Our second set from Breakfast of Champions comes chock full of breakbeats from our one and only Rumblemunk. In his words:

The set starts with a cool and funky transition track with some well-known vocals to keep folks hooked. I admit: it's hard playing after shOOey. There are literally people hanging from the rafters and dancers all over the stage, and I try my best to keep them interested for as long as possible.

The core of the set is an exploration of recent breakbeats that sound minimal, but really are an evolution of the 90s dub sound that traces directly from reggae to drum and bass. The 60-70 BPM of dub double-timed up to high 130s and low 140s BPM forces faster elements like hats and arpeggios to be simplified, but leaves space for really interesting layering when slowed down to 132 BPM. There's a run from 12:30 to 17:30 that exemplifies this layering and progression before dropping back into the more open foot-stompy breaks.

I hadn't played it in a while, and was sort of missing the rapid-fire rapping of Eminem, so I dropped in Eminight's Doom, my bootleg of Eminem's Without Me and Timo Maas' Doom's Night. It wraps up a nice run of Plump DJs, Krafty Kuts, and Yo Speed.

The final act of the set is a trip back through time to 2004 with deep cuts from Plump DJs, Evil Nine, and the Breakfastaz (name appropriate, no?).

This all leads into the final track; a breakbeat remix of Megadeth's Peace Sells (But Who's Buying) from 1988. I was looking for something topical for the current times with space for live guitar, but wasn't finding any tracks that worked. The idea of remixing Megadeth has been on my mind for a while, and the similar BPM and angry lyrics (If there's a better way... I'll be the first in line... But it better work this time) meant I had to do this. The live guitar bit didn't pan out, but production time of 7 weeks from idea to master is a new record for me. Expect an official release with live guitar and club edits later in 2026.

-Rumblemunk