Pace University’s Sands College of Performing Arts BFA Acting for Film, Television, Voiceovers and Commercials Class of 2027.

Dating 2.0 was written by Tom and Ellin Curley for VoiceScapes Audio Theater

• Beth – Esti Engle
• Abbey – Malia Corinne Louie

Directed by Robin Miles

Sound Design & Edits by Terence Krey

Sound Engineer by David Lawson

Production Manager – Angela Vaut

Original Music - Jeremy Wilms

For more information about Sands College, go to Pace.edu/sands

Since 1906, Pace University has been transforming the lives of its diverse students—academically, professionally, and socioeconomically. With campuses in New York City and Westchester County, New York, Pace offers bachelor, master, and doctoral degree programs to 13,600 students in its College of Health Professions, Dyson College of Arts and Sciences, Elisabeth Haub School of Law, Lubin School of Business, School of Education, Seidenberg School of Computer Science and Information Systems and, most recently, the Sands College of Performing Arts.

Pace University’s Sands College of Performing Arts BFA Acting for Film, Television, Voiceovers and Commercials Class of 2027.

Dog Lover was written by Tom and Ellin Curley for VoiceScapes Audio Theater

• Giada Garcia

Directed by Robin Miles

Sound Design & Edits by Terence Krey

Sound Engineer by David Lawson

Production Manager – Angela Vaut

Original Music - Jeremy Wilms

For more information about Sands College, go to Pace.edu/sands

Since 1906, Pace University has been transforming the lives of its diverse students—academically, professionally, and socioeconomically. With campuses in New York City and Westchester County, New York, Pace offers bachelor, master, and doctoral degree programs to 13,600 students in its College of Health Professions, Dyson College of Arts and Sciences, Elisabeth Haub School of Law, Lubin School of Business, School of Education, Seidenberg School of Computer Science and Information Systems and, most recently, the Sands College of Performing Arts.

SHOW NOTES  

Pace University’s Sands College of Performing Arts BFA Acting for Film, Television, Voiceovers and Commercials Class of 2027.

Bodily Humors was written by Tom and Ellin Curley for VoiceScapes Audio Theater

• Guy – Sanath Saji 
• Gal – Paloma Kirk

Directed by Robin Miles

Sound Design & Edits by Terence Krey

Sound Engineer by David Lawson

Production Manager – Angela Vaut

Original Music - Jeremy Wilms

For more information about Sands College, go to Pace.edu/sands

Since 1906, Pace University has been transforming the lives of its diverse students—academically, professionally, and socioeconomically. With campuses in New York City and Westchester County, New York, Pace offers bachelor, master, and doctoral degree programs to 13,600 students in its College of Health Professions, Dyson College of Arts and Sciences, Elisabeth Haub School of Law, Lubin School of Business, School of Education, Seidenberg School of Computer Science and Information Systems and, most recently, the Sands College of Performing Arts.

Pace University’s Sands College of Performing Arts BFA Acting for Film, Television, Voiceovers and Commercials Class of 2027.

Misdirections was written by Tom and Ellin Curley for VoiceScapes Audio Theater

• Techie Partner – Javier Lozano
• Luddite Partner – Michelle Bandura
• Narrator, Google Maps VO – Ashlye Gambill
• GPS VO – Aubrie Swaenepoel

Directed by Robin Miles

Sound Design & Edits by Terence Krey

Sound Engineer by David Lawson

Production Manager – Angela Vaut

Original Music - Jeremy Wilms

For more information about Sands College, go to Pace.edu/sands

Since 1906, Pace University has been transforming the lives of its diverse students—academically, professionally, and socioeconomically. With campuses in New York City and Westchester County, New York, Pace offers bachelor, master, and doctoral degree programs to 13,600 students in its College of Health Professions, Dyson College of Arts and Sciences, Elisabeth Haub School of Law, Lubin School of Business, School of Education, Seidenberg School of Computer Science and Information Systems and, most recently, the Sands College of Performing Arts.

Pace University’s Sands College of Performing Arts BFA Acting for Film, Television, Voiceovers and Commercials Class of 2027.

