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To end 2023, Rifa and Chris reflect on their year in arts and culture, while drinking several glasses of the good stuff.
Chris and Rifa talk about Renaissance: A Film By Beyoncé. Rifa is reading Angela Davis - Freedom Is A Constant Struggle and Chris is reading Aflo The Poet's new poetry zine Warm Up.
Please send us your questions for next week's Best Of 2023 episode, when we'll try to answer anything you throw at us.
This week Rifa and Chris dug into two 'end of the world' TV things: they watched Sam Esmail's Netflix movie Leave The World Behind, starring Julia Roberts, Mahershala Ali and Ethan Hawke. They also watched the new TV series A Murder At The End Of The World, made by Brit Marling and Zal Batmanglij (creators of The OA) which stars Emma Corrin and Clive Owen. Rifa is reading Sultana's Dream by Begum Rokeya, a classic Indian feminist sci-fi novella from 1905. Chris is reading Isaac Butler's book The Method: How The Twentieth Century Learned To Act.
Hey, dear listener, in two weeks, our end-of-the-year Refigure will include an AMA. So send us your questions and we'll try to answer them. Thank you!
Chris and Rifa are annoyed by the Squid Game gameshow and inspired by Tate Britain's new major exhibition Women In Revolt. In What You Reading For? Rifa is reading Hood Feminism by Mikki Kendall, while Chris is re-reading John Higgs' The KLF: Chaos, Magic and the Band Who Burned A Million Pounds.
We didn't have a chance to review stuff together in the midseason break, so this week we chat about our own recent creative stuff. Chris chats about the minitour playing in the band with Jim Bob, as well as an album he's producing, while Rifa unpacks her current adventures in painting with acrylics. Rifa is reading Katy Hessel's The Story Of Art Without Men and Chris is reading Olga Ravn's short novel The Employees, translated from the Danish by Martin Aitken.
Chris and Rifa take the ferry to the Eye Filmmuseum in the north of Amsterdam, see an exhibition by film artist Janis Rafa, 'Feed Me, Cheat Me, Eat Me'. They also chat about Chila Kumari Singh Berman's works in neon, including new commission 'The Shining Lights Of Service', which is hung off the side of Brighton's Royal Pavilion. Rifa is reading Travis Alabanza's None Of The Above, while Chris is reading John Robb's The Art Of Darkness, The History Of Gogh.
Rifa and Chris are in Amsterdam, where they visit the infamous Sex Museum and check out Nan Goldin's major retrospective This Will Not End Well at Stedelijk.
In 'What You Reading For?' Chris is reading Zoe Gilbert's novel Mischief Acts, while Rifa is reading Women Who Run With The Wolves by Clarissa Pinkola Estés.
Thank you for listening, it means a lot. If you're enjoying Refigure please tell your friends, or leave a nice review or something.
Chris and Rifa dive into two vaguely football related doc series, the Netflix show Beckham and the Disney+ series Coleen Rooney: The Real Wagatha Story.
Rifa is reading Regena Thomashaur's book Pussy: A Reclamation, while Chris is reading Ocean Vuong's debut novel On Earth We're Briefly Gorgeous and also Vuong's award-winning poetry collection Night Sky With Exit Wounds.
If you're enjoying Refigure, please leave a nice five star review and tell your friends, because we don't have a marketing budget. Thank you!
A Brighton-heavy episode this week, as Chris and Rifa check out the exhibition Lee Miller: Dressed at Brighton Museum, then hang out at Embodied Realities, at The Old Market, as part of the new Dreamy Place festival. Rifa is reading a book about menopause and Chris is reading Julian Jaynes' classic The Origin Of Consciousness In The Breakdown Of The Bicameral Mind.
Weekly bitesize arts and culture chat with Chris and Rifa. This week Rifa and Chris go to Eastbourne for the Turner Prize 2023 exhibition. They watch both Taylor Swift's new Eras Tour concert film and Talking Heads' remastered Stop Making Sense at the cinema. Rifa is reading the Black London guidebook by Avril Nanton and Jody Burton, while Chris is reading Kashmir Hill's investigation into facial recognition tech, Your Face Belongs To Us.
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