Jo Turney is a Professor and the Doctoral Programmes Director at Winchester School of Art, University of Southampton. She researches everyday fashion, dress and textile practices. She is the author of The Culture of Knitting addressing knitting as art, craft, design, fashion and performance, and as an aspect of the everyday. She is the founder and editor of Clothing Cultures journal. Her current research considers the 1970s domestic interior in the UK and US, and discusses the blurring of boundaries between home and state through notions of 'freedon', consumption practices, interior design and the adoption of a neo-liberal project.

In this episode we meet with Emmeline de Mooij and Margreet Sweerts, founders of the Feminist Needlework Party (Feministische Handwerk Partij, FHP), a political feminist artists’ movement that focuses on studying, repairing, speaking, patching up, unlearning and mending. The FHP organizes performative actions and workshops with which it investigates the underexposed history of textile production within the daily reality of women and wants to achieve a higher appreciation of care, maintenance and repair.

Kate Sekules is a writer, historian, teacher, and lifelong mender. Kate is a professor of fashion history at Pratt Institute, she also teaches her class "Mending Fashion" at Parsons NYC. Her book "MEND! A Refashioning Manual and Manifesto" was published by Penguin in 2020. Kate is currently completing her PhD dissertation 'A History and Theory of Mending' at Bard Graduate Center, New York, after which she will in her own words 'have actually earned the title Dr Mend—my alter ego who dispenses mendication Rx in clothes surgeries'.

Bridget Harvey is a maker who investigates process, occupying a fluid space between craft and design, making and remaking. In her work she embraces interdisciplinarity, using found objects and materials like fired ceramics, wood, and textiles. Through the artefacts she examines ideas like pace, repetition, and playfulness. Since 2013 she has been focused on repair within multiple disciplines, and as independent practice. Bridget did her practice-based PhD 'Repair-Making: Craft, Narratives, Activism', her selected exhibitions include Repair-Making and the Museum, V&A Museum, 15th - 22nd September 2019, Eternally Yours, Somerset House, 16th June - 25th Sept 2022, Repair Revolution!, Museum fur Gestaltung Zurich, from 31st March 2023.

Iryna Kucher is an Eco-Social designer and a PhD Fellow at Design School Kolding. She is a member of Design for Planet -- LAB for Sustainability and Design. Iryna's PhD project focuses on the study of the slow rhythm of consumption in the field of fashion, addressing its attention to the practices of mending, both traditional and new. It analyses the meaning of these practices in Western and Eastern societies in the past and future.

Amy Twigger Holroyd is Associate Professor of Fashion and Sustainability in the School of Art & Design. Through design-led participatory research, she explores plural possibilities for post-growth fashion systems: alternative ways of living with our clothes that meet our fundamental human needs and respect ecological limits. The main vehicle for this research is her Fashion Fictions project, which brings people together to imagine, explore and enact alternative fashion worlds as an unconventional route to real-world change. Amy founded the project in 2020 and it has already involved thousands of participants across six continents. Fashion Fictions was funded by a Research, Development and Engagement Fellowship from the Arts & Humanities Research Council from 2021–23. A book exploring common themes within the diverse fictional visions, Fashion Fictions: Imagining Sustainable Worlds, is currently under contract for Bloomsbury Academic.

Jessica Hemmings is currently Professor of Craft at HDK-Valand, University of Gothenburg, Sweden. Research interests span material culture and literature to include the often marginalised voices of postcolonial literature and contemporary craft / lifewriting and embodied knowledge / Zimbabwe and Indonesia / storytelling in the archive. Jessica is Editor of The Textile Reader (first edition in 2012) which is the first anthology to address textiles as a distinctive area of cultural practice and a developing field of scholarly research.

Sanem Odabasi is a fashion scholar from Turkey. She is currently an Assistant Professor at Eskisehir Technical University, Department of Textile and Fashion Design. Her research areas are sustainable fashion, material culture, and practice-based research. She is the author of the book "Sürdürülebilir Moda Tasarımı: Kavramlar ve Uygulamalar (Sustainable Fashion Design: Concepts and Practices)". Her did her PhD research on upcycling in fashion and its relation with individual memory.

Professor in clothing and sustainability, Ingun Grimstad Klepp has been working with apparel research at Consumption Research Norway, Oslo Metropolitan University since 1999. Her contribution has been key for developing the research field through advancing methods, projects, knowledge and discourse about clothes and their role in society and our lives, including wearing habits, laundry, lifespan, product development and value chains. Wool and local clothes are in the core of her interest and the theme for the latest book Local, Slow and Sustainable Fashion: Wool as a Fabric for Change (Palgrave Macmillan, 2022).

Amy Meissner is an Anchorage artist who teaches the Craft of Repair as an act of prolonging, care, and accompaniment of vulnerable objects in transition. This community-based work complements her solitary studio practice that combines handwork, found objects, and abandoned textiles to further complicate the literal, physical, and emotional labor of women. With a background in clothing design and illustration, she holds an MFA in Creative Writing, an MA in Critical Craft Studies, and has taught garment repair in-person and online internationally. Awards include grants from the Rasmuson Foundation, the Sustainable Arts Foundation, and most recently a 2023 Center for Craft Teaching Artist Cohort grant to focus on the Craft of Repair in both her studio and socially engaged practices.