Get in losers, we're leaving our bodies to avoid engaging with the trauma that taught us to dissociate in the first place.

The song at the beginning and end is a mush of sounds from https://freesound.org/ and I'm Afraid to Come Home in the Dark by Billy Murray (not that one). It's public domain because he's SUPER dead. All other sound crimes are me and me alone.

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I'm back. This episode is about house magic, another tarot card, and why moving sometimes crumbles my whole psyche. I never know where the spoons are. 

The song at the beginning and end is a mush of sounds from https://freesound.org/ and I'm Afraid to Come Home in the Dark by Billy Murray (not that one). It's public domain because he's SUPER dead. All other sound crimes are me and me alone.

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I made two versions of this episode. This version skips over the darkest bits, and avoids discussions of suicidal ideation. Instead, I have a cheerful musical interlude. 

These sick beats are Brewing Potions, written by Rafael Krux, which they described as "experimenting with magic gone wrong". I hear you, Rafael.

Poem featured is Not Waving, But Drowning, by Stevie Smith.

Here are a list of crisis hotlines: https://ibpf.org/resource/list-international-suicide-hotlines

They cover most countries. If yours isn't there, use Google to find it. If they don't answer, go to the next number.

I normally put a joke here but I'm fucking depressed so like lmao whatevs

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I made two versions of this episode. This version discusses suicidal ideation. The other version has a delightful musical interlude instead (don't worry, I included the musical interlude at the end because you deserve to hear me imitate a xylophone). 

These sick beats are Brewing Potions, written by Rafael Krux, which they described as "experimenting with magic gone wrong". I hear you, Rafael.

Poem featured is Not Waving, But Drowning, by Stevie Smith.

Here are a list of crisis hotlines: https://ibpf.org/resource/list-international-suicide-hotlines 

They cover most countries. If yours isn't there, use Google to find it. If they don't answer, go to the next number. 

I normally put a joke here but I'm fucking depressed so like lmao whatevs

Please send feedback or questions to [email protected] .

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Welcome bad to The Sad Witch's Guide to Getting Read to Filth by Tarot Cards. Have you ever wanted to learn the meaning of tarot cards incredibly slowly with a lot of unsolicited advice sprinkled throughout? Then this is the podcast for you. This episode was recorded before I got a mic, and before I got really extra about making custom intro songs and whatnot. It's that raw, unfiltered, unscript Sad Witch that the body craves. 

Opening and closing song is a royalty free track by the artist Myuu. I lost the track title. I may or may not have ADHD. 

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Where do tarot cards come from? Can they tell the future? Why are they so mean? I'll kinda answer these questions and also many more you didn't ask in this long love note to the bitchiest form of divination.

The song at the beginning and end is my robot cheer squad, covering me, covering Lana Del Ray, covering Donovan. Shout out to PopUp Karaoke Instrumentals on YouTube, from whom I took the backing piano. All the singing, haunting whispers, and other sound crimes are me and me alone.

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Hi. This podcast was recorded Sept 13, 2019, which was (is) a full moon in Pisces as well as Friday the 13th. PHEW. Here is some small magic for this spooky moon.

The song at the beginning is a mangled version of Harvest Moon, by Neil Young, and then sung by me and my robot backup singer. I hope it's derivative enough that Neil will help a fellow Canuck out and just let me have this. 

The song at the end is a mangled version of Shine On, Harvest Moon (1908) by vaudeville duo Nora Bayes and Jack Norworth. It's Creative Commons, and also they're dead so they can't sue me. But it is a Pisces full moon, so they might haunt me for copyright infringement. I'll leave them an offering. 

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This is my first episode, and it's a bit of a mess but I tried so hecking hard and I hope someone likes it. I bought a nice mic and re-recorded this with higher sound quality, but it just wasn't as magic the second time, so I fought the Virgo Season impulse and left the original. There are things I want to change, but it's an artifact now, existing on its own, representing only itself. My favourite part is at the end, and if you want to jump to 19:35 for some Small Magic tips, I won't judge.

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Intro song is Line Spacing by Mild Wild, licensed in Creative Commons, available in full at http://freemusicarchive.org/music/Mild_Wild/a_Line_Spacing_b_Say_Goodnight/Line_Spacing