On this week’s bonus episode of Revolutions Per Movie (released for fun on Chris' birthday), we are joined by director Jeff Feuerzeig (The Devil And Daniel Johnston, AUTHOR: The JT LeRoy Story, Half Japanese: The Band That Would Be King) to discuss a very mysterious, litigious, and glorious documentary KISS IN CADILLAC, MICHIGAN 1975! We get to discuss Jeff’s origin story with Kiss, his childhood insights into their albums, how a high school assistant football coach got Kiss, at the height of their KISS ALIVE exploding fame, to come to his town to celebrate Kiss and play a show in their gymnasium, being kids in 1975 trying to recreate their dangerous stage show, the complicated legal battles surrounding the rights to this incredible film, the mystery of who actually made the documentary, the power and mythology of Kiss on pre-teens in the 70s, Creem and Circus magazine, Jeff gives his deep cut must-see documentary list, our love for Paul Stanley stage banter, how Jeff accidentally discovered this documentary, Ace Frehley’s laugh being the greatest thing ever recorded in human history (and how the other members of Kiss hated it), Jeff’s rabbit hole search to find the film after it had been stripped off the internet, the controversial figure The Gooch and the Kiss Army’s thoughts on him, the loophole in the Digital Millenium Copyright act, Kiss making their own version of the documentary with ESPN and how it pales in comparison, bootleg records, Springsteen Vs. The Grateful Dead, KISS=Keep It Simple Stupid, the Sex Pistols reunion tour, WFMU, a Ramones hologram tour, and more!

So shout it out loud with us on this bonus episode of Revolutions Per Movie!!!

And remember you can always celebrate my age by supporting the show over at Patreon.com/revolutionspermovie (you can even gift the show now!). Thanks again everyone...

JEFF FEUERZEIG:

https://www.jefffeuerzeig.com/

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. 

SOCIALS:

@revolutionspermovie

BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

 

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon

Hosted on Acast. See acast.com/privacy for more information.

This week, we are joined by Paisley Underground legend MATT PIUCCI (Rain Parade, Crazy Horse) to discuss the TODD HAYNES’ documentary, THE VELVET UNDERGROUND. We also talk about Haynes’ body of work including Velvet Goldmine & Safe, the perfect run of Velvet Underground records, Chris’ emotional breakdown after seeing the film in the theater, Roky Music & The Doors, does a biopic need to be truthful, how being on stage is similar to Matt’s forensic courtroom work (and would any member of The Velvets been good forensic scientists), the multiple screen and sound work within the film, how so much of art is because of chance encounters, how Andy Warhol’s prescence allowed the Velvets to get through the gatekeepers of a label, honoring Warhol’s visual identiy in the the film, the NYC underground filmmaking scene, how they edited this film, Lou Reed scrambling the narrative of his life, drones in music, Miles Davis, the mid 60s L.A. rock scene vs the NYC rock scene, seeing John Cale live, Chris hearing the first Velvet’s record as a 7 year old & Matt seeing The Byrds live as a child, Mick Ronson & Transformer, Jeff Beck playing with Ziggy Stardust, how without Mo Tucker the Velvets were never the same, the Grateful Dead comparisons that confuses us, Can, Jonathan Richman’s presence in the film, The Velvet’s love of Neil Young, Matt talks about recording with Billy Talbot of Crazy Horse and smoking bowls with Neil Young, how Haynes’ struggled making the film because of lack of archival footage of the band, John Cale’s departure from the band and the pain of band lineup changes, Songs For Drella and the vilification of Doug Yule.

So let’s have The Velvet Underground hypnotize us once again on this episode of Revolutions Per Movie!!!

MATT PIUCCI:

@mattpiucci

https://rainparade.bandcamp.com

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!

SOCIALS:

@revolutionspermovie

BlueSky: @revpermovie

Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon

Hosted on Acast. See acast.com/privacy for more information.

This week we are joined by superforce musician, actor, writer & podcaster SEAN NELSON (Harvey Danger, The Wonder Of It All) to discuss one of the most divisive music biopics of all time, Oliver Stone’s THE DOORS. We delve into seeing the film in the theater when it first came out in 1991 and how it was wiped off the culutral map shortly after its release, the divisiveness of The Doors’ music, how this was the peak of Oliver Stone’s power after just winning an oscar, DePalma’s proposed version of the film, the strange casting choices for Jim Morrison before landing on Val Kilmer, how the surviving members of The Doors were split on their support of the film, outgrowing certain types of music, the great 90s indie film boom, how in Stone’s eyes Morrison could do no wrong, how the film is intellectualy lazy but visually majestic, Crispin Glover as Andy Warhol, Val Kilmer going method on the set of the film, Joan Didion in the studio with The Doors, being superstars at the age of 21, Val Kilmer’s butt double, Ed Sullivan impersonators, Stone’s disrespect for Warhol’s Factory, Kevin Dillon’s narc energy in the film and who should have played drummer John Densmore instead, the story behind who played ‘Death’ in the film, Hammer Of The Gods & No One Gets Out Alive being essential teenager reads, how the last line of the film is one of the greatest throw away lines of all time & so much more…

So let’s swim to the moon (or not) on this week’s episode of Revolutions Per Movie!!!

