February 15, 2026

S26 - Ep 6 - 98th Oscars - Production Design

40 minutes

Judging production design means considering not just what we see, but how an entire world was constructed to function on screen.

This week on Below the Line, Skid is joined by Bob Shaw (Production Designer), Regina Graves (Set Decorator), and Kerry Weeks (Leadman) to examine the nominees for Achievement in Production Design at the 98th Academy Awards. Representing three distinct roles within the art department, they offer a grounded, practical look at how these films constructed their environments — from large-scale builds to the smallest graphic detail.

As with the rest of this year’s Oscar series, the conversation is available both as an audio podcast and as a full video episode on YouTube.

Our discussion ranges across:

The operatic scale and extensive builds of Frankenstein, from castle interiors to laboratory design — and whether grandeur ultimately serves or overwhelms the story

The period authenticity of Hamnet, including the recreation of Shakespeare’s Globe and the delicate balance between research and creative interpretation

The layered Lower East Side streets of Marty Supreme, where signage, storefront graphics, and textural detail quietly anchor a frenetic narrative

The cohesive, character-driven environments of One Battle After Another, where homes, dojos, and lived-in interiors feel organic rather than theatrical

The tonal shift in Sinners, and the ongoing challenge of aging sets just enough — especially when audience expectations of “period” don’t always align with historical reality

How decisions about wear, grit, and cleanliness can subtly shape credibility without drawing attention to themselves

Why contemporary or less “showy” films like Black Bag are often overlooked despite meticulous design work

Additional standouts from the year, including Train Dreams and Song Sung Blue, which demonstrate how tonal precision and environmental detail can carry as much weight as larger-scale builds

Across the conversation, the three perspectives reveal how production design succeeds not only through bold visual statements, but through coordination — between design, dressing, graphics, lighting, and performance — so that nothing feels isolated from the world of the film.

🎧 Press play — or watch the full conversation on YouTube — and join us Below the Line for another chapter in our 2026 Oscar series. For more, visit belowtheline.biz.

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By Skid - DGA Assistant Director

7777 ratings