In this episode of The Pro Audio Suite, the team digs into a large-scale remote recording with Robert Marshall, capturing a full orchestra and 100-plus voice choir performing Handel's Messiah inside a church.

Robert breaks down his microphone choices, including Neumann KM184s, Austrian Audio CC8s, Schoeps mains, and why ORTF still delivers a convincing stereo image in complex acoustic spaces. We also talk about spot mic placement for piano and soloists, blending ambience naturally without artificial reverb, and the realities of recording live with zero second chances.

The conversation drifts into mobile recording rigs, spinning-disk backups, FireWire laptops, remote recording trucks, and the kind of gear paranoia that only comes from doing this work solo for decades.

It's a proper deep dive into classical capture, stereo technique, redundancy, and why "old-school" workflows still hold up in 2026.

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