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We take a look at what makes "The Exorcist" such a timeless classic. From it's suggestive mythology to Friedkin's purposeful and direct visual style, the film successfully creates a wonderful horror atmosphere.
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We take a look into “Chilly Scenes of Winter”, a layered and well observed romantic comedy by Joan Micklin Silver. We are particularly fond of the complicated portrait of the main character, as well as the smartly utilized flashback structure.
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Today we discuss Hou Hsiao-hsien’s “A City of Sadness”, possibly his most defining film. Although some of its historical context was difficult to fully grasp for us, we still found it a beautiful film, particularly in how the patient and distant images work towards building the film’s strong but restrained emotions.
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Today we welcome Luis Fernando Puente to discuss two of his short films: the emotionally poignant “I Have No Tears, and I Must Cry” and the charming “El Moño”. Luis reflects about the difficulty of the immigration process in the United States; what it is like for filmmakers in Utah to be living so close to the Sundance Festival, as well as what new projects he’s developing.
Today we welcome Mazen Haj Kassem, a filmmaker and film festival jury member. We discuss two of his short films, “My toy” and “Full Memory”, as well as his different roles in working in the behind the scenes of several film festivals.
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Join our journey through Nolan’s “Oppenheimer”, a special film from one of the directors that made us fall in love with cinema when we were younger. We discuss the relentless rhythm of the editing, the flaws and complexities of Oppie, and we reflect on whether this film ranks higher or lower in the context of Nolan’s filmography. At the end, we also sneak a little commentary on Greta Gerwig’s “Barbie” and why it might not have worked on its entirety for us.
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Legendary Buster Keaton takes into cinema dreamland with “Sherlock Jr.”. We discuss the inventiveness of the filmmaker, his importance in the action-comedy genre and how Tom Cruise is a sort of Buster Keaton for our days.
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We get lost in David Lynch’s “Mullholland Drive”, a modern masterpiece. We try to make sense of its ideas and what it all means, understanding that part of the film’s magic is the dreaminess and its hard to pin down nature.
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