My name is Yanerry and I'm a mental health/sexual assault advocate. I’m currently working on a college curriculum that includes the documentary that I was featured in, Hiding in Plain Sight: Youth Mental Illness. The team I’m working with is a part of the organization Work2BeWell. You can find me by Instagram @Yan.erry.

The 5-7-5 syllable format is not respected by all haiku enthusiasts. It took me 5 years of laboring away in private before I seriously began studying the centuries long history and learned how much of a rookie I really was in this poetic form. Now, for example, I tune in to a podcast about haiku called “Poetry Pea” (that is pea as in p-e-a, please don’t ask me where the name originated). The British moderator, recording from her home in Switzerland, conducts lively conversations with guests from around the world. It’s not as pretentious as it sounds. I appreciate the haiku that are submitted for analysis and judged for publication in the Poetry Pea journal. I encourage you to check it out if you have an interest in learning more about haiku. I was listening to the highlighted haiku on a recent Poetry Pea episode and counted out the syllables on my fingertips. 11 syllables, 10, 12, 12, oh…. there’s a 14 syllable one. Nothing came close to 17. It is clear that professionals in the artform of haiku are not incredibly fond of the 5-7-5 arrangement.  In Japan where haiku originated hundreds of years ago, they traditionally stay consistent with 17 onji. While they contain similarities, the Japanese onji and English syllable do have significant differences. Onji normally represent a much shorter sound compared to an English syllable. By an academic analysis that I read, 17 onji actually average closer to 12 English syllables. I discovered this comparison of the two languages in a book published in 1985 called the Haiku Handbook by William Higginson and Penny Harter. Obviously, this notion of the differences in syllables has been well documented for a long time. This is the primary rationale why most professionals limit their syllable count.However, in popular culture, everyone will gladly agree with you when you confidently remember the 5-7-5 standard format. Haiku are the de facto elementary school introductory poetic form - inspiring the kind of school work that sentimental parents often keep to embarrass their kids at high school graduations. For young writers who are introduced to the notion of syllables at a young age, haiku could nearly be considered a bridge between math and phonetics. Since it doesn’t take much time to finish your assignment, no wonder it is so appreciated and remembered by students! Who wants to remember the more complicated standards of limericks, acrostics, and kennings?I think many adults have come to consider haiku child’s play - while they may remember with fondness the introduction of haiku as a young student and the fun notion that they had a quick portal into Japanese culture for a moment, it is largely dismissed. Often in an elementary English unit, haiku will be introduced along with other forms of poetry and then steamrolled by the Shakespearian sonnet - which is often considered “real poetry” because of its English heritage, complexity, length, and rhyming schemes.  But I challenge that assumption. The brevity of the haiku is its beauty. A great haiku can stand alone, with few words doing the work, giving the reader a space to contemplate, compare to their own experiences, and appreciate the beauty and delicacy of the subject matter.  In communication, we are often told that less is more.  Haiku has helped me to quiet my thoughts, concentrate on the small things, write shorter emails, become a better conversationalist, and look for natural moments of beauty all around me. It has taught me how to look and listen with more acuity for beauty. Back to the 5-7-5.  I was well into utilizing my rudimentary understanding of haiku before Higginson and Harter enlightened me on the onji and how it throws a wrench into the assumptions of our school teacher’s common practice. I defer to the authors of “The Haiku Handbook” and the many other scholars who long ago made clear that us English speakers are not actually adhering to traditional Japanese haiku by using the same sound count.

One of my favorite words is verge. It is one of those fun words that can be either a noun or verb. I first gained a deeper appreciation for its meaning when reading a book about landscapes.  In that book, verge was described as a place that delineated the border of human made space and natural space. The leading example was of beachfront properties, describing how humans often desire to build sophisticated infrastructure as close to wild places as possible. So a coastline could be a verge - a transition space between the inevitable wild and the human built. 

Another use of the word verge is the green space between a street and sidewalk. In this case, it is a highly controlled natural zone in the streetscape. Other terms used for that zone are berm, curb strip, swale, grass strip, terrace, green belt, tree bank, street lawn, sidewalk plot, etc. When I visited Portland, a town that does an incredible job of landscaping with diverse plantings in that zone, they refer to them as “hell strips.” 

