BELOW THE LINE PODCAST

S26 - Ep 2 - 98th Oscars - Visual Effects


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Continuing Below the Line’s 2026 Oscar series, the conversation turns to Visual Effects — a category that sits at the intersection of technology, craft, and storytelling.

This week on Below the Line, Skid is joined by Kent Seki and Chris Batty for a focused conversation about the Oscar nominees for Achievement in Visual Effects. Together, they look at how the category has evolved — and what separates technical accomplishment from storytelling impact.

As with the rest of this year’s Oscar series, this episode is available both as an audio podcast and as a full video conversation on YouTube, offering listeners and viewers a closer look at how visual-effects work is discussed, debated, and evaluated from inside the process.

Our discussion ranges across:

  • The different creative demands of large-scale spectacle versus realism-driven effects
  • How films like Avatar: Fire and Ash and Jurassic World Rebirth approach scale and world-building, compared to the grounded physical environments of F1 and The Lost Bus
  • The challenge of integrating effects into performances, locations, and production design without overwhelming the story
  • Why elements like fire, debris, and destruction require as much restraint as technical precision
  • How visual effects intersect with cinematography, editorial, and sound to maintain continuity and tone
  • The increasing expectation that effects choices support narrative clarity rather than novelty
  • What this year’s nominees suggest about how the Academy continues to define excellence in the field
  • Rather than focusing on predictions, the conversation looks at how visual effects decisions are made — and how those choices shape tone, performance, and story across very different kinds of films.

    🎧 Press play — or watch the full conversation on YouTube — and join us Below the Line as the 2026 Oscar series continues. For more, visit belowtheline.biz.

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