
Sign up to save your podcasts
Or


How do you stage prison riots, cliffside fights, and high-speed chases when you only have a few hours to shoot each sequence? For Stunt Coordinator Victor Paguia, the answer starts with preparation, collaboration, and a willingness to solve problems on the fly.
This week on Below the Line, Victor Paguia joins Skid to discuss his work on FBI, the long-running CBS series now heading into its ninth season. Having been with the show since the pilot, Victor breaks down three standout action sequences from Season 8 and explains how his team delivers ambitious stunts under the demanding schedule of a network television production.
We discuss:
Throughout the conversation, Victor returns to the same challenge: balancing ambition with reality. Whether he's coordinating a vehicle jump, choreographing a fight, or hanging stunt performers over a real cliff, every creative decision must account for time, budget, safety, and the practical demands of episodic television. The result is a fascinating look at the planning and problem-solving that make action storytelling possible.
🎧 Press play and go Below the Line on FBI. For more, visit belowtheline.biz.
By Skid - DGA Assistant Director5
7777 ratings
How do you stage prison riots, cliffside fights, and high-speed chases when you only have a few hours to shoot each sequence? For Stunt Coordinator Victor Paguia, the answer starts with preparation, collaboration, and a willingness to solve problems on the fly.
This week on Below the Line, Victor Paguia joins Skid to discuss his work on FBI, the long-running CBS series now heading into its ninth season. Having been with the show since the pilot, Victor breaks down three standout action sequences from Season 8 and explains how his team delivers ambitious stunts under the demanding schedule of a network television production.
We discuss:
Throughout the conversation, Victor returns to the same challenge: balancing ambition with reality. Whether he's coordinating a vehicle jump, choreographing a fight, or hanging stunt performers over a real cliff, every creative decision must account for time, budget, safety, and the practical demands of episodic television. The result is a fascinating look at the planning and problem-solving that make action storytelling possible.
🎧 Press play and go Below the Line on FBI. For more, visit belowtheline.biz.

91,297 Listeners

37,595 Listeners

38,950 Listeners

23,178 Listeners

5,271 Listeners

2,013 Listeners

6,190 Listeners

113,121 Listeners

56,944 Listeners

1,120 Listeners

3,570 Listeners

58,365 Listeners

1,132 Listeners