In this zone, the verge is technically, and very importantly, the right-of-way.  Say “right-of-way” 5 times fast and you’ll begin to wonder how it ever got that civic definition. Whose right? What way?  It would probably be more accurate to call it a no-mans-land. Often, the sidewalk verge is an example of what is essentially the public commons gone wrong - either bare minimum treatment of weeds OR an immaculate fertilized and herbicide-fed turf grass that noone ever uses except to spend a few minutes burning fossil fuels to mow. A chemical dump.  

How many verge acres are there when adding up thousands of small square foot patches in this country? 

In my personal experience with a sidewalk verge, I was a volunteer leader for the landscape at my church (a former warehouse packed into a dense downtown neighborhood) that was surrounded by asphalt. Before I took on the role, there was no one doing it. I daresay that no one even thought it was a needed role because it was a weed covered hell strip next to a building that we did not own. This verge was practically invisible.

I proposed a raised bed in the verge. With some TLC, it became a mini-rose garden at the side entrance of our nondescript rag tag church. A year later, Toni Costanzi, who helped us build the bed, passed away.  She was the first person from the relatively young church who had a funeral in the building, so we put a memorial sign at the corner of the bed. It was truly beautiful. A little bit of heaven on that strip.

In the following three years, with some serendipitous support from local Indiana University Professor Kevin Lair, 100 linear feet of native flowers, grasses, shrubs, and trees were planted in front of the building. A section was designated as a neighborhood garden with a sign that encouraged walkers to take some food as they strolled down Sycamore St. The verge came to life. It was my introduction into native plants and forever changed my understanding of the value of ecological diversity. 

There are other verges - the verb variety. Instead of a gray line of delineation, a verge can be more about decision making, at the cusp of a transition in one’s life. It can be about connecting with a new opportunity. 

People say they are “on the verge,” like walking towards the precipice of a monumental life decision. To verge can be like walking from the known into the unknown - facing all the pressure that comes from making a leap towards a new life. 

Verges can be thwarted by outside forces - like being on the verge to victory, only to have the ball bounce the wrong way on the road to defeat. Or you can di-verge and decide to go a different way from where you had expected.

In 2023, I attempted to verge into City Council political life. I walked into the Election Day party ahead in the polls, only to see my lead dwindle and then slip away at the last moment. I was on the verge to a new path in life and then I lost. The verge line between the public life of an elected offic...

On this special old school episode, Eric Riddle produced the show. The show begins reflections of friends and family members answering the question, "What Does Tony Mean to You?" The episode then transitions into Tony and Eric discussing his move to New York, details about his new book, "Hope for Troubles Minds: Tributes to Those with Brain Illnesses and Their Loved Ones," their experience going to an Indiana Hoosiers basketball game, and the background to Eric's Haikast episodes. The Revealing Voice podcast will continue in 2024 with more interviews, more Haikasts, and more news about Delight in Disorder ministries. Thank you for another great year as we wrap up the 6th year of podcasting!

I ran for City Council earlier this month. On the Sunday before the election, I decided to walk the outdoor labyrinth and then I went home to write, rather than continuing to seek, knock, and ask my way into office. This is an edited version of what I wrote while in that moment: 

Beautiful fall day in early November. After 3 months of knocking on over 1,000 doors, I find myself sitting on my front porch, compelled to capture this moment of tension, 48 hours before the final votes are cast.

I’ve never run for a political office. This year, I finally succumbed to the drumbeat of people telling me that I have the right personality and patience to do the job.

This is what I have come to understand - people care deeply for their neighbor, but aren’t sure what is best for others. In that quandary, some think that people should trust in self organization and caring for each other, free from the restrictions or requirements of a governmental authority. Others see the mounting needs of others in society and see great value in a public institution that cares for those who struggle. 

I believe that humans have the capability and responsibility to organize effective governance so that the plight of poverty is diminished in civilization. But we must be actively engaged in our democracy to make this aspiration possible. 

I am at peace with my participation in this democratic process. I entered this campaign focused on meeting my neighbors, sharing my story of developing my leadership sensibilities during the city’s flood recovery, and focusing on affordable housing, the mental health matters initiative, supporting Nexus Park and the associated economic development around the area, and meaningful participation in the local climate alliance. I’m committed to the work of Landmark Columbus for preserving our cultural heritage and advancing design principles in our civic life. 

Getting votes can have a corrupting influence on the imagination. It’s easy to weigh every decision as an opportunity to gain as many votes as possible. And if not careful, it’s easy to start objectifying and stereotyping people in the process. Asking yourself, who should I and who should I not care about in this time-constrained endeavor to win? 

