Richard Fearless is a true lifer. The DJ, producer and Death In Vegas founder sits down with Paul to reflect on 30 years of musical evolution that has taken him from the hugely influential Heavenly Social to Mercury Prize nominations, a top ten hit about a serial killer sung by Iggy Pop to his current creative renaissance, working free from industry bullshit and producing his best work in years,

Growing up in remote Zambia with music-loving parents, Fearless recalls connecting with music at an early age. His path would lead through the emerging London techno scene of the late '80s and '90s, where he cut his teeth as a resident DJ alongside contemporaries like Andrew Weatherall and The Chemical Brothers before launching Death in Vegas. The conversation reveals a pivotal moment when commercial success led to a crossroads rather than continued mainstream pursuit.

What emerges is the portrait of an artist who deliberately stepped away from major labels, management, and industry expectations to craft a more authentic sonic identity. His riverside studio "The Metal Box" becomes central to this narrative – an analog sanctuary where tape machines, field recordings, and environmental sounds combine to create the stripped-back, trance-inducing techno of his current work. "I make my best music when I'm digging deep within myself," he explains.

Perhaps most compelling is Fearless's admission that he feels more proud of his recent, independent work than the commercial hits that brought him fame. His collaborative ventures with friend of Lost and Sound Daniel Avery and new dub-inspired night "Holy" demonstrate an artist still pushing boundaries rather than retreating into nostalgia. "I feel as excited about DJing as I was when I was 20," he confesses, signaling that artistic liberation has reinvigorated his passion.

Death Mask by Death In Vegas is out now. Listen on  Bandcamp

Follow Death In Vegas on Instagram:  @deathinvegasmusic

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Want to go deeper? Grab a copy of my book Coming To Berlin, a journey through the city’s creative underground, via Velocity Press.

And if you’re curious about Cold War-era subversion, check out my BBC documentary The Man Who Smuggled Punk Rock Across The Berlin Wall on the BBC World Service.

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