SEAN NELSON:

The Wonder Of It All: https://www.youtube.com/playlist?list=PLu_AhsJQirp3LaDyH2J0JO_BboEpmaP0Q

@actualseannelson

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!

SOCIALS:

@revolutionspermovie

BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

 

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon

Hosted on Acast. See acast.com/privacy for more information.

Happy holidays, everyone! I wanted to thank everyone who has supported and listened to the show, all of you incredible folks who have gone the distance & subscribed to the show's Patreon (again, thank you thank you thank you!), written kind reviews, turned other people onto the show, and generally just cheered this show along as I work on the show. I also want to give much love and thanks to my co-host Chaki The Funk Wizard, all my incredible guests who bring such goodness to the show, and the incredible Jeff T. Owens for all his graphic work.

So, for this holiday week, I wanted to share an episode that initially came out on the Revolutions Per Movie Patreon. Tom Waits seems like a good holiday or end-of-year choice, and my guest Galen Howard is fantastic with his love of Waits' lore and the making of this very, very strange 'concert' film.

To all who already support the Patreon, I hope you are enjoying the Flexidisc, and heads up that another special physical music gift is coming your way next month just for you! You keep the show going so thank you...I do not take your support lightly.

And for any of you who have not joined the Patreon, I hope you'll consider it. The show is completely independent, and this is the best way to support the show (plus get all the killer bonus extras!!!) patreon.com/revolutionspermovie or gift it over at patreon.com/revolutionspermovie/gift

Looking forward to bringing you even more in 2025 and again thank you for enjoying the show.

Chris Slusarenko

This week, we talk to actor GALEN HOWARD (THE BOOK OF BOBA FETT,  BROOKLYN 9-9 and the star of music videos by Weezer and Disclosure) about the TOM WAITS “concert” film BIG TIME. We discuss what it’s like being part of the Star Wars cinematic universe, why Tom Waits is Galen’s all-time favorite artist, the long-ago arthouse vibe of the film, what works and doesn’t in the film, how Waits slowed down his voice in the film to create unease for the audience, Waits’ original stage play, the jarring interstitial moments in the film, musicians Marc Ribot and Ralph Carney, the acting of Tom Waits, the early traditional albums of Waits, why it’s so hard to find the film, Film Noir fixation, how Waits has influenced Galen’s creative process, Rust Never Sleeps, the staging and lighting decisions for the film, what songs were sadly excluded from the film, dancing in movie aisles, the growth and journey of Waits’ Frank character, Robert Wilson, the lack of documentation of Waits’ visual work and stage performances, and even Tom Waits’ lawsuit against Doritos.

So get your tickets early, before the usher waltzes you away, on this week's episode of Revolutions Per Movie!!!

GALEN HOWARD:

https://www.galenhoward.com/

https://www.instagram.com/galenhoward/?hl=en

Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon

Hosted on Acast. See acast.com/privacy for more information.

This week, we are joined by documentary filmmaker SCOTT CRAWFORD to discuss the director’s cut of his D.C. hardcore punk documentary, SALAD DAYS!!! We discussed Scott’s punk fanzine that he published in 7th grade, unlocking the mystery of VOID, the sadness of MINOR THREAT’s final EP Salad Days, Trouser Press Magazine, devouring punk rock scene reports, seeing FUGAZI play in a hippie cafeteria, witnessing RITES OF SPRING’s legendary live shows, being able to name all members of BEEFEATER, the divisiveness within its own scene, MARGINAL MAN, Rock against Reagan, do our first punk shows really count as punk shows, renting out VFA halls to put on punk shows, self-policing all ages show in D.C., 9:30 Club, what made Scott revisit the film to make a director’s cut (the answer might surprise you!), growing up in a band, the violence that came into the scene, Revolution Summer, Brian Baker’s interview style, Faith Vs. Void, punk shifting towards metal, getting hit in the face by a guitar headstock, how Scott got access to footage of SOA & BAD BRAINS, Positive Force, and learning never to have your band follow Fugazi live!!!

So we’ll see you in the pit (and pick your friend if they fall down) in this week’s episode of Revolutions Per Movie!!!

SCOTT CRAWFORD:

https://www.saladdaysdc.com

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!

SOCIALS:

@revolutionspermovie

BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

 

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon

Hosted on Acast. See acast.com/privacy for more information.