At some point about a month ago, I let go of the pressure to win and focused on the process. It is more about paying attention to democracy and less about politics. To care about people voting and wanting to be educated about the issues. This does not need to be a popularity contest. 

When people talk about democracy dying, I think it’s because we have turned our minds towards the abstractions of national politics and not towards the relationships that can be formed between voters and their elected officials. It is easier to have that relationship building value in a city election. I’ve been able to meet a large percentage of the people who live in this neighborhood. I have the experience of listening to and caring for all of the perspectives that have been expressed to me along the way. People have respectfully disagreed with me. Some have not been able to engage in conversation at all due to my party affiliation. Others have been willing to listen to change their mind. I’ve had big smiles and high fives and invites into homes. 

I grew up in this district on Woodfield Place, went to school, bought my first home, attended church, and settled into this home with Jen for the past 11 years in this district. I raised my children here. It’s been an honor to meet so many people who create the fabric of my existence. Who help keep me safe, who provide joy with their house decorations, who work to make this community better.

I’m unconventional - more of an artist than an economist. I would like to think that I have the best designed signs among all the candidates. I’m not the best public speaker and I still get butterflies every time I think about knocking on doors. 

Today is the first day that I did not feel those butterflies.

I dedicate this Haikast to my wife, Jennifer Anne Riddle, for our 11 year wedding anniversary!

I asked Jen to marry me in the center of a labyrinth on a cold February afternoon. The previous week was Valentine’s Day and she was clearly upset that I did not pop the question during dinner in downtown Indianapolis. She didn’t know that I was waiting for Ash Wednesday the following week.

I first met Jen in Boston in 2009. She was one of my sister’s roommates. When I went to cheer on my sister in the Boston Marathon, the all women’s Christian household where Suzanne lived allowed an exception to have a guy stay overnight since I was a family member.  

I was dating at the time, so I didn’t think beyond the budding of a platonic relationship. Besides, I have never had much of a radar for flirtation. We did share great conversations about Jack Kerouac, the band U2, the NFL, and my endeavor to write a book about the Columbus flood recovery. We even shared an ice cream cone. Platonically.

It was about a year later when she called me randomly after the Indianapolis Colts lost the Super Bowl to the New Orleans Saints. She called again a month later when the Duke Blue Devils beat the Butler Bulldogs in the NCAA basketball championship. At that point, I was single and surprised by what became clear, after the second call, that these were not random conversations. 

We quickly jumped to topics with a little more spiritual depth.

Independently, in that spring of 2010, we both decided to give up all liquids except water for Lent. She was doing it for a ministry called Blood:Water mission. I was doing it because I realized that I had become entirely too dependent on daily coffee. This opened up our conversations of shared journeys. 

You may say that we entered the labyrinth together that spring.

Two years later, when we were walking a real labyrinth together - on the threshold of the marriage proposal - we had been through a lot. She moved to Columbus and transferred to Christian Theological Seminary in Indianapolis to complete her Masters of Divinity degree. We broke up twice as I navigated the nagging suffering of post-divorce life and introducing my children to her. We lived through me having a major depressive episode. It wasn’t a straight shot to the altar. I don’t think life ever is as linear as we want it to be.

Labyrinths have been around a long time.  If you dive into the history, you’ll discover that many ancient cultures spread across the globe have iconography related to labyrinths. Coins from Greece in the 5th century BC included labyrinth images. It is thought that the labyrinth has been part of human civilization for over 4,000 years. 

If you are not familiar with labyrinths - or perhaps only associate the term with David Bowie’s film from the 1980s - there is a very strong distinction from a maze. People get lost in mazes in a series of dead ends with only one way through. If doing a maze on paper, you may need to erase your path a few times before successfully finding your way out.

You will not get lost in a labyrinth or need to retrace your steps. While the traditional labyrinth, codified in the 13th century floor of a French cathedral, may seem intimidating with 11 concentric rings leading to a circle in the middle - it is not a place of dead ends. You will find your way to the center - to what some labyrinth aficionados describe as the womb. A safe place to reflect before reentering the world. 

Labyrinths are the home of spiritual ritual. On that Ash Wednesday with Jen, I chose the labyrinth walk as a sign that we would never face a dead end. We might not be able to anticipate the twists and turns, but we would do it together, we will find the center.  

As we walked out, we headed inside the church on the property. We walked out with ash on our foreheads, a sign that sacrifice and mourning is part of this life. While probably not the first choice of most people who are minutes into engagement, it was fitting for us.