Media Rant was written by Tom and Ellin Curley for VoiceScapes Audio Theater

• Aubrie Swaenepoel
• Sen Zacarias

Directed by Robin Miles

Sound Design & Edits by Terence Krey

Sound Engineer by David Lawson

Production Manager – Angela Vaut

Original Music - Jeremy Wilms

For more information about Sands College, go to Pace.edu/sands

Since 1906, Pace University has been transforming the lives of its diverse students—academically, professionally, and socioeconomically. With campuses in New York City and Westchester County, New York, Pace offers bachelor, master, and doctoral degree programs to 13,600 students in its College of Health Professions, Dyson College of Arts and Sciences, Elisabeth Haub School of Law, Lubin School of Business, School of Education, Seidenberg School of Computer Science and Information Systems and, most recently, the Sands College of Performing Arts.

Pace University’s Sands College of Performing Arts BFA Acting for Film, Television, Voiceovers and Commercials Class of 2027.

On the Internet No One Knows You’re a Dog was written by Tom and Ellin Curley for VoiceScapes Audio Theater

• Jim/Husband, GPS VO – Ethan Pann
• Sarah/Wife – Talia J. Williams
• Gillian, Lucky, Derek – Sen Zacarias 
• Penny – Essence Lynn
• Kuddles – Liam Sebastian
• Lexie – Amele Brown

Directed by Robin Miles

Sound Design & Edits by Terence Krey

Sound Engineer by David Lawson

Production Manager – Angela Vaut

Original Music - Jeremy Wilms

For more information about Sands College, go to pace.edu/sands 

Since 1906, Pace University has been transforming the lives of its diverse students—academically, professionally, and socioeconomically. With campuses in New York City and Westchester County, New York, Pace offers bachelor, master, and doctoral degree programs to 13,600 students in its College of Health Professions, Dyson College of Arts and Sciences, Elisabeth Haub School of Law, Lubin School of Business, School of Education, Seidenberg School of Computer Science and Information Systems and, most recently, the Sands College of Performing Arts.

Summary: In this episode, trans creatives Jesse James Keitel and Candido Cornejo Jr.  discuss the importance of intentional casting and authentic representation in Hollywood. They explore the challenges faced by trans and non-binary artists, the significance of advocacy, and the need to break stereotypes in casting. The conversation highlights personal experiences and the ongoing efforts to educate the industry on trans representation, emphasizing the humanity and talent of individuals beyond their identities. In this conversation, Candido and Jesse share the challenges and nuances of casting in the entertainment industry, particularly focusing on the representation of trans and non-binary actors. They explore the importance of intentional casting, the need for training and development opportunities, and the emotional burdens that come with being a representative of a community. The discussion also touches on personal aspirations within the industry and the joy of acting despite the challenges faced.

Takeaways

• Intentional casting is crucial for authentic representation.
• Trans creatives face unique challenges in Hollywood.
• Advocacy can be a natural byproduct of being oneself.
• Breaking stereotypes is essential for diverse storytelling.
• The industry often reduces trans identities to tokenism.
• Education on trans issues is still necessary in the industry.
• Personal experiences shape professional journeys in the arts.
• Representation must go beyond visibility to include authenticity.
• Trans stories should be told by trans individuals.
• Navigating identity in the workplace requires courage and clarity. We need time, we need money, we need resources.
• There is a space for you that you can be an actor.
• Intentional casting can ease emotional burdens.
• Being a trans woman has been the biggest gift to my career.
• We need to start questioning what is your intention with this?
• We need more training and development opportunities.
• It's important to remember what makes us happy.
• Acting is so fun, but I absolutely hate Hollywood.
• The duality of being different can be both a gift and a burden.

Chapters
00:00 - Introduction to Trans Creatives in Hollywood
02:06 - Intentional Casting and Authentic Representation
06:14 - Navigating Identity and Career Challenges
10:04 - The Role of Advocacy in the Arts
14:04 - Breaking Stereotypes in Casting
17:54 - Educating the Industry on Trans Representation
21:48 - Personal Experiences and Professional Challenges
28:12 - The Challenge of Finding Talent
31:03 - Encouraging Diversity in Acting
34:35 - The Burden of Representation
37:54 - Intentional Casting and Its Importance
40:35 - Dreams and Aspirations in the Industry
45:46 - The Duality of Being Different
50:00 - Finding Joy in the Journey 

Connect with Candido on Instagram
Connect with Jesse on Instagram
Connect with Caroline on Instagram
Connect with Grant on

Since 1906, Pace University has been transforming the lives of its diverse students—academically, professionally, and socioeconomically. With campuses in New York City and Westchester County, New York, Pace offers bachelor, master, and doctoral degree programs to 13,600 students in its College of Health Professions, Dyson College of Arts and Sciences, Elisabeth Haub School of Law, Lubin School of Business, School of Education, Seidenberg School of Computer Science and Information Systems and, most recently, the Sands College of Performing Arts.

