This week, my guest is author, musician, journalist DAVE BIDINI (member of Canada's longest running indie band--Rheostatics, Editor-In-Chief at West End Phoenix, author of 12 books including Around The World In 57 1/2 Gigs) who picked one of the most fought-over titles to discuss on Revolutions Per Movie, Ron Howard's TV Movie Of The Week, COTTON CANDY!!!

We also discuss entering competitions when you're a kid, how Rheostatics have changed over their 45-year history and how the geography of Canada shaped their music, Dave's parents talking to him about the evils of Punk Rock, Stompin' Tom Conners, how Canadian record labels want bands to strip the Canadian aspects from them, the film/book/lp Whale Music, signing to Sire Records and working with Seymour Stein, Dave watching Cotton Candy when it first aired on TV, Charles Martin Smith and Clint Howard’s amazingly honest nerdy turns in this film, Kiss Meets The Phantom, how TV started competing with films in the late 70s, the pacing of a made-for-TV movie, old teenagers in films, teenage rejection and self-sabotage, being "PUNK" on TV, having a band logo before you even have a band, the brand of Power Pop in this film, dancing in movie theater aisles, the uncomfortable strip poker scene, building bands’ mythology in your head, music that scared you as a kid, being hypnotized by commercials as a kid, Ron Howard's directing style, a great story about Frank Sinatra & The Cramps and more! 

So let's head to the mall to play in the battle of the bands on this week's Revolutions Per Movie!

DAVE BIDINI: https://www.penguinrandomhouse.ca/authors/2290/dave-bidini

RHEOSTATICS: https://www.sixshooterrecords.com/artists/rheostatics

WEST END PHOENIX: https://www.westendphoenix.com/

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!

TIP JAR:

ko-fi.com/revolutionspermovie

SOCIALS:

@revolutionspermovie

BlueSky: @revpermovie

Hosted on Acast. See acast.com/privacy for more information.

This week I’m joined by IRA ROBBINS (Editor & Co-Founder of TROUSER PRESS magazine) as we end the year with the 1959 U.K. cult classic EXPRESSO BONGO!!!

We discuss how Ira's influential magazine was started on a whim, and how as outsiders they wanted a different approach to rock journalism, how they got a long-form interview with Jimmy Page, how the magazine made me feel smarter by reading it, the wild highs and lows of publishing Trouser Press, making mistakes in journalism, writing a letter to Pete Townshend and the reply that came back in the mail, how 70s rock journalism still held power in the culture of the time, the Devo/William Burroughs interview, how they got difficult interviewees to open up to their writers, how the magazine become an obligation rather than an opportunity over the years, the hardcore punk movement, how and why the magazine stopped publication, MTV's influence on music journalism, Laurence Harvey’s strange and powerful performance in Expresso Bongo, how young Cliff Richard was in this film, the incredible opening title sequence of the film, how the film pushes the cultural boundaries for young people in the late 50s, the British kitchen-sink drama movement, how the film was originally a West End musical and the differences between the two, how sleazy and risqué the film is for its time, The Shadows, how exploitative the British rock management world was, the threat of the 50s teenager, the alternate ending of the film and so much more.

So let's spin in circles while shattering our espresso cups on the ground on this week's episode of Revolutions Per Movie!!

TROUSER PRESS BOOKS (you can read the entire Trouser Press Magazine run in their archives!):

trouserpressbooks.com

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!

SOCIALS:

@revolutionspermovie

BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com 

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

Hey everyone...welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault!

This was a special one...director Ryan Worsley had just finished the film at the time of this recording and was publicly screening it along with Negativland performing live afterwards. Not only was it the best Negativland performance I had ever seen, but it was also one of the most powerful (upsetting and darkly funny) shows I'd ever witnessed. A band that is notoriously difficult to pin down was explored beautifully with Stand By For Failure, so I was excited to get into the weeds (and we do!).

(EPISODE 55 originally aired Sept 26th 2024)

ORIGINAL SHOW NOTES:

This week, we are joined by documentary filmmaker RYAN WORLSEY to discuss her film STAND BY FOR FAILURE: A DOCUMENTARY ABOUT NEGATIVLAND. We discuss how Ryan was introduced to the world of Negativland and what she thought of it, how she decided the best way to tell their complicated but surpringly emotional story, the fair use doctrine and copyright law, are Negativland really a band, David Wills (aka The Weatherman) and his astonishing talents & laughter through it all, Negativland's origin story, how Negativland’s current live show We Can Really Feel LIke We’re Here might be their most powerful work to date, the band signing and then getting sued by SST Records, their long-running radio show Over The Edge, what Negativland did with band member Don Joyce’s ashes after his passing, can you still culture jam today, plunderphonics, how Negativland’s perceptions of the world are formed through their music and then mirrored back to us, Richard Lyons' and his alter egos, the U2 lawsuit against the band, the majesty of Casey Casem swearing, the resilience of the band through all their hardships, seeing the inside of The Residents’ recording studio in the film, the Christianity Is Stupid murder myth, how artist’s are still getting ripped off, what it’s like being the subject of a documentary, where Ryan & Negativland stand on AI, and the cultural desert that is the suburbs.

