The theatre making duo made up of director Talia Paulette Oliveras and writer Nia Farrell, collectively known as TaNia, met while studying experimental and collaborative theatre making at New York University's Tisch School of the Arts. The power of their theoretical rigour and the incision of their thought as a means of critiquing power was maybe developed at NYU, but there is no arid or academic crust to the work that TaNia first developed there: the visceral, playful, humane, angry, Afrofuturist theatre event Dreams in Blk Major.

Sam Max is in the early years of their working life but judging from the level of interest their work has provoked and from the depth and clarity of imagination that defines COOP, they are one of those writers whose work over the coming decade has the potential to allow us to reimagine ourselves as we come out of the pandemic.

Eve Leigh is a writer of range and conviction. Her theatre is built on an understanding of the importance of the presence of the audience in her work. She invents games for them to play. She imagines magic tricks for them to take part in. She makes music for them to listen to. In recent years her commitment to the investigation of issues of ability and access in the theatre have been integrated into her work in a way that is as theatrical and playful as it is serious and nuanced.

Quebecoise musician, artist, director, actor and writer Laurence Dauphinais has a body of work that is defined by its diversity. Her beautiful piece of documentary drama Aalaapi, which has been chosen for the 2020/21 Stückemarkt, was her debut as solo director. It premiered at the Centre du Théâtre d’Aujourd’hui (CTDA) in Montréal where it won the 2020 Playwright’s Prize.

Over the course of the last decade Jude Christian has established herself as one of the most exciting directors, dramaturgs, and theatre makers in British theatre. She has written, developed and performed a quite shattering and unique piece of theatre. Nanjing dramatizes her own exploration of her own history.

Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Writers and musicians Jammz (Poet in da Corner) and Nazareth Hassan (VANTABLACK) discuss their work for Living Newspaper Editions 1 and 2, how they approached creating their pieces for Living Newspaper, the survival of […]

Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Writers Ruby Thomas (Either) and Chris Thorpe (Victory Condition) wrote for The Weather Room of the Living Newspaper, in Edition 2 and Edition 1 respectively. In the Living Newspaper, The Weather Room is an […]

“One of the things that I was thinking about is that, conspiracies just tend to take on the kind of anxieties of the age that they’re conceived in.” Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. In this episode, writers Katherine Soper […]

Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. In this episode, writers Emteaz Hussain and Jasmine Lee-Jones talk about the role of writing for self-reflection and transformation and how they responded to, and wrote for, the Obituaries section of the Living Newspaper. […]

Living Newspaper Clippings, is a series of conversations between some of the writers and artists who are creating Living Newspaper at the Royal Court Theatre. Writers Anchuli Felicia King and Tife Kusoro discuss creating Aunties for Royal Court Living Newspaper Edition 2. Felicia’s ‘Protest Aunties’ and Tife’s ‘WhatsApp Aunty’ took over spaces of the Royal Court building to explore […]