This week the guys sit down to to chat about the 1984 film, Indiana Jones and the Temple of Doom. But before that, the guys riff on John getting the unspecified virus of unknown origin, the proliferation of adults in "the yummy phase" of life, and compare the sizes of TV's from our childhood to the TV's of today.

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In this weeks episode the guys start out with their chat about the aftermath of the holidays, being a lazy human being while at home on vacation, and peoples' level of cleanliness when no one is looking.

Next join hosts John and Tony as they share their controversial opinions on the most overrated bands of all time . In this episode, they delve into the music industry and debate on bands that have received disproportionate and undeserving attention. From classic rock to modern pop, the guys will challenge the norm and provide a fresh perspective on the often glorified bands. This podcast is a must-listen for music enthusiasts and those who are tired of the same old "overrated" bands being praised. Tune in and get ready to have your musical beliefs challenged.

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This week, the guys get right into the topic of the 1988 film Bloodsport. This movie marks the start of the cultural phenom turned C movie actor Jean-Claude Van Damme. The guys go over the ridiculous plot of the movie, the crazy characters, and the absolute mess of a script that brought the world this rare gem of cinema. 

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This guys are back for 2023! At the start of the show, the guys talk about the latest news involving Henry Cavill abandoning his role as the Superman. They question who was the greatest Superman, was Ben Affleck a good Batman, the chaos the the DCEU, and the absurdity of 110 lb. women throwing around henchmen.

Then they get into the topic of the day, the 1987 film, Lethal Weapon. They chat about the  awesome movie poster, the writer Shane Black's storied career of writing in Hollywood, the odd birthday cake scene at the beginning of the film, the great soundtrack/score featuring Eric Clapton. how cops didn't seem to use gun holsters in the 80's, and the awesome performance Gary Busey had as Mr. Joshua.

Thank you for listening, please share with a friend if they're into everything metal and music from the 80's and 90's!

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In this week's episode the guys open up about the impending winter of Doom coming for us all, raising kids and eventually having to have the sex talk with your teenager, and John's own version of getting "the talk".

Then the gang gets into the topic of the week, the 1991 band Rage Against the Machine. They go into the origins of the band involving childhood friends, hardcore bands, the SoCal music scene, and being friends with other famous musicians at an early age. They discuss the first 2 albums' tracklist and the effect they had on the metal/nu-metal scene. 

At the end the guys talk about controversy and hypocrisy within the band, the tumultuous break-up, Audioslave's affect on the scene, and the overall feeling this band gives you when you just need to rock out. 

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In this weeks episode the gang covers the 1996 film Kingpin. But first the guys wax about the perils of social media, what and why they post, and why it seems to be hard to self promote. 

Then they get into the film. They talk about the cast and the great performances by all the actors. They discuss the greatness of Bill Murray, the terrible bowling ability of Woody Harrelson, the laughs by second ration of this film, and the overall impact his film had on the world of comedy.

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This weeks episode is all about Incubus. But first the guys discuss the paranormal. They go on about the people they know that have experienced the phenomenon of having ghosts in your house, who to believe when they tell you they have ghosts, and the racist aspects of who to believe. 

They then get into the topic at hand. They go over the early days of the band, the hardcore roots, their turn to pop music, and how Brandon Boyd is or is not a sell out. After that, the guys bring up the talent of the band, the life of a SoCal band, if the drummer is as good as he thinks he is, the evolution of Brandon as a singer, and the ultimate affect the band had on the scene. 

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In this week's episode the gang sits down to discuss the 1992 film Candyman. But first the guys talk about how Tony hates the movie "A Nightmare Before Christmas", and how he hates/doesn't hate Christmas, the cheesy Christmas episodes of our favorite shows, and how having a single strand of lights on the outside of your house makes you the worst guy on the planet. 

Next, they chat about the film. They go through the great and not-so-great casting of the movie, the Clive Barker original short story, the consistencies between the story, real life events, and short story that made the film so great. 

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This week the guys get together to discuss The Nightmare before Christmas and how certain people make it their personality, Tony's distaste for stop motion animation, and the overall feeling of hating Christmas. 

Then the topic of the 1992 film "Candyman" gets going. They chat about the sometimes annoying score, the Clive Barker origin story, the feeling of dread throughout the film, waking up and realizing you've been framed for a murder, and John goes into a story about bees.

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In this week's episode, the guys continue with the Halloween theme by discussing the greatest Sci-Fi horror movie ever made. Aliens. 

But first, the gang starts off by discussing the abundance of Jeeps on the road versus electric vehicles, the joys of driving a stick shift, helping out inexperienced riders of ATV's, and the current golf cart culture that is proliferated many neighborhoods.

Then the topic at a hand, the 1986 film "Aliens", comes to fruition. They talk about the cast and characters and how they still are making a living 25 years later, the great use of sound effects without a central score, Hudson's comic relief for the movie, Bishop's cum blood, the motherhood themes throughout the film, and the impact it had in the Sci-Fi genre going forward.

They wrap up the episodes with their own grades of the movie, compare it to the Rotten Tomatoes score, and the overall impact of the film. 

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