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Alice's Adventures in Wonderland (commonly shortened to Alice in Wonderland) is an 1865 novel by English author Lewis Carroll (the pseudonym of Charles Dodgson). It tells of a young girl named Alice, who falls through a rabbit hole into a subterranean fantasy world populated by peculiar, anthropomorphic creatures. It is considered to be one of the best examples of the literary nonsense genre. The tale plays with logic, giving the story lasting popularity with adults as well as with children.

One of the best-known and most popular works of English-language fiction, its narrative, structure, characters and imagery have been enormously influential in popular culture and literature, especially in the fantasy genre. The work has never been out of print and has been translated into at least 97 languages. Its ongoing legacy encompasses many adaptations for stage, screen, radio, art, ballet, theme parks, board games and video games. Carroll published a sequel in 1871, titled Through the Looking-Glass, and a shortened version for young children, The Nursery "Alice", in 1890.

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Tao Te Ching By Laozi Free Audiobook English Translation

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The Tao Te Ching is a Chinese classic text traditionally credited to the 6th-century BC sage Laozi, also known as Lao Tzu or Lao-Tze. The text's authorship, date of composition and date of compilation are debated. The oldest excavated portion dates back to the late 4th century BC, but modern scholarship dates other parts of the text as having been written—or at least compiled—later than the earliest portions of the Zhuangzi.

The Tao Te Ching, along with the Zhuangzi, is a fundamental text for both philosophical and religious Taoism. It also strongly influenced other schools of Chinese philosophy and religion, including Legalism, Confucianism, and Buddhism, which was largely interpreted through the use of Taoist words and concepts when it was originally introduced to China. Many artists, including poets, painters, calligraphers, and gardeners, have used the Tao Te Ching as a source of inspiration. Its influence has spread widely outside East Asia and it is among the most translated works in world literature.

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Listen to Sun Tzu's Art of War Complete Audio book on Sagesutr Podcast.

The Art of War is an ancient Chinese military treatise dating from the Late Spring and Autumn Period (roughly 5th century BC). The work, which is attributed to the ancient Chinese military strategist Sun Tzu ("Master Sun", also spelled Sunzi), is composed of 13 chapters. Each one is devoted to an aspect of warfare and how it applies to military strategy and tactics. For almost 1,500 years it was the lead text in an anthology that was formalized as the Seven Military Classics by Emperor Shenzong of Song in 1080. The Art of War remains the most influential strategy text in East Asian warfare and has influenced both Eastern and Western military thinking, business tactics, legal strategy, lifestyles and beyond.

The book contained a detailed explanation and analysis of the Chinese military, from weapons and strategy to rank and discipline. Sun also stressed the importance of intelligence operatives and espionage to the war effort. Because Sun has long been considered to be one of history's finest military tacticians and analysts, his teachings and strategies formed the basis of advanced military training for millennia to come.

The book was translated into French and published in 1772 (re-published in 1782) by the French Jesuit Jean Joseph Marie Amiot. A partial translation into English was attempted by British officer Everard Ferguson Calthrop in 1905 under the title The Book of War. The first annotated English translation was completed and published by Lionel Giles in 1910. Military and political leaders such as the Chinese communist revolutionary Mao Zedong, Japanese daimyō Takeda Shingen, Vietnamese general Võ Nguyên Giáp, and American military general Norman Schwarzkopf Jr. have drawn inspiration from the book.

The Kama Sutra (/ˈkɑːmə ˈsuːtrə/; Sanskrit: कामसूत्र, pronunciation (help·info), Kāmasūtra) is an ancient Indian Sanskrit text on sexuality, eroticism and emotional fulfillment in life. Attributed to Vātsyāyana the Kama Sutra is neither exclusively nor predominantly a sex manual on sex positions, but written as a guide to the art of living well, the nature of love, finding a life partner, maintaining one's love life, and other aspects pertaining to pleasure-oriented faculties of human life. It is a sutra-genre text with terse aphoristic verses that have survived into the modern era with different bhasya (exposition and commentaries). The text is a mix of prose and anustubh-meter poetry verses. The text acknowledges the Hindu concept of Purusharthas, and lists desire, sexuality, and emotional fulfillment as one of the proper goals of life. Its chapters discuss methods for courtship, training in the arts to be socially engaging, finding a partner, flirting, maintaining power in a married life, when and how to commit adultery, sexual positions, and other topics.[ The majority of the book is about the philosophy and theory of love, what triggers desire, what sustains it, and how and when it is good or bad.

Listen to Complete Chandogya Upanishad Audiobook

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The Chandogya Upanishad (Sanskrit: छान्दोग्योपनिषद्, IAST: Chāndogyopaniṣad) is a Sanskrit text embedded in the Chandogya Brahmana of the Sama Veda of Hinduism. It is one of the oldest Upanishads. It lists as number 9 in the Muktika canon of 108 Upanishads.

The Upanishad belongs to the Tandya school of the Samaveda. Like Brhadaranyaka Upanishad, the Chandogya Upanishad is an anthology of texts that must have pre-existed as separate texts, and were edited into a larger text by one or more ancient Indian scholars. The precise chronology of Chandogya Upanishad is uncertain, and it is variously dated to have been composed by the 8th to 6th century century BCE in India.

It is one of the largest Upanishadic compilations, and has eight Prapathakas (literally lectures, chapters), each with many volumes, and each volume contains many verses. The volumes are a motley collection of stories and themes. As part of the poetic and chants-focussed Samaveda, the broad unifying theme of the Upanishad is the importance of speech, language, song and chants to man's quest for knowledge and salvation, to metaphysical premises and questions, as well as to rituals.