This week, we are joined by legends Jeff & Steven McDonald of REDD KROSS and Andrew Reich, the director of the new Redd Kross documentary ‘BORN INNOCENT: THE REDD KROSS STORY.' A band very close to my heart and record collection, we discussed so much in this episode, including the Elks Lodge Punk Rock riot and the story of their parents rescuing them from it, Andrew’s gateway into hearing the band for the first time, Jeff’s early hair regiment and the moment the band decided they would cut their hair no more, their shows with Black Flag and The Go-Go's, the brother dynamic and what it's like starting your band at age 11 and 15, convincing their parents to drop them off at punk rock shows and how hard was it to get their parents to agree to be in the movie, how the film took almost 10 years to complete and what made Andrew want to be the one to direct it, the brother dynamic, the magic in how Redd Kross write songs, razzamataz, the cover art of Born Innocent, reclaiming the fun after the traumas of their youth, garbage culture, Beyond The Valley Of The Dolls and discovering Pink Flamingos, how video stores saved our young minds, what it was like acting in the Lovedoll films, Anarchy 6 (The Rutles of hardcore punk), their massive influence on the American underground and what later became grunge, Sub-Pop, working with Geza X and being out of their minds on drugs while recording theTeen Babes from Monsanto LP, the multitude of band members that have gone through the ranks of the band over the years, Bowie being at their first nightclub show, could Redd Kross ever existed anywhere else but L.A., breaking down their tragic show at the legendary CITY GARDENS venue, the night Jeff taunted the Suicidal Tendencies crew, the power and safety of wearing a guitar on stage, who would play Redd Kross in the big screen biopic version of their story and so much more!

So blow a kiss in the wind and let your hair grow long on this week's episode of Revolutions Per Movie!!!

REDD KROSS:

https://www.reddkrossfilm.com/

https://reddkross.com/

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!

SOCIALS:

@revolutionspermovie

BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

 

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon

Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to director, comedian, visual artist, writer, and conjurer of groovy worlds, RACHEL LICHTMAN (Programme 4, Easy AM 66), about one of the most surreal episodes of the fabulous variety series The Hollywood Palace!  Our deep dive leads us into one of the strangest and funniest episodes ever of Revolutions Per Movie, where we take apart (and at times destroy ‘with love’) the show—complete with the mind-twisting commercials of the day. We discuss how the host, quadruple artistic threat Sammy Davis Jr., is likely the greatest TV host of all time, Rachel’s deep knowledge of 60’s and 70’s pop culture and how she channels it seamlessly into her own art, the sadness of going to fancy restaurant as a kid with your parents, what a bummer Peter Lawford is in this episode and his vomit inducing version of Aquarius, Sammy Davis Jr. and Mama Cass Elliott killing it while performing together, the various 'mouthwash for lovers' that were being sold at the time of this episode, The Groove Tube, family bands, The 5th Dimension cop show that Rachel dreamed up, The Rolling Stones’ first U.S. TV appearance on The Hollywood Palace where they got roasted by host Dean Martin, The Lawrence Welk Show, the incredible Emmy-winning production design of the show and how they were originally going to put a swimming pool floor into the theater, a very influential jazz musician-themed Kool cigarette commerical, getting a cigar sent to you in the mail, dicking around and the smells of old recording studios, working with Ted Leo & Juliana Hatfield, the Free Love movement, Redd Kross, soul legends The Dells, the Alka Seltzer politcal ad, Mad Men, the end of the variety show era, what the fuck is GrapeBerry Juice, Rosey Greer and his soul song, The John Cassevettes’ styled commercial for Tylenol PM, The Electric Company & Rhoda, & the electrifying conclusion to this whirlwind show full of jaw-dropping strangeness.

Be sure to watch the episode along with us in the show notes below so you can also scream in terror at Peter Lawford’s counterculture attempt at being The Now Thing!!!

RACHEL LICHTMAN:

https://www.programme4.tv/

WATCH THIS EPISODE OF THE HOLLYWOOD PALACE:

https://www.youtube.com/watch?v=ePGjB13X1I0

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon

Hosted on Acast. See acast.com/privacy for more information.

