters — but I get a good ghost story. And this one? It’ll haunt you, no matter how many brothers you’ve got.

And don't forget to head over to patreon.com/thepenskyfile to follow Clay and Amanda down the muddy path of remakes and reboots too!

Gee whiz, folks, it’s time for a brand-new episode of The Rotten Horror Picture Show Podcast, and this week Clay and Amanda are talking about one of the all-time greats of old-school creature features — The Blob from 1958! You know the one — that big ol’ red goo from outer space that slurps its way through small-town America, eating everything (and everyone) in its path. It’s the movie that made a young Steve McQueen a star and gave teenagers everywhere another reason not to trust meteorites. Clay and Amanda dig into the film’s low-budget charm, its clever special effects, and why it’s still such a perfect slice of drive-in-era horror. A monster that’s literally just a blob shouldn’t be scary — and yet somehow, it’s terrifying.

Now, I gotta be honest with you — as I am a teenager from the year 1958, this whole “podcast” thing? It gives me the willies. I mean, what is it, exactly? They say you listen to it on “the internet,” but I don’t even know where that is. I looked behind my radio — nothing. Tried turning the TV knobs real slow — still nothing. Apparently, it’s just floating around in the air, like… invisible radio waves, but for computers? And people are out there “streaming” it? Buddy, the only thing I want streaming near me is a nice cold root beer down at the soda fountain.

But I’ll tell ya, Clay and Amanda sure know their monster movies. They’ve got that hep-cat way of breaking down the scares, the science fiction, and the cultural panic of the atomic age. If you can figure out how to “download” it — whatever that means — you’re in for a swell time. Just, uh… maybe keep an eye on your record player. I heard The Blob likes to start small.

And be sure to catch our coverage of the remake over at Patreon.com/thepenskyfile!

his week on The Rotten Horror Picture Show Podcast, Clay and Amanda dive into one of the wildest, weirdest experiments in modern cinema: 2007’s Grindhouse, the double-feature mashup from Robert Rodriguez and Quentin Tarantino. On one side you’ve got Rodriguez’s gooey, gonzo Planet Terror, a zombie-action extravaganza filled with melting bodies, exploding heads, and a machine gun leg. On the other, Tarantino’s Death Proof, a talky, tense, and brutal slasher on wheels starring Kurt Russell as a stuntman with murderous intentions. Throw in some fake trailers from the likes of Edgar Wright, Rob Zombie, and Eli Roth, and what you’ve got is a love letter to trash cinema that’s messy, ambitious, and unlike anything else that’s come out of Hollywood in the last twenty years. Clay and Amanda unpack what worked, what didn’t, and why the whole package still holds a strange place in horror fans’ hearts.

Now, that’s all well and good, but I have to admit something: when I heard they were covering Grindhouse, my brain went in a totally different direction. Because to me, “Grind” means one thing — MTV’s The Grind, the sweaty, neon-soaked, mid-’90s dance party beamed into homes across America every afternoon. You know the one — crop tops, Jock Jams, people doing the Macarena under pulsating strobe lights. Honestly, I thought Clay and Amanda were about to drop the definitive podcast documentary on Eric Nies’ greatest cultural contribution. Imagine my disappointment when it turned out to be about exploding pustules and creepy stuntmen instead of body glitter and choreographed hip thrusts.

Still, horror fans are in for a treat, even if my dance nostalgia remains tragically unmet. Join Clay and Amanda as they revisit Grindhouse—just, you know, the blood-soaked one, not the bass-thumping one.

And don't forget to head over to patreon.com/thepenskyfile to follow Clay and Amanda down the muddy path of remakes and reboots too!

This week on The Rotten Horror Picture Show Podcast, Clay and Amanda are tackling a film that might just be the most confusing sequel in horror history: Mike Flanagan’s Doctor Sleep (2019). Now, don’t get me wrong — it’s a solid, spooky ride with Ewan McGregor as an older Danny Torrance, still haunted by the Overlook and trying to cope with his powers. But here’s the thing: is this a sequel to *The Shining* the book? Or *The Shining* the movie? Or some strange in-between hybrid stitched together with ghostly typewriters and whiskey breath? Because I swear, every time I try to explain it to someone, I feel like I need a chalkboard, some red string, and a shot of bourbon.

On the one hand, Doctor Sleep is based on Stephen King’s novel of the same name, which itself was written as a direct sequel to his original Shining book. That means we’re supposed to be following King’s continuity — the one where the Overlook Hotel burned to the ground at the end. But on the other hand, Flanagan clearly loves Kubrick’s *film*, and he goes out of his way to make *Doctor Sleep* visually and tonally connect to that version. Which means the Overlook is still standing, the carpet patterns are back, and suddenly it feels like we’re living in a cinematic multiverse before Marvel made it cool.

Clay and Amanda dive into all this messy, fascinating crossover territory — breaking down how Flanagan managed to honor both King and Kubrick, while still creating something that stands on its own. They’ll also talk about Rebecca Ferguson’s terrifyingly charismatic performance as Rose the Hat, creepy steam-slurping cults, and what happens when childhood trauma grows up with you.

