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The Mundaka Upanishad contains three Mundakams (parts), each with two sections. The first Mundakam, states Roer, defines the science of "Higher Knowledge" and "Lower Knowledge", and then asserts that acts of oblations and pious gifts are foolish, and do nothing to reduce unhappiness in current life or next, rather it is knowledge that frees. The second Mundakam describes the nature of the Brahman, the Self, the relation between the empirical world and the Brahman, and the path to know Brahman. The third Mundakam expands the ideas in the second Mundakam and then asserts that the state of knowing Brahman is one of freedom, fearlessness, complete liberation, self-sufficiency and bliss.

Complete Mundaka Upanishad Audiobook. This book is translated by Max Muller and Read by Jothi.

The Mundaka Upanishad (Sanskrit: मुण्डक-उपनिषद्, Muṇḍaka Upaniṣad) is an ancient Sanskrit Vedic text, embedded inside Atharva Veda. It is a Mukhya (primary) Upanishad, and is listed as number 5 in the Muktika canon of 108 Upanishads of Hinduism. It is among the most widely translated Upanishads.

It is a poetic verse style Upanishad, with 64 verses, written in the form of mantras. However, these mantras are not used in rituals, rather they are used for teaching and meditation on spiritual knowledge.

Some scholars suggest that passages in the Mundaka Upanishad present the pantheism theory.

In some historic Indian literature and commentaries, the Mundaka Upanishad is included in the canon of several verse-structured Upanishads that are together called as Mantra Upanishad and Mantropanishad

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Listen to Shvetasvatara Upanishad Audiobook Translated by Max muller

The Shvetashvatara Upanishad opens with metaphysical questions about the primal cause of all existence, its origin, its end, and what role, if any, time, nature, necessity, chance, and the spirit had as the primal cause. It then develops its answer, concluding that "the Universal Soul exists in every individual, it expresses itself in every creature, everything in the world is a projection of it, and that there is Oneness, a unity of souls in one and only Self". The text is notable for its discussion of the concept of personal god – Ishvara, and suggesting it to be a path to one's own Highest Self. The text is also notable for its multiple mentions of both Rudra and Shiva, along with other Vedic deities, and of crystallization of Shiva as a central theme.

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The Shvetashvatara Upanishad (Sanskrit: श्वेताश्वतरोपनिशद or श्वेताश्वतर उपनिषद्, IAST: Śvetāśvataropaniṣad or Śvetāśvatara Upaniṣad) is an ancient Sanskrit text embedded in the Yajurveda. It is listed as number 14 in the Muktika canon of 108 Upanishads. The Upanishad contains 113 mantras or verses in six chapters.

The Upanishad is one of the 33 Upanishads from Taittiriyas, and associated with the Shvetashvatara tradition within Karakas sakha of the Yajurveda. It is a part of the "black" Yajurveda, with the term "black" implying "the un-arranged, motley collection" of content in Yajurveda, in contrast to the "white" (well arranged) Yajurveda where Brihadaranyaka Upanishad and Isha Upanishad are embedded.

The Shvetashvatara Upanishad is commented by many of its ancient and medieval scholars. It is a foundational text of the philosophy of Shaivism, as well as the Yoga and Vedanta schools of Hinduism. Some 19th century scholars initially suggested that Shvetashvatara Upanishad is sectarian or possibly influenced by Christianity, hypotheses that were disputed, later discarded by scholars.

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The Katha Upanishad consists of two chapters (Adhyāyas), each divided into three sections (Vallis). The first Adhyaya is considered to be of older origin than the second. The Upanishad is the legendary story of a little boy, Nachiketa – the son of Sage Vajasravasa, who meets Yama (the Hindu deity of death). Their conversation evolves to a discussion of the nature of man, knowledge, Atman (Soul, Self) and moksha (liberation).