Is there any escape from noise? Find out on this week’s episode of Revolutions Per Movie!!!

RYAN WORSLEY:

http://pool-food.com/failure/

NEGATIVLAND:

https://negativland.com/

https://negativland.com/negativland-documentary

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie.  By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!

Hosted on Acast. See acast.com/privacy for more information.

This week, I’m joined by David Longsreth (of Dirty Projectors and musical collaborator with David Byrne, Bjork, Solange, and Rihanna) to talk about his life in music, and the experience of composing his first soundtrack for A24's The Legend of Ochi.

We discuss the head-bending Dirty Projector’s take on the Black Flag Damaged LP, punk rock mix tapes, touring with Xiu Xiu and going 'method' on that tour, David making his early records in basement bedrooms on 4-track cassette recorders, embarrassing imperfections in music, an early eureka moment while opening for Broken Social Scene, working solo vs. collaborating with others, the different modes of Neil Young, John Cale’s touch and attack, how they did the vocal gymnastics live with Bjork, Einstein On The Beach and Phillip Glass, slowing down songs to half speed, being fans of people you collaborate with, the soundtrack to Rumblefish, David's early work on Ochi and the film's 10-year gestation period, vocal hocketing, creating the creatures’ voices in the film, how it feels to hear your music played by an orchestra, my video store colliding with David creating his 1st record while sleeping in a hallway in Portland, and more...

So come find out if I put a bag over my head for asking naive questions on this episode of Revolutions Per Movie!!!

DAVID LONGSTRETH/DIRTY PROJECTORS:

https://www.davidlongstreth.com/

https://www.dirtyprojectors.net/

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!

SOCIALS:

@revolutionspermovie

BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com 

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

This week, I talk to Beth Harrington, Emmy-winning/Grammy-nominated director of The Winding Stream: The Carters, The Cashes and the Course of Country Music, the upcoming Duplex Planet documentary, and a recording/touring member of Jonathan Richman & The Modern Lovers, about her amazing documentary, Welcome To The Club: The Women Of Rockabilly.

We also discuss Beth’s incredible origin story working with Jonathan Richman and her time in The Modern Lovers during which she suddenly quit her job for a life in music, touring with Jonathan, the story of Chris working with Jonathan Richman for a charity album/documentary, what her upcoming Duplex Planet documentary will be like, the blessing and curse of doing a hour-long doc for PBS, rockabilly influences in the punk underground, how Beth puts her films together, Beth working with Wanda Jackson, The Collins Kids, Brenda Lee & Janice Martin (The Female Elvis), the stage mom factor within the Rockabilly music scene, how Beth gets her candid interviews, Jack White, Robert Oermann & Mary Bufwack's excitable interviews about Rockabilly in the doc, The Sing Along With Mitch albums, how Brenda Lee tried to get Columbia Records to sign The Beatles, the incredible stories of Big Al Dowling (piano player with Wanda Jackson who had one of the first integrated bands in the U.S.), the gender fluidity of many of the rockabilly artists, how documentary filmmaking has changed for Beth over the years and so much more.

So come shake a chicken in the middle of the room on this week's Revolutions Per Movie!

WELCOME TO THE CLUB--THE WOMEN OF ROCKABILLY: https://www.youtube.com/watch?v=nihZl9Ni-Fw&t=856s

BETH HARRINGTON: https://www.bethharrington.com/

DUPLEX PLANET DOC: https://www.beyondduplexplanet.com/

BETH W/ JONATHAN RICHMAN: https://www.youtube.com/watch?v=gf4NSNw_U4I&list=PLE9wKImo1JY6wdkL_W_aZmqutEs-ZSSr4&index=7

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

SOCIALS:

@revolutionspermovie

BlueSky: @revpermovie

Hosted on Acast. See acast.com/privacy for more information.

Hello and welcome to a special holiday bonus episode of Revolutions Per Movie!!!! I'm delighted to be joined by film critic/author Alonso Duralde (Hollywood Pride: A Celebration of LGBTQ+ Representation in Film & Have Yourself A Movie Little Christmas) to discuss one of the greatest holiday feasts of all time: PEE-WEE'S CHRISTMAS SPECIAL!!!!