There is much good news from Delight in Disorder Ministries. Kevin Earleybird Earley has been appointed Associate Producer for Revealing Voices. He will also serve as co-host. This episode is a sneak preview of some of what lies ahead. The long-anticipated, eagerly awaited book Hope for Troubled Minds: Tributes to People with Brain Illnesses and Their Loved Ones will be released November 1. The 300+ page book is filled with letters, poems, and song lyrics from over 100 contributors. Until October 1, 2023, pre-orders for books signed by Tony Roberts can be placed at this link:https://delightindisorder.org/hftm-preorder/ The photo was taken by mental health advocate Linda Mimms at the 25th Anniversary Gala of Treatment Advocacy Center.

It’s hard to accurately describe how big my parents' garden was when I was a child.  I remember many summer days working with them to dig rows, plant seeds, weed and harvest.  It was home to many vegetables, most notably the corn that my dad loved to grow and the green beans that I wasn’t as fond of. But just as the corn towered over my single digit self, the garden also spread wide to be as big as any that I knew.  To my eye, perhaps only my dad’s parents' garden in rural Green County, Indiana was larger.

Whatever the dimensions, it was large enough to plant in me a seed of understanding and a desire to want to have my own garden.   

I am excited that this year I only spent $10 on my entire vegetable garden thanks to a combination of saving seed packets from last year, harvesting my own seeds, trading plants with friends, getting seeds from the public library seed share program, and allowing volunteer plants to find their way. A package of brussel sprout plant plugs and a seed pack of green beans was my only expense for a massive harvest this year. It may seem counterintuitive, but the more involved with plants I have become, the less I have had to spend on their cultivation. 

For people who did not grow up around the cycle of planting and harvesting, I can imagine that gardening may seem like a risky gamble into struggling with unkempt weeds and frustrating neighbors.  Depending on your property, a garden can be a public hobby and, if you aren’t sure of your motivations or confident in what you are doing, may invite embarrassment at the site of perceived failure when the harvest doesn’t seem worth the effort.

What I can tell you is this - the more that I have gardened, the more I realize that I don’t do the gardening for my diet, property value, public relations with my neighbors, or to fill my time.

I garden for the plants and for the non-human life that benefits from the presence of diversity on my property. 

Yes, all of the former that I mentioned are definitely benefits for me as well.. I will be the first to raise my hand to say that a late spring harvest of salad greens or a  long awaited late summer watermelon are among the most savory and sweet moments of my year.   

In the garden, beyond the abundance of harvest, there is also death.  The use of herbicides, forgetting to water during dry spells, the mildew that may get hold of my squash before maturity, and all kinds of other unforeseen events may create less than ideal conditions of growth. The natural lifecycle of plants and insects, and, of course, rabbits’ appetites, will inevitably dash one’s ideal harvest dreams.  I have more than once accidentally pulled a maturing desirable plant in my hasteful weeding endeavor on a hot summer evening. It doesn’t take too long to cope with death in the garden - both intentional and unintentional.

This seasonal lifecycle welcomes my presence in this entire drama, especially with native plants.  The ultimate goal of a balanced, thriving environment around my home is my care and attention.  That is why I do my best to restrain myself from pulling plants that migrate to parts of my yard where they were not originally planted. Rather than dumping fertilizer at a fixed location, I let them show me where they want to grow. I figure that they know better than I do what conditions work best for them - small changes in sunlight, moisture, soil type and neighboring plants play a big role in what will thrive and what will falter. Knowing this, I do my best to work with the plants to let them exert their preferences, rather than me enforcing mine. 

I have a perhaps too cautious concern for the use of fertilizers and anything that ends with the suffix “-ide”, so I rely on my time to be the best determiner of what grows and what dies.  So I watch, learn, and plan for the introduction of new plants and successional plantings to keep the bees busy. I want to attract other flying friends - whether it be birds or other insects,

My basement stairs now have the “Rips Room” letters that I, Eric Rippy Riddle, inherited from my grandfather, Amos Harlen Rippy. The letters hung in the same formation from his home in Tell City, IN throughout my young life.  It is an honor to walk down my stairs and remember the familiar walk down my grandparents basement steps. 

