Patrick is joined by Kevin to discuss George A. Romero's underrated masterpiece in Martin (with additional talk on The Amusement Park), and a fascinating foray into the world of '50s sci-fi B-movies with The Alligator People. 

It's a sun-soaked southwestern double feature with one of the greatest horror movies ever made, and a movie with an adorable lizard terrorizing a small town. 

Softspoken drifters hunting racists in the Old West, and living puppets hunting down racists in 1941 Berlin, this double feature has everything. Featuring plenty of Tarantino and Alec Baldwin talk as well. 

I know what you're thinkin' 'Does Deathstalker II get four stars or only three?' 

Sorry this episode is out later than usual, but I'm thinking it's a good one on a classic slasher film and a movie that Jim used to love for some reason. 

Jim and Patrick explore a couple of generation defining action films, and in doing so end up making a lot of fun of Mel Gibson, and talking a little bit about Trancers II.

Tensions flare as Jim gets angry for having to watch both these movies, and Patrick just wanted to watch The Alligator People. They also discuss where they would have taken the Saw series after a relatively conclusive ending to a trilogy. 

If Patrick could have made this episode two hours of talk about how Joss Whedon may or may not have killed a child when he was five years old, he would have. Instead, settle for that being just one of many nuggets within this episode that features an action classic and modern horror comedy classic. 

Patrick and Jim discuss two comedy classics, including a story of Patrick's interaction with one of the members of the Animal House cast. 

These two horror sequels end up having a surprising amount in common.