This week, we are joined by New Zealand musician & composer LUKASZ PAWEL BUDA (Hunt For The Wilderpeople; The Phoenix Foundation), who picked the Dave Markey music documentary 1991: THE YEAR PUNK BROKE to discuss. We talk about discovering Nirvana & Sonic Youth, what it’s like for Luke to compose music for director Taika Waititi’s films, 1991’s director Dave Markey’s history with SST records, Luke taking the teenage trek to see grunge bands live and does Pearl Jam count as a grunge band, how this movement captured in the film eventually became a world wide sensation, the Sonic Youth Goo VHS tape, Thurston’s stream of conciousness rants in the movie, the start of documenting everything with film & video, how Sonic Youth did not come off as goofballs on their albums but did in their videos, Meat Puppets Up On The Sun, the Sub-Pop situation, selling out, Jawbreaker, what was selling out in New Zealand like, Flying Nun Records, Bad Moon Rising, the ceiling of the underground, Nirvana’s Bleach, hearing Smells Like Teen Spirit for the first time, Chris’s Sub-Pop band playing with Mudhoney and Nirvana the day their album went gold, seeing Sonic Youth wearing shorts, The Crucifucks, Steve Shelley’s drumming, Markey’s knack of knowing where to film at any given moment, the incredible coolness of Kim Gordon, how the film gloriously shows how Sonic Youth actually made these songs come to life, how impressive it is that Sonic Youth could still hold onto what made them singualr while moving into a more accessable world, Miles Davis’ Bitches Brew, how Nirvana ecplised Sonic Youth’s popularity by the time this film came out, Courtney Love, the overwhelming Redding Festival lineup that year, how the Super 8mm format enhanced the film, blind spots in musical cultutre, The Pixies and the melancholy that happens as your tour ends.

So grab the tiny mic and scream straight into the camera on this week’s episode of Revolutions Per Movie!!!

LUKASZ PAWEL BUDA:

https://thephoenixfoundation.bandcamp.com

https://www.monikermusic.net

https://lukebuda1.bandcamp.com/

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

 

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon

Hosted on Acast. See acast.com/privacy for more information.

This week, we are joined by comedian, musician, and the proud creator of 31 Videos In One Day, JOE KWACZALA, who picked the Lonely Island music comedy biopic POPSTAR: NEVER STOP NEVER STOPPING to discuss. We also talk about what leads the charge for Joe—comedy or music, Joe’s obsessions with classic rock radio, getting your rock shirts at JcPenneys, Joe cracking classic rock station trivia contests and winning beer as 14 year old from them, the shield of comedy lyrics, how difficult it is to recommend comedy films to others, why the film bombed at the box office, looking at the cameo stuffed film from Ringo Starr to Mariah Carey, the original script of the movie, the steady hand of comedy genius Tim Meadows, Bill Hader as Zippy the Guitar tech, the fake songs in the film that hold up as actual songs, U2’s music appearing on appliances and how the film parodies that, what would be our dream product to sell out too, sticking with one artist’s career, the myth of backstage pre-show ritutals, what’s missing from comedy club stages and what is the load in times for a comedian, Man Man, Gruff Rhys and his paper shredder, big and small rock spectuals on stage,Ted Nugent stupid stage antics, Chris Redd, the comedy chops of Seal in this film and more.

So please put on the laser beam helmet, and let’s hit the stage for this week’s REVOLUTIONS PER MOVIE!!!

JOE KWACAZLA:

https://joekwaczala.com/

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.

Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!

SOCIALS:

@revolutionspermovie

X, BlueSky: @revpermovie

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

 

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon

Hosted on Acast. See acast.com/privacy for more information.

This week, we talk to Nick Brine (who, as a teenager, worked on The Stone Roses’ 2nd LP & Oasis’ What’s The Story Morning Glory and has worked with everyone from Nick Cave to Bruce Springsteen) about the legendary Welsh recording studio that Nick got his start in the doc Rockfield: The Studio On The Farm. We discuss all the legends that have recorded there from Hawkwind to Queen from The Beta Band to Shane MacGowan, how The Ward Brothers who created Rockfield transformed their family farm into the first residential recording studio in the world, using pig stalls for reverb chambers, Joe Meek, the birthplace of Britpop, dealing with the paparazzi, Kingsley’s ability to spin yarns, Iggy Pop & David Bowie recording with a piece of cheese, the magic of the Welsh countryside, driving Robert Plant around, Roy Thomas Baker’s gold toilet seat, the posh side of town vs the farmer side of town, Andy Wallace, Nick’s very strange initial job interview, Nick’s first two sessions with Sepultura and The Stone Roses, getting used to seeing rock bands walking around your small town, working with Oasis and Nick witnessing the legendary fight that broke them up, if the Stone Roses ever get any work done in the 14 months they were there, the Wonderwall wall, using bathroom hallways as vocal booths, building studios with members of the Darkness,Teenage Fanclub and so much more!

If you want amazing stories about one of the most magical places that somehow created much of the greatest music ever made…you’ve got it on this week’s episode of Revolutions Per Movie!!!

REVOLUTIONS PER MOVIE:

Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.

New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.

The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly exclusive bonus episodes and physical goods just by joining!

SOCIALS:

@revolutionspermovie

BlueSky: @revpermovie.bsky.social

THEME by Eyelids 'My Caved In Mind'

www.musicofeyelids.bandcamp.com

ARTWORK by Jeff T. Owens

https://linktr.ee/mymetalhand

Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon

Hosted on Acast. See acast.com/privacy for more information.