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This week’s episode is a (not-so) bitesized one, in which Chris and Deborah list their favourite plays ever at this moment in time and space. 

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In this week's episode, Chris and Deborah celebrate some encouraging theatre news. They review Tom Stoppard's latest play "Leopoldstadt", share an outdoorsy theatre tip, and offer their two cents to the debate surrounding trigger warnings.

Scientific American article: https://blogs.scientificamerican.com/beautiful-minds/are-trigger-warnings-actually-helpful/

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This week, Chris and Deborah offer their take on news and share some mathematical theatre tips. They also get very deep and philosophical in their review of Tennessee Williams' "The Two Character Play" (Hampstead Theatre), and talk about managing (or not) expectations when going to the theatre. 

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This week, Chris and Deborah share a list of their most skipped songs in musicals they love. They also do a deep dive into London's Coliseum Theatre, offer their thoughts on some news (that this time actually impacted them), and take a stance in defence of musical theatre.

Guardian article mentioned https://www.theguardian.com/music/2009/aug/23/sam-leith-musicals

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This week Chris and Deborah finally share a list of their top 5 favourite musicals of all time (at this time), and they also talk about stage adaptations and how they feel about them.  

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This week anything really does go as Chris and Deborah review a brand-new West End production. They also discuss the yo-yo opening and closing of Cinderella, and offer some very personally curated theatre tips.

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In this episode, there is a lot talk about the Vaudeville Theatre. Chris and Deborah review Nick Payne's Constellations and discuss its many casts. They comment on the musical chairs situation that seems to be happening in the West End, and share their ramblings about musical films. 

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This week Chris and Deborah finally review the acclaimed Six. They also share their thoughts on reading play scripts, get baffled by the news, and share an Elizabethan tip. 

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Chris and Deborah share the joys of a two-show day, first reviewing the 60th anniversary production of Happy Days, by Samuel Beckett, and then discussing some of their favourite people to see on stage: Mischief Theatre. 

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