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The nineteenth century—steamships, family names, world trade, foreign firms, liberal ideas. Great tides of change are roiling Manila. In the middle of the chaos, a new art trend captures the imagination of local elites. How are these letras y figuras holding a mirror to Philippine society?
Cover Photo from the Ayala Corporation Collection.
Follow us on IG: @thecolonialdept
Follow us on TikTok: @thecolonialdept
Email us: [email protected]
References:
Blanco, John D. (2009). Frontier Constitutions: Christianity and Colonial Empire in the Nineteenth-Century Philippines. University of the Philippines Press.
Santiago, Luciano P.R. (December 1991). “Damian Domingo and the First Philippine Art Academy.” Philippine Quarterly of Culture and Society, 19(4), pp. 264-280.
Flores, Patrick D. (17 November 2011). “Everyday, Elsewhere: Allegory in Philippine Art.” Contemporary Aesthetics, (0)3 (Special Issue).
“Lot 46. Jose Honorato Lozano, c. 1815-1885.” (2021) Salcedo Auctions.
Quirino, Carlos (1961) "Damian Domingo, Filipino Painter." Philippine Studies: Historical and Ethnographic Viewpoints, 9(1), pp. 78-96.
“Jose Honorato Lozano (c. 1815-c. 1885).” (undated) Christie’s.
Sorilla IV, Franz (8 February 2021). “Letras y Figuras: The 19th Century Philippine Art Form’s Origins and Legacy.” Tatler Asia.
Buenconsejo, Jose S. (2018). “Keyboards in the Nineteenth-Century Philippines.” In Tan, Arwin Q. (ed.), Saysay Himig: A Sourcebook on Philippine Music History, University of the Philippines Press, pp. 234-242.
Navarro, Raul Casantusan. (2018). “Opera in the Philippines, 1860s-1940s.” In Tan, Arwin Q. (ed.), Saysay Himig: A Sourcebook on Philippine Music History, University of the Philippines Press, pp. 234-242.
Mallat, Jean (1846). The Philippines: History, Geography, Customs, Agriculture, Industry, and Commerce of the Spanish Colonies in Oceania (Pura Santillan-Castrence, Trans.) (2021). National Historical Commission of the Philippines.
By Lio Mangubat5
55 ratings
The nineteenth century—steamships, family names, world trade, foreign firms, liberal ideas. Great tides of change are roiling Manila. In the middle of the chaos, a new art trend captures the imagination of local elites. How are these letras y figuras holding a mirror to Philippine society?
Cover Photo from the Ayala Corporation Collection.
Follow us on IG: @thecolonialdept
Follow us on TikTok: @thecolonialdept
Email us: [email protected]
References:
Blanco, John D. (2009). Frontier Constitutions: Christianity and Colonial Empire in the Nineteenth-Century Philippines. University of the Philippines Press.
Santiago, Luciano P.R. (December 1991). “Damian Domingo and the First Philippine Art Academy.” Philippine Quarterly of Culture and Society, 19(4), pp. 264-280.
Flores, Patrick D. (17 November 2011). “Everyday, Elsewhere: Allegory in Philippine Art.” Contemporary Aesthetics, (0)3 (Special Issue).
“Lot 46. Jose Honorato Lozano, c. 1815-1885.” (2021) Salcedo Auctions.
Quirino, Carlos (1961) "Damian Domingo, Filipino Painter." Philippine Studies: Historical and Ethnographic Viewpoints, 9(1), pp. 78-96.
“Jose Honorato Lozano (c. 1815-c. 1885).” (undated) Christie’s.
Sorilla IV, Franz (8 February 2021). “Letras y Figuras: The 19th Century Philippine Art Form’s Origins and Legacy.” Tatler Asia.
Buenconsejo, Jose S. (2018). “Keyboards in the Nineteenth-Century Philippines.” In Tan, Arwin Q. (ed.), Saysay Himig: A Sourcebook on Philippine Music History, University of the Philippines Press, pp. 234-242.
Navarro, Raul Casantusan. (2018). “Opera in the Philippines, 1860s-1940s.” In Tan, Arwin Q. (ed.), Saysay Himig: A Sourcebook on Philippine Music History, University of the Philippines Press, pp. 234-242.
Mallat, Jean (1846). The Philippines: History, Geography, Customs, Agriculture, Industry, and Commerce of the Spanish Colonies in Oceania (Pura Santillan-Castrence, Trans.) (2021). National Historical Commission of the Philippines.

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