Summary: In this episode of In the Podlight, casting executive and producer Kim Williams shares her journey in the entertainment industry, emphasizing the importance of authenticity, representation, and storytelling. She discusses her unique approach to casting, the significance of collaboration, and the challenges faced in advocating for diversity. Kim also reflects on her career experiences, the role of mentorship, and her aspirations for the future, all while encouraging creatives to embrace opportunities and stay true to themselves.

Takeaways

• Kim Williams emphasizes the importance of authentic storytelling.
• She believes in saying yes to opportunities to build a career.
• Navigating personalities in collaboration is crucial for success.
• Understanding one's identity helps in making informed decisions.
• Casting is about bringing characters to life, not just matching actors to roles.
• Diversity and representation are central to her casting philosophy.
• Kim advocates for authenticity in casting decisions.
• She finds talent in various aspects of her life, not just auditions.
• The casting director's role is vital in shaping narratives.
• Mentorship and legacy are important to her as she guides others.

Chapters
00:00 - Introduction to Kim Williams and Her Journey
03:06 - The Role of a Casting Director
05:51 - Navigating Opportunities and Scarcity Mindset
09:00 - Instincts in Project Selection
11:51 - Collaboration and Navigating Personalities
15:06 - The Impact of Storytelling on Audiences
17:53 - Authenticity and Representation in Casting
21:06 - Finding Talent and the 'It' Factor
23:53 - The Importance of Casting in Film
27:08 - Mentorship and Legacy in the Industry
30:03 - Challenges and Overcoming Obstacles
32:48 - Future Goals and Aspirations
36:03 - Lightning Round and Personal Insights 

Connect with Kim on Instagram
Connect with Caroline on Instagram
Connect with Grant on Instagram
Connect with In The Podlight on the Website  

The Team:
Caroline Liem – Producer & Host
Grant Kretchick – Producer & Host
Cris Graves  - Producer & Editor
David Margolin Lawson  - Composer
Emily Yaneth Perez – Administration
The Lee Agency - Press Agent
Brandon Mills - Cover Art Photo Credit  

In the Podlight is produced in collaboration with Pace University – Sands
The thoughts, opinions, and views expressed by the guests, hosts, and producers of this podcasts do not necessarily reflect those of Pace University.

Since 1906, Pace University has been transforming the lives of its diverse students—academically, professionally, and socioeconomically. With campuses in New York City and Westchester County, New York, Pace offers bachelor, master, and doctoral degree programs to 13,600 students in its College of Health Professions, Dyson College of Arts and Sciences, Elisabeth Haub School of Law, Lubin School of Business, School of Education, Seidenberg School of Computer Science and Information Systems and, most recently, the Sands College of Performing Arts.

Summary: In this episode of In the Podlight, hosts Grant and Caroline engage in a profound conversation with director Sammi Cannold, and actor Liam Pearce about their experiences with the groundbreaking Broadway production, How to Dance in Ohio. They explore the journey of the show from its documentary roots to its Broadway success, emphasizing the importance of neurodiversity and authentic representation in theater. The discussion delves into the casting process, the significance of creating an inclusive environment for autistic individuals, and the impact of the show on audiences and the industry. Sami and Liam share their insights on identity, accessibility, and the future of storytelling in theater, highlighting the transformative power of art to foster understanding and connection.

Takeaways

• The importance of authentic representation in theater.
• Creating a role as an autistic actor is groundbreaking.
• The journey of How to Dance in Ohio is deeply personal.
• Inclusivity in casting leads to a richer creative process.
• The show aims to change perceptions of autism in society.
• Accessibility for audiences is crucial for engagement.
• The collaborative nature of the production was unique.
• Neurodiversity should be embraced in all creative spaces.
• The mission of the show is to foster understanding.
• Future productions should continue the conversation about autism.