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About Katha Upanishad

The Katha Upanishad (Sanskrit: कठोपनिषद् or कठ उपनिषद्) (Kaṭhopaniṣad) is one of the mukhya (primary) Upanishads, embedded in the last short eight sections of the Kaṭha school of the Krishna Yajurveda. It is also known as Kāṭhaka Upanishad, and is listed as number 3 in the Muktika canon of 108 Upanishads.

It is among the most widely studied Upanishads. Katha Upanishad was translated into Persian in 17th century, copies of which were then translated into Latin and distributed in Europe. Other philosophers such as Arthur Schopenhauer praised it, Edwin Arnold rendered it in verse as "The Secret of Death", and Ralph Waldo Emerson credited Katha Upanishad for the central story at the end of his essay Immortality, as well as his poem "Brahma".

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Listen to Prashna Upanishad Audio Book Translated by max muller

The first three questions are profound metaphysical questions but, states Eduard Roer, do not contain any defined, philosophical answers, are mostly embellished mythology and symbolism. The fourth section, in contrast, contains substantial philosophy. The last two sections discuss the symbol Om and Moksha concept. Roer as well as Weber suggest that the last two Prashnas may be spurious, later age insertion into the original Upanishad.

Prashna Upanishad is notable for its structure and sociological insights into the education process in ancient India. The Upanishad is also known as the Prashnopanishad (Sanskrit: प्रश्नोपनिषद्, Praśnopaniṣad). In some historic Indian literature and commentaries, it is also called Shat Prasna Upanishad.

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The Prashnopanishad (Sanskrit: प्रश्नोपनिषद्, Praśnopaniṣad) is an ancient Sanskrit text, embedded inside Atharva Veda, ascribed to Pippalada sakha of Vedic scholars. It is a Mukhya (primary) Upanishad, and is listed as number 4 in the Muktika canon of 108 Upanishads of Hinduism.

The Prashna Upanishad contains six Prashna (questions), and each is a chapter with a discussion of answers. The chapters end with the phrase, prasnaprativakanam, which literally means, "thus ends the answer to the question". In some manuscripts discovered in India, the Upanishad is divided into three Adhyayas (chapters) with a total of six Kandikas (कण्डिका, short sections).

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Istent to complete Taittiriya Upanishad Audiobook

4.1 Shiksha Valli

4.2 Ananda Valli

4.3 Bhṛgu Vallī

Taittriya Upanishad by Unknown

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Listen to Isha Upanishad Audiobook

Isha Upanishad Translated by Max Muller Read by Jothi

All this—whatever exists in this changing universe—should be covered by the Lord. Protect the Self by renunciation. Lust not after any man's wealth. 

The Isha Upanishad (Devanagari: ईशोपनिषद् IAST īśopaniṣad) is one of the shortest Upanishads, embedded as the final chapter (adhyāya) of the Shukla Yajurveda. It is a Mukhya (primary, principal) Upanishad, and is known in two recensions, called Kanva (VSK) and Madhyandina (VSM). The Upanishad is a brief poem, consisting of 17 or 18 verses, depending on the recension.

It is a key scripture of the Vedanta sub-schools, and an influential Śruti to diverse schools of Hinduism. It is the 40th chapter of Yajurveda. The name of the text derives from its incipit, īśā vāsyam, "enveloped by the Lord", or "hidden in the Lord (Self)". The text discusses the Atman (Soul, Self) theory of Hinduism, and is referenced by both Dvaita (dualism) and Advaita (non-dualism) sub-schools of Vedanta.

It is classified as a "poetic Upanishad" along with Kena, Katha, Svetasvatara and Mundaka by Paul Deussen (1908)

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Listen to complete Kena Upanishad Translated by Max Muller

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Summary: The Kena Upanishad is a collection of philosophical poems discussing the attributes of Brahman: the unchanging, infinite universal spirit. Brahman is further proposed as the cause for all the forces of nature, symbolized as Gods.

By whom commanded and directed does the mind go towards its objects? Commanded by whom does the life-force, the first (cause), move? At whose will do men utter speech? What power directs the eye and the ear?

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