My grandfather was a quiet man.  Growing up, the things that I most identified with my grandfather were:

His stable presence in all of my big life’s moments

He worked most of his life at the Tell City Chair Company

He owned a golf cart at his local course and played all the time

He absolutely loved St. Louis Cardinals baseball

He was responsible for hanging the witty sayings and announcements with the black plastic letters on the church sign

He stopped smoking in the early 1980s when I asked him why he smoked (I have little recollection of this, but it was often stated at family gatherings)

He was in the Air Force in World War 2

The family called him “Pop”.  His friend’s called him “Rip.”

In 2013, Pop was my last grandparent to die.  I was close to all 4 of my grandparents, but Pop’s quiet nature was overshadowed by my grandmother who showered love, attention, and lots of cookies on me. His quiet presence was one of solidarity, but not as much what I would call intimacy. It felt like there was something that I didn’t know about him and wasn’ sure how to find out.

The funny thing is that I did not cry at the funerals of my other grandparents. I also did not speak at those funerals. I did both the day Pop was buried.

His funeral is easily the most memorable for me.  I remember standing on the cemetery hillside, listening to the playing of Taps and getting an overwhelming feeling of what I can only describe as being opened.  I was compelled to begin writing poetry that I described as “openings”.  I wrote this after Pop’s funeral: 

Today, Pop was buriedNext to my mother’s motherSunny, windy on top of Tell CityMy son watched the old man fold the flagRed, White, Blue describedI stood in the tent, feeling an openingA generation is goneMy mom, dad, aunt, and uncle said their goodbyeAt the church, I took the KleenexAnd mumbled through 8 tissuesI said death is a mythand my grandfather is alive

–

Pop lived 68 years after he flew over Tokyo in 1945.  It took me until 2022 to realize that my grandfather was part of Operation Meetinghouse. The air raids over Tokyo on March 9th and 10th in 1945 are considered the deadliest air raid in human history.  With a firestorm that killed nearly 100,000 people, the napalm burned a quarter of Tokyo to the ground.  While the atomic bombs get the attention, it was the Operation Meetinghouse air raid that my grandfather participated in that took the most human life.

His generation fought the most lethal war in human history. Pop embodied the conflict that horrifies and amazes all who study that time in human history.  I can not imagine the psychological anguish - whether felt or stuffed into his unconscious that he must have experienced. I wish I could have known more and spoken to him about that time in his life.  

I wept the day I pieced together the dates of Operation Meetinghouse with what my brother had discovered in Pop’s journals. While it did not feel like a family secret, this realization was an unearthing of family history that has been life altering to me. It feels like a lost treasure with a key that could only truly be opened by talking to Pop. I think part of my emotional reaction is not being able to talk to him about the experience. I am not sure how this has shaped me or how this knowledge will play a role in my life.  It is real and painful and unforgettable.  When he died, and I felt opened, maybe it was a way of passing on a desire for my generation to be reconcilers in a world prone to war.

This deeper understanding of Pop’s Air Force service has drawn me closer to him since his passing. When I think of Tom Brokaw’s book,

Technical producer Kevin Earleybird Earley is our guest host for this episode of Revealing Voices. He interviews fellow creative and long time friend Substantial.

Prince George’s County, Maryland-born MC, producer, artist, and educator, Substantial, debuted in 2000 collaborating with the late Japanese producer Nujabes, who later worked on the popular show Samurai Champloo. Legendary rapper and activist, Chuck D of Public Enemy referred to Substantial as “One of the great MCs of our time.” His soulful and introspective brand of Hip Hop music has received critical acclaim from Ebony.com, The Source Magazine, HipHopDX, DJBooth.net, and Okayplayer.com. His music videos have appeared on MTV, VH1, and BET.

Substantial has performed in nearly 20 countries and has collaborated with artists such as Kool Herc, L Universe better known as Verbal (M-Flo), Oddisee, and more. Substantial has licensed music to major brands such as Ford Motor Company, Bentley Motors, and UBER and also had his music featured in films and television shows such as Kevin Hart’s Laugh at My Pain, Kill Me 3 Times starring Simon Pegg, Daytime Emmy nominated show Tough Love and it’s spin-off series Pillow Talk. Substantial has appeared in the documentaries, Freestyle: The Art of Rhyme and Give Back. He has also written and performed original songs for games such as PUBG Mobile, Mobile Legends Bang Bang, Arknights, Tree of Savior, and Renaine. Substantial is also a two-time Hollywood Music in Media Award nominee.

Earleybird and Substantial discuss taking a leap of faith, challenges for mental healthcare in minority communities, and the inspiration of music and the creative process.