Me? I’m still stuck asking: so wait… which Shining is this shining shining from?

And don't forget to head over to patreon.com/thepenskyfile to follow Clay and Amanda down the muddy path of remakes and reboots too!

This week on The Rotten Horror Picture Show Podcast, things are going to sound a little different. Amanda’s not here, which means Clay is flying solo — and that alone has me feeling… well, a little nervous. Don’t get me wrong, Clay knows his horror inside and out. He’s got the knowledge, the wit, and the enthusiasm to carry a show, no doubt about it. But Amanda’s the one who keeps things balanced. She’s the counterpoint, the voice of reason, the one who’ll call Clay out when he gets too deep into some cinematic rabbit hole about killer dolls or obscure slashers from the ‘70s. Without her? I just don’t know how this is going to feel. Like eating peanut butter without jelly. Or watching Jaws without the shark.

That said, Clay’s not just rambling into the void. He’s using this opportunity to do something special: take listener questions and give a quick rundown of some horror movies he’s been watching lately. That means you’re going to get Clay’s raw, unfiltered opinions on a whole stack of films — the good, the bad, and the so-bizarre-it ’s-worth-watching-anyway. He’ll dig into what’s been keeping him up at night, what deserves a spot on your watchlist, and maybe even what deserves to be avoided at all costs. Listener questions give him a chance to dive into topics that don’t always make it into regular episodes, which is pretty fun.

Still, I can’t help but feel like Amanda’s absence is looming large. Her takes, her insights, her way of steering the conversation in unexpected directions — that’s what makes the show click. So while Clay’s holding it down this week, I’ll just be sitting here, missing Amanda’s voice, waiting for the dynamic duo to reunite next time.

And don't forget to head over to patreon.com/thepenskyfile to follow Clay and Amanda down the muddy path of remakes and reboots, too!

Clay and Amanda are back with a brand-new episode of The Rotten Horror Picture Show Podcast, and this time they’re diving into Candyman (2021), the haunting remake-slash-sequel directed by Nia DaCosta. This isn’t just a rehash of the original 1992 horror classic — it’s a smart, visually stunning continuation that weaves in the legend of Candyman with new layers of social commentary about art, trauma, race, and gentrification. Featuring Yahya Abdul-Mateen II in a chilling lead performance, some inventive shadow-puppet storytelling, and a tone that’s equal parts eerie and poetic, it’s a film that honors its roots while creating something wholly its own. Of course, it also brings back one other key ingredient from the original: bees. Lots and lots of bees.

And that’s where things get… complicated for me. See, I’ve got a bit of a history with bees — one bee in particular. His name was Barry. And Barry the Bee? He ran away with my wife. I know, I know, it sounds ridiculous. But it happened. One day she’s talking about how “cute” and “funny” he is, and the next, she’s gone. Off to some flower-filled meadow in the countryside, I assume. Ever since, I can’t look at bees without feeling a mix of fear, rage, and heartbreak. So when this movie started throwing bees at me left and right, all I could think was, “Here we go again. First my wife, now my peace of mind.”

Still, Clay and Amanda make it worth pushing through my insect-related PTSD. Their discussion breaks down how the film connects to the original, why its horror feels so timely, and how Nia DaCosta’s direction elevates the material. I just wish they’d warn me when the next bee movie is coming. Barry’s still out there. I can feel it.

And don't forget to head over to patreon.com/thepenskyfile to follow Clay and Amanda down the muddy path of remakes and reboots too!

Oh sure, “Men,” they said. “It’s called Men,” they said. So naturally, I thought, great! A big ol’ movie full of guys! Dudes being dudes, maybe grilling something, maybe building a shed, emotionally repressing themselves — you know, men things. But no. Turns out “Men,” the 2022 psychological folk horror film from Alex Garland, doesn’t mean *many* men, it means *one* man... **many times.** And that man is Rory Kinnear. Rory at the pub. Rory as the vicar. Rory as a naked forest sprite with a leaf stuck in his nether region. Honestly, at one point I started to feel like *I* was Rory Kinnear. It’s less *Men* and more *Manifold Rorys: A Nightmare Journal.*

But hey — it’s all part of the unsettling brilliance of Garland’s creepfest, and Clay and Amanda are back on The Rotten Horror Picture Show Podcast to dive into the deep, uncanny woods of it all. From its eerie rural English setting to the emotional trauma anchoring the horror, they dig into the meaning and menace behind the multiplicity of men, the strange forces at play, and whether or not you should ever trust a man who shows up in the middle of the night and just stares through your mail slot. (Spoiler: you should not.)

It’s a tale of grief, guilt, body horror, and mythological rebirth — but not, unfortunately, of a barbershop quartet of fellas named Steve, Greg, Carl, and Doug trying to fix a cursed weed whacker. So, if you’re tuning in for a sausage fest, maybe look elsewhere. But if you want psychological dread, a deeply committed performance from Jessie Buckley, and enough Rory to fill an entire season of *Doctor Who,* this one’s for you.