We also discuss whether or not it's easy to truly love holiday movies, the pain behind the awful Christmas film Santa And The Ice Cream Bunny, what Bowie or Zappa were thinking when they played the Florida amusement park Pirates World (where Iron Butterfly also filmed their film Musical Mutiny), Blast Of Silence, how Pee-Wee scored prime time appearances by Grace Jones and KD Lang while also convincing Cher & Little Richard not to sing, joining the Pee-Wee fan club, David Letterman, the new Pee-Wee doc, how people like Diana Shore were in on the joke by appearing on the special, the incredible pacing of a typical Pee-Wee episode, John Waters, how we love when Pee-Wee was just an asshole, which member of the playhouse would we want to hang out with, David Bowie & Bing Crosby’s rendition of Little Drummer Boy, TV crap and variety shows feeding our 10 year old brains in the 70s, the verdict on Christmas carols, having "verse blindness" with music, top dollar Santas and more!

So please come join me at my Revolutions Per Movie holiday party...the cups of instant coffee are on the floor...so help yourself!

ALONSO DURALDE:

instagram.com/alonso.duralde

https://www.hachettebookgroup.com/titles/alonso-duralde/hollywood-pride/9780762485895/?lens=running-press

https://www.bloomsbury.com/us/have-yourself-a-movie-little-christmas-9781493087440/

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!

SOCIALS:

@revolutionspermovie

BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com 

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

My guest this week is Doug Gillard (Guided By Voices, Nada Surf, Death Of Samantha), who picked the film, Ghost On The Highway: A Portrait of Jeffrey Lee Pierce & The Gun Club, to discuss.

We also talk about our experiences recording for Guided By Voices, the night GBV played Austin City Limits, Doug’s first songs he wrote when he was 5 years old, the influence of cartoon/bubble gum rock on Doug, the TV shows Night Flight and Pop Clips, Doug's Homestead Records band Death of Samantha, Dream Syndicate, the Ohio rock trait of putting on a show bigger than your actual audience size, out-weirding each other in the late 80s music scene, how The Gun Club were the authentic sound of Americana, singing in the key of Jeffrey Lee Pierce, guitarist Kid Congo Powers, filmmaker Alison Anders, how this doc never could get a proper release and can’t use The Gun Club music in it, the trauma underlining the doc, Doug’s experience opening for The Gun Club, Jeffrey playing the trumpet backwards, touring with Brian Jonestown Massacre, Peter Case, joining fanclubs, The Cramps, guitarist Ward Dotson, Yo La Tengo, The Liquor Giants, the iconic cover artwork of the band, Debby Harry singing with The Gun Club, how the members of the band kept getting pulled back into the band over and over again, drummer Terry Graham escaping the band while on tour in the middle off the night through a window, writing record reviews for Slash Magazine, why Lemmy from Motorhead is in this documentary and more!

So let's walk with the beast on this week's episode of Revolutions Per Movie!!!

DOUG GILLARD:

douggillard.bandcamp.com

guidedbyvoices.com

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!

SOCIALS:

@revolutionspermovie

BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com 

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.

How better to ring in the start of the holiday season than with two of my favorite music film obsessives, musician Chaki (The Funk Wizard) & comedy writer/artist/filmmaker Rachel Lichtman of Programme 4, who brought to my attention the 1970 TV spectacular The 5th Dimension Special: An Odyssey In The Cosmic Universe Of Peter Max.

We discuss how this special got on Rachel’s radar, Chaki seeing a restored version of this in a theater with the members of The 5th Dimension in atttendance, what’s the story behind The Glass Industries sponsorship of this special and how they created a ‘real band,' The Glass Bottle, the PBS ‘fake band’ Mulligan Stew, what it was like being a groovy extra in tv/movies during the hippie days, hippies in advertising, Dickie Goodman of Mr. Shark fame writing the music for The Glass Bottle, Rachel’s The 5th Dimension crime show on Programme 4, Dionne Warwick, the obsession within The 5th Dimension to get their vocal harmonies absolutely right, Marilyn McCoo & Solid Gold, the Bee Gee’s Idea TV Special, the steady hand of director John Moffitt (who also directed Mr. Show episodes), how the special was shot in studio 8H in NYC and not in Burbank, Peter Max’s brand of psychedelic art--where art and commerce meet, the weird vibe of Peter Max’s acting in this special, how the Laugh-In writers did not hit the psychedelic needs of this special, Artie Johnson’s problematic and offensive comedy characters in this special, Glen Campbell and Flip Wilson’s much needed energetic turns in this special, the song and the performance of 'Puppet Man', why the children in this special freak us out, the haunting littering commercials made for this special, Chris’s first time seeing the musical Hair, the legendary arrangement of 'Aquarius' banging into 'Let The Sun Shine In.  Also, Rachel gives a massive update regarding the future of Programme 4, and Chaki hints at his new collaboration with El Vez entitled “Fuck Ice”.  

