
Sign up to save your podcasts
Or


It’s a wild and woolly episode of the podcast as editors Christopher Angel and Amy Duddleston return to discuss this year’s Oscar nominees for Film Editing. In all the years I’ve hosted these conversations, this pair has always complained about films being too long. Given that the shortest film on this list clocks in at two hours, I was anticipating some blistering critiques, but their assessments surprised me. Did we agree about all of these films on their merits? No. Was I entertained? Yes. I hope you will be as well.
The 2024 Nominees for Film Editing:
• “Anora”
• “The Brutalist”
• “Conclave”
• “Emilia Pérez”
• “Wicked”
By Skid - DGA Assistant Director5
7777 ratings
It’s a wild and woolly episode of the podcast as editors Christopher Angel and Amy Duddleston return to discuss this year’s Oscar nominees for Film Editing. In all the years I’ve hosted these conversations, this pair has always complained about films being too long. Given that the shortest film on this list clocks in at two hours, I was anticipating some blistering critiques, but their assessments surprised me. Did we agree about all of these films on their merits? No. Was I entertained? Yes. I hope you will be as well.
The 2024 Nominees for Film Editing:
• “Anora”
• “The Brutalist”
• “Conclave”
• “Emilia Pérez”
• “Wicked”

91,010 Listeners

37,618 Listeners

38,777 Listeners

23,192 Listeners

5,272 Listeners

2,012 Listeners

6,201 Listeners

113,075 Listeners

56,825 Listeners

1,125 Listeners

3,558 Listeners

58,474 Listeners

1,121 Listeners