This week Charles and Aaron look back at Batch Thirteen and talk about the evolution of “boat action” on screen. Who is in charge, how do they feel watching the young boys and men die under their command, and why does Master and Commander feel like a step backwards (in spite of the fact that we LOVE the movie)? It’s all here.

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This week Charles and Aaron enlist with Kirk and Co. and take to the stars. We talk more about leadership as well as delving into re-militarizing a non-military brand, the struggle to liberate the science fiction imaginary, and the music of James Horner.

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Chales and Aaron are back on the barky, this time with Gregory Peck pacing the quarter deck and a quarter of a million dollars in miniatures getting blown to smithereens. How do you produce sound after an era of silent films? How do you import Gregory Peck without violating British economic policy? How do you say "Horatio Hornblower" and keep a straight face? We don't have all the answers, but we DO have GREGORY PECK.

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Charles and Aaron board the Surprise to talk about the neomacho, striping books of criticism for the sake of a simple story, and we revisit our conversation about child soldiers. “For England, for home, and for the prize!”

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Charles and Aaron look back on the first batch of films for Season 2. They talk Patton (1970), The Admiral: Roaring Currents (2014), and Twelve O'Clock High (1949). Leadership in the air, on land, and at sea, death armies and impossible odds; don’t hold out hope for a trip home; because as we have said all batch: you are already dead.

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Charles and Aaron lose their minds over turtle ships and talk about the most watched movie in Korean history. Impossible odds, death armies, and patriotism on screen; did we mention that you are already dead? Because you are already dead.

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This week Charles and Aaron take to the skies with Gregory Peck. We make hard choices and then face the consequences…with a nap.

Flashbacks, leadership, and the line between sanity and insanity, don’t feel sad about it, because you are already dead.

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“Americans traditionally, love to fight. All real Americans love the sting of battle. Americans play to win all the time.”

Season Two of The Reel War Project kicks off with 1970’s Patton. Charles and Aaron talk about a movie that celebrates as it criticizes, with additional looks at Nazi apologetics, Jacksonian militarism, and the soldier that never dies. Ten-hut!

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In this very special episode of the Reel War Project, Charles and Aaron look back on season one and bestow honors on the best and worst film, soldier, music, and more. The barb wire is twinkling and the privates are strewn for the affair - don't miss the Reel aWARds Show!

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This week on Reel War Project's Dirt Maps: Dr. Lorenzo Veracini describes key differences between colonialism and settler colonialism, the roles of cinema in sustaining and re-enacting each, and the importance of alienhood in all that follows.

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