Now if you'll excuse me, I’m going to go file a false advertising complaint.

And don't forget to head over to patreon.com/thepenskyfile to follow Clay and Amanda down the muddy path of remakes and reboots too!

This week on *The Rotten Horror Picture Show Podcast*, Clay and Amanda venture into the shimmer—no, not a drag revue (though that would also be excellent)—but the terrifying alien zone at the center of Alex Garland’s 2018 sci-fi horror epic, *Annihilation*. They unpack the film’s eerie, mind-bending blend of science fiction and psychological terror, its themes of identity and self-destruction, and how grief mutates not just the body, but the mind. With a cast led by Natalie Portman, Tessa Thompson, and Oscar Isaac (sort of), and unforgettable sequences involving crystal trees, creepy doubles, and *that bear*, *Annihilation* isn’t just a movie—it’s an existential gut-punch wrapped in plant DNA. Clay and Amanda are here to guide you through it like a pair of academic ghost hunters armed with field notes and strong opinions.

Meanwhile, I’m just trying to keep it together. I don’t *do* plants. Never have, never will. They’re sneaky. Too quiet. One minute they’re peacefully photosynthesizing, and the next they’re sprouting human teeth and absorbing your memories. I watched *Annihilation* on a dare, and now every time I pass a hedge I flinch. The ivy on my neighbor’s fence? Suspicious. The succulent on my desk? I swear it moved. So yeah, it’s safe to say this movie wasn’t exactly a comfort watch. If you’re like me—someone who’s suspicious of anything green and doesn’t have a spine—you might want to listen to this one with the lights on and a can of weed killer within arm’s reach. But hey, at least Clay and Amanda are brave enough to face the shimmer so I don’t have to. Now if you’ll excuse me, I have to check if my fern is whispering my name again.

And don't forget to head over to patreon.com/thepenskyfile to follow Clay and Amanda down the muddy path of remakes and reboots too!

This week on *The Rotten Horror Picture Show Podcast*, Clay and Amanda sink their teeth into Neil Marshall’s cult classic *Dog Soldiers*—a gnarly, fast-paced werewolf flick that delivers equal parts horror, action, and black comedy. They’re talking about everything from the practical effects that bring those towering werewolves to life, to the surprisingly heartfelt camaraderie between the doomed soldiers, to how this little low-budget movie became a cult favorite. It’s all set in the Scottish Highlands, where the fog is thick, the wolves are huge, and nobody’s throwing a tennis ball.

I’ve been saying it for *years*, and nobody listens: dogs should be the *only* soldiers. Think about it—who in their right mind is gonna shoot at a dog? No one. You roll up to the battlefield with a battalion of good boys, all wagging their tails and looking adorable in tiny camo vests, and bam—war’s over before it starts. The enemy would lay down their weapons, scratch some ears, and everyone would go home happy. But nooo, instead we get *Dog Soldiers*, and wouldn’t you know it, turns out these “dog soldiers” aren’t sweet pups with little helmets, but massive, terrifying werewolves that tear through a squad of unlucky British soldiers like a chew toy at a daycare.

So if you’re ready for a deep dive into one of the best modern werewolf films out there, this is the episode for you. But I’ll say it again: next time, let’s skip the werewolves and just send in a golden retriever with a bandana. No one would even *think* of pulling the trigger. Problem solved. World peace achieved. Now, who’s a good boy? It’s Clay and Amanda, that’s who.

And be sure to hit up patreon.com/thepenskyfile to hear all the coverage of remakes and reboots this year!

You ever just miss video stores? Like really miss them? The smell of plastic cases, the hum of fluorescent lights, that little “thunk” sound when you dropped your tape in the return slot. I used to go every Friday night, no matter what. And there was this one movie I used to rent all the time — had monsters, dirt flying everywhere, maybe Kevin Bacon? It was funny, and scary, and it had these giant worm things under the ground… and—wait. Hang on. That’s it. That’s the one! It was Tremors! Oh my god. I loved that movie. And this week on The Rotten Horror Picture Show Podcast, Clay and Amanda are talking about exactly that dusty, dusty gem: the 1990 cult classic Tremors.

They’re diving deep into the creature-feature madness, celebrating the perfect blend of monster horror, comedy, and small-town weirdness. Clay and Amanda chat about the unlikely hero duo of Kevin Bacon and Fred Ward, the pure '90s charm of practical effects, and of course, the lovable, heavily-armed survivalists played by Michael Gross and Reba McEntire. It’s a B-movie with A+ energy, and honestly, one of the best times you’ll ever have being afraid to touch the ground.

So if you’ve ever wandered the horror aisle and picked up a tape because of the cool monster on the cover, or if you’re still trying to remember the name of that one VHS you rented every summer — this episode is for you. Clay and Amanda are bringing it all back with their latest installment of horror nostalgia. Now if I could just find that other movie with the killer snowman… or was it a vampire dog? Nevermind. Tremors it is.

And be sure to hit up patreon.com/thepenskyfile to hear all the coverage of remakes and reboots this year!