In this episode, we travel to a salty shore and listen to a sweet conversation, as portrayed in Sangam Literary work, Natrinai 254, penned by Ulochanaar. Set in the coastal regions of ‘Neythal’, the verse speaks in the voice of the confidante to the man, conveying excessive words of reassurance as the man prepares to part away, dejected at the lack of response.

In this episode, we glimpse at aspects of history and sociology in an ancient land, as depicted in Sangam Literary work, Natrinai 253, penned by Kabilar. The verse is set in the mountain country of 'Kurinji' and speaks in the voice of the confidante to the man, subtly persuading him to seek the lady’s hand in marriage.

In this episode, we perceive rich similes and metaphors painting the inner landscape, as portrayed in Sangam