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Pamela Anderson as a bounty hunter who impales nazis with the heel of her stilettos. Ice-T as the leader of a rebel group of half kangaroo men. A Courtney Love produced soundtrack featuring Björk and Face to Face. Lori Petty headlining an MGM-produced adaptation of a cult comic book series. Things that could have only existed in the mid-90s. For the seventh installment of our ROTTEN APOCALYPSE series, we're diving into a pair of steampunk Gen-X flicks that remind us what comic book movies looked like before the now-dominant behemoth of Marvel Studios. First up, it's the 1995 queer cult favorite "Tank Girl" starring Lori Petty, Ice-T and a young Naomi Watts. After that, we're jumping forward a year to 1996 for the softcore re-imagining of "Casablanca" you never knew existed with Pamela Anderson's notorious "Barb Wire."
BAYHEM REIGNS
What would the disaster movie be without the contributions of German director Roland Emmerich? For over 25 years, Emmerich has made a name for himself destroying cities worldwide, most famously in 1996's "Independence Day". Today on the podcast, we're looking back on Emmerich's magnum opuses: the global warming thriller "The Day After Tomorrow" and the disaster movie to end all disaster movies, "2012". Cinematographer Jake Ures joins us to discuss the effortless charm of John Cusack, Jake Gyllenhaal's early years as an up and coming leading man, the underrated character actor Glenn Plummer, Emmerich's unabashed love for 50 Cent, and America's least valuable leading man, Dennis Quaid.
1997. A time when Tommy Lee Jones could headline a major studio action movie and Los Angeles was still reeling from the Rodney King riots and O.J. Simpson trial. A year when Hollywood gave us two volcano-centric disaster movies, but only one that cut right to the chase and called itself... "Volcano".
Hollywood is in the midst of a serious movie star crisis. in an era of Marvel superheroes and interchangeable Chris's, it's hard to remember a time when we had actual movie stars that could draw audiences to theaters. for our latest chapter in rotten apocalyptic cinema, we're watching the world burn with two of our favorite podcast mack daddies and two of our most timeless leading men: Keanu Reeves and Nicolas Cage.
"Despite what you may have heard, Armageddon is a work of art by a cutting-edge artist who is a master of movement, light, color, and shape—and also of chaos, razzle-dazzle, and explosion." -- Jeanine Basinger, in her essay on Michael Bay's 1998 "Armageddon."
“Armageddon” is available to stream on amazon prime // you can find nick on instagram @vhs_soundtrack88
over 35 years before denis villeneuve successfully brought frank herbert's landmark sci-fi novel to the big screen, david lynch entered the pantheon of notorious box office bombs with his own attempt at adapting the famously "unadaptable" classic. with the 2022 oscars finally upon us and denis villeneuve's "dune" more than certain to take home the most awards of the evening, we wanted to take a trip back to 1984 when producer dino de laurentiis thought that he finally had his very own "star wars" on his hands.
if there's one win you can count on next weekend at the oscars, it's jane campion becoming only the third woman in nearly 100 years to win best director. in honor of this depressing statistic and campion's legendary 35 year career, we're looking back at two of her biggest critical misfires that aren't the misunderstood masterpiece "in the cut." first up, it's campion's 1996 follow-up to her oscar-winning "the piano" with the nicole kidman-led "the portrait of a lady" followed by the 1999 cult comedy "holy smoke" starring kate winslet and harvey keitel.
for the next three weeks, we're showing love to some of this years oscar nominees and looking back at some of their biggest critical and financial misfires. this week, two of this years best actor nominees (and two of the biggest stars on the planet) go head to head in a pair of movies that would have crushed in the 90s. first up, it's 2 time academy award winner and 3 time podcast MVP denzel washington in his oscar nominated performance as the titual "roman j. israel, esq." after that, we're looking back at 2 time oscar winner ang lee's latest foray into 120fps with "gemini man" starring not one but two will smiths.
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