We celebrate our 100th episode by discussing Dan's new Epstein piece and the triggers we both inadvertantly spark. Pretty deep and dark.

Up for discussion today...Chalamet, Epstein, and the Clubs.

Being in a place nobody knows, exploring boundaries that no one sees. And then there's the other thing...

Rob and Dan discuss the point in a production when the creator and director have given it all to the piece and can' t do anything more , or want to. Come on, we've all been there...

Rob discusses breakthroughs and frustrations, Dan is just frustrated

We discuss the responsibility of the artist to use their talents for what they perceive as good, or necessary. A tough subject.

Rob speaks of the loss of his father. We open the discussion of the new ballet based on the music of Mark Scarpelli

Rob and Dan wander through the January doldrums. Even artists go through this... You?

Rob and Dan discuss the value of seeing the work in a single glance, or part of the work, or a glimpse of part of the work. It's hard to explain ...

Do we alter pacing to match the sonic ectoplasm of the room, or city, or country in which we perform?