Nico Van Hout, curator at the Royal Museum of Fine Arts Antwerp, explores the thread of Rubens’s influence through art history.

This discussion is part of a series which explores the creative spaces of artist’s studios, looking at the intersection between art and architecture.

David Hills of architectural practice DSDHA discusses with artist and author Edmund de Waal the stunning studio they recently designed for him in south London as a creative backdrop to his evolving work. The studio is the result of a long-running conversation between architect and artist, which includes earlier collaborations on de Waal’s previous studio in Tulse Hill and other architectural commissions.

Award-winning and best-selling novelist Sebastian Faulks CBE reads a short story selected in response to ‘Rubens and His Legacy: Van Dyck to Cézanne’. In association with Pin Drop.

This intimate salon explores Allen Jones’s controversial work ‘Chair’ and its changing status as a piece of fine art, an erotic sculpture and an object of attack.

This is an extract from the audio guide to 'Richard Diebenkorn', on display in The Sackler Wing until 7 June 2015.

Exhibition curator Sarah C. Bancroft explores Richard Diebenkorn’s consuming attention to detail and improvisational process that led to his magnificent compositions.

Curator Arturo Galansino considers how the exhibition’s themes (violence, power, lust, compassion, elegance and poetry) can help us to understand the influence Rubens had on his fellow artists, up to and including the 20th century.

Curator Amanda Doran introduces this exhibition about the illustrator Charles Stewart (1915–2001), who was haunted by the Victorian novel Uncle Silas for over 40 years.

Feminist and academic Professor Germaine Greer, disability rights advocate Dr Tom Shakespeare, artist Grayson Perry and Professor Mary Beard to find out what role visual art plays in creating and communicating body image.

On 22 December 2014, the Arts Club was the focus of a discussion on the BBC World Service. Anna Nunhofer, Families & Communities Co-ordinator at Royal Academy of Arts, explains how art can inspire marginalised and homeless people.