The Chandogya Upanishad is notable for its lilting metric structure, its mention of ancient cultural elements such as musical instruments, and embedded philosophical premises that later served as foundation for Vedanta school of Hinduism. It is one of the most cited texts in later Bhasyas (reviews and commentaries) by scholars from the diverse schools of Hinduism. Adi Shankara, for example, cited Chandogya Upanishad 810 times in his Vedanta Sutra Bhasya, more than any other ancient text.

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Listen to complete Aitreya Upanishad Audiobook

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In the first chapter of the Aitareya Upanishad, Atman is asserted to have existed alone prior to the creation of the universe. It is this Atman, the Soul or the Inner Self, that is then portrayed as the creator of everything from itself and nothing, through heat. The text states that the Atman created the universe in stages. First came four entities: space, maram (earth, stars), maricih (light-atom) and apas (ur-water, cosmic fluid). After these came into existence, came the cosmic self and eight psyches and principles (speech, in-breathing, sight, hearing, skin/hair, mind, out-breathing, reproductivity). Atman then created eight guardians corresponding to these psyches and principles. Then, asserts Aitareya Upanishad, came the connective principles of hunger and thirst, where everything became interdependent on everything else through the principle of apana (digestion). Thereafter came man, who could not exist without a sense of Self and Soul (Atman). But this sense then began cogitating on itself, saying that "I am more than my sensory organs, I am more than my mind, I am more than my reproductive ability", and then asked (abridged),

In the second chapter, Aitareya Upanishad asserts that the Atman in any man is born thrice: first, when a child is born (procreation); second, when the child has been cared for and loved to Selfhood where the child equals the parent; third, when the parent dies and the Atman transmigrates. The overall idea of chapter 2 of Aitareya Upanishad is that it is procreation and nurturing of children that makes a man immortal, and the theory of rebirth, which are the means by which Atman sustainably persists in this universe.

The third chapter of Aitareya Upanishad discusses the nature of Atman. It declares that consciousness is what defines man, the source of all intellectual and moral theories, all gods, all living beings (man, animals, plants), all that there is. Then the Upanishad asserts that the key to the riddle of the Universe is one's own inner self. To know the universe, know thyself. Become immortal, suggests the Aitareya Upanishad, by being you

Aitareya Upanishad, like other Upanishads of Hinduism, asserts the existence of Consciousness as Atman, the Self or Brahman. It contains one of the most famous expressions of the Vedanta, "Prajnanam Brahma" (Knowledge is Brahman/god/divine/holy), which is one of the Mahāvākyas.

The Aitareya Upanishad (Sanskrit: ऐतरेय उपनिषद् IAST Aitareyopaniṣad) is a Mukhya Upanishad, associated with the Rigveda. It comprises the fourth, fifth and sixth chapters of the second book of Aitareya Aranyaka, which is one of the four layers of Rig vedic text.

Aitareya Upanishad discusses three philosophical themes: first, that the world and man is the creation of the Atman (Soul, Universal Self); second, the theory that the Atman undergoes threefold birth; third, that Consciousness is the essence of Atman

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Listen to Brihad Aranyaka Upanishad Translated by Max Muller. Read By Jothi

The Brihadaranyaka Upanishad (Sanskrit: बृहदारण्यक उपनिषद्, Bṛhadāraṇyaka Upaniṣad) is one of the Principal Upanishads and one of the first Upanishadic scriptures of Hinduism. A key scripture to various schools of Hinduism, the Brihadaranyaka Upanisad is tenth in the Muktikā or "canon of 108 Upanishads".

The Brihadaranyaka Upanishad is estimated to have been composed about 700 BCE, excluding some parts estimated to have been composed after the Chandogya Upanishad. The Sanskrit language text is contained within the Shatapatha Brahmana, which is itself a part of the Shukla Yajur Veda.

The Brihadaranyaka Upanishad is a treatise on Ātman (Soul, Self), includes passages on metaphysics, ethics and a yearning for knowledge that influenced various Indian religions, ancient and medieval scholars, and attracted secondary works such as those by Adi Shankara and Madhvacharya .

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Listen to Maitrayana Upanishad Audiobook Translated by Max Muller

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The Maitrayaniya Upanishad consists of seven Prapathakas (lessons). The first Prapathaka is introductory, the next three are structured in a question-answer style and discuss metaphysical questions relating to Atman (Self, Soul), while the fifth to seventh Prapathaka are supplements. However, several manuscripts discovered in different parts of India contain lesser number of Prapathakas, with a Telugu language version showing just four, and another Burnell version showing just one section. The content and structure of the Upanishad is also different in various manuscript recensions, suggesting that the Upanishad was extensively interpolated and expanded over a period of time. The common kernel of the Upanishad across different recensions, states Max Muller, is a reverence for soul, that can be summarized in a few words as, "(Man) is the Self – the immortal, the fearless, the Brahman".

The Maitrayaniya Upanishad (Sanskrit: मैत्रायणीय उपनिषद्, Maitrāyaṇīya Upaniṣad) is an ancient Sanskrit text that is embedded inside the Yajurveda. It is also known as the Maitri Upanishad (Sanskrit: मैत्री उपनिषद्, Maitrī Upaniṣad), and is listed as number 24 in the Muktika canon of 108 Upanishads.

The Maitrayaniya Upanishad is associated with the Maitrayanas school of the Yajurveda. It is a part of the "black" Yajurveda, with the term "black" implying "the un-arranged, motley collection" of content in Yajurveda, in contrast to the "white" (well arranged) Yajurveda where Brihadaranyaka Upanishad and Isha Upanishad are embedded. The chronology of Maitrayaniya Upanishad is contested, but generally accepted to be a late period Upanishadic composition.

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