Chapters
00:00 - Introduction to In the Podlight
01:00 - The Journey of How to Dance in Ohio
06:05 - Casting and Production Process
09:50 - Identity and Representation in Theater
15:08 - Creating an Inclusive Environment
19:54 - Audience Accessibility and Engagement
24:51 - Future Aspirations and Impact of the Show
30:07 - Personal Reflections and Closing Thoughts 

Connect with Sammi on Instagram
Connect with Liam on Instagram
Connect with Caroline on Instagram
Connect with Grant on Instagram
Connect with In The Podlight on the Website

Check out How To Dance in Ohio on their website
Check out &Juliet on their website 

The Team:
Caroline Liem – Producer & Host
Grant Kretchick – Producer & Host
Cris Graves  - Producer & Editor
David Margolin Lawson  - Composer
Emily Yaneth Perez – Administration
The Lee Agency - Press Agent
Brandon Mills - Cover Art Photo Credit  

In the Podlight is produced in collaboration with Pace University – Sands
The thoughts, opinions, and views expressed by the guests, hosts, and producers of this podcasts do not necessarily reflect those of Pace University.

Since 1906, Pace University has been transforming the lives of its diverse students—academically, professionally, and socioeconomically. With campuses in New York City and Westchester County, New York, Pace offers bachelor, master, and doctoral degree programs to 13,600 students in its College of Health Professions, Dyson College of Arts and Sciences, Elisabeth Haub School of Law, Lubin School of Business, School of Education, Seidenberg School of Computer Science and Information Systems and, most recently, the Sands College of Performing Arts.

Summary: In this episode of In the Podlight, Michelle Sugihara, the executive director of the Coalition of Asian Pacific’s in Entertainment (CAPE) discusses CAPE's mission to increase representation and visibility for Asian Americans, Native Hawaiians, and Pacific Islanders in the entertainment industry. Michelle shares insights on the importance of coalition building, the impact of representation in media, and the challenges faced by underrepresented groups in a contracting industry. The conversation also touches on the future of storytelling, the significance of mentorship, and advice for young artists navigating their careers in a diverse yet challenging landscape.

Takeaways

• CAPE has been advocating for Asian Pacific Islander representation since 1991.
• Representation begins on the page, which is why CAPE focuses on writers.
• The entertainment industry is cyclical, with shifts in opportunities for diverse voices.
• Coalition building is essential for amplifying underrepresented stories.
• The conversation around representation is becoming more nuanced and intersectional.
• Failure is a necessary part of creativity and risk-taking.
• CAPE is a resource for both high-level executives and entry-level professionals.
• Community is crucial for marginalized artists to uplift each other.
• The industry is currently facing contraction, affecting opportunities for diverse voices.
• Young artists should not compromise their identity and should build their networks.
• The journey of an actor requires persistence and adaptability.
• Community support is vital for artists to flourish.

Chapters
00:00 Introduction to CAPE and Michelle Sugihara
02:15 CAPE's Mission and Programs
04:50 Impact of Representation in Media
08:55 Coalition Building and Community Engagement
12:40 Future Challenges and Opportunities for CAPE
15:44 Navigating Industry Changes and Representation
19:54 Advice for Young Artists and Marginalized Voices
22:12 Closing Thoughts and Future Aspirations

Connect with Michelle on Instagram
Connect with CAPE on Instagram
Connect with Caroline on Instagram
Connect with Grant on Instagram
Connect with In The Podlight on the Website

Check out CAPE on their website 

The Team:
Caroline Liem – Producer & Host
Grant Kretchick – Producer & Host
Cris Graves  - Producer & Editor
David Margolin Lawson  - Composer
Emily Yaneth Perez – Administration
The Lee Agency - Press Agent
Brandon Mills - Cover Art Photo Credit  

In the Podlight is produced in collaboration with Pace University – Sands
The thoughts, opinions, and views expressed by the guests, hosts, and producers of this podcasts do not necessarily refle

Since 1906, Pace University has been transforming the lives of its diverse students—academically, professionally, and socioeconomically. With campuses in New York City and Westchester County, New York, Pace offers bachelor, master, and doctoral degree programs to 13,600 students in its College of Health Professions, Dyson College of Arts and Sciences, Elisabeth Haub School of Law, Lubin School of Business, School of Education, Seidenberg School of Computer Science and Information Systems and, most recently, the Sands College of Performing Arts.