THE 5th DIMENSION SPECIAL:

Obsolete Video: https://www.youtube.com/watch?v=mjC3xB7egmY&t=3292s

RACHEL LICHTMAN:

https://www.programme4.tv/contact

CHAKI:

https://chaki.bandcamp.com/

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

Hosted on Acast. See acast.com/privacy for more information.

Hey everyone...welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault!

And what could be more timely for this Thanksgiving week than a listen back to my episode with DAVID PASQUESI (Strangers With Candy, Lodge 49, At Home With Amy Sedaris, Veep, TJ & Dave) about the Thanksgiving concert that was to become THE LAST WALTZ!!! Enjoy!

(EPISODE 53 originally aired Sept 12th 2024)

ORIGINAL SHOW NOTES:

This week, we talk to actor, writer, and improviser DAVID PASQUESI (Strangers With Candy, Lodge 49, At Home With Amy Sedaris, Veep, TJ & Dave) about Martin Scorsese’s concert film about THE BAND, THE LAST WALTZ !!!

We discuss David’s connection with The Band and the the sadness inherent in the film, how every member of The Band can be the coolest depending on which way you’re watching, how the film can be tainted by their history, how David discovered and watched the entire evening of music and what’s missing from the film, marveling in how long the night actually lasted and imagining what the turkey dinner tasted like, Scorsese’s secretive approach to intially making the film, how they got all these masters of cinematography to participate, The Staple Singers &Van Morrison, how the first song seen in the film is the last song they performed that night, The Basement Tapes, Chris’s family’s 3 generation admiration of David’s work & how David uses silence in his work, how The Band seemed small town-ish while being one of the biggest rock bands in the world, the debate on who wrote the actual lyrics, how heavily Scorsese storyboarded and prepared for this film, how they had to transform the Filmore to film the concert, the song Stage Fright and if David ever gets that when performing, Joni Mitchell stealing the show, gettting Neil Young’s rare ability to smile and his cocaine nose booger removal techinolgoy, the accidents that happen in this film and why they are magical, the band/gang mentality vs. being a loner, the fear of public humilation, Dylan’s decision at the last minute that he didn’t want to be filmed for the movie and how they got him to change his mind, the endless end of night jams with Ringo and Ron Wood, Scorsese’s flawed Rolling Stones film and more!

So let’s fill up on a turkey, waltz, and dance to The Band on this week’s episode of Revolutions Per Movie!!!

DAVE PASQUESI:

https://www.davidpasquesi.com/

https://www.tjanddave.com/

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

SOCIALS:

@revolutionspermovie

BlueSky: @revpermovie

Hosted on Acast. See acast.com/privacy for more information.

My guest this week is Michael Layne Heath (critic, author & compiler of My Week Beats Your Year: Encounters With Lou Reed), who brings us the Lou Reed & John Cale performance film Songs For Drella to discuss.

We also talk about Michael starting the first D.C. Punk zine in 1977, reading about bands before hearing them, The Slickee Boys, Tommy Keene & Razz, Vintage Violence zine, The Cramps playing D.C., Creem Magazine, Cale recording his album Fear, the import bins at local record stores, treating press interviews as art pieces, Lou Reed's control of a crowd, the genesis of Songs For Drella, how by the end of the project they didn’t want to work together, the differences between the film versions of the songs and the album versions, the dream sequence in the film, fictionalizing Warhol’s life in this work, the very telling non-verbal interactions between Cale and Reed in this film, how the film was misplaced for years after its initial VHS release and then found during the making of the Todd Haynes VU doc, where Lou and John were at the time of this project, Lou’s defense for doing Honda/American Express commercials, Robert Quine, Warhol’s work ethic, The Warhol Museum, and we also reenact the classic and combative Lou Reed interview with the Australian press core!

MICHAEL LAYNE HEATH:

https://hatandbeard.com/products/my-week-beats-your-year-encounters-with-lou-reed?variant=40376865194050

https://www.furious.com/perfect/vintageviolence.html?curator=MusicREDEF

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!

SOCIALS:

@revolutionspermovie

BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com 

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Hosted on Acast. See acast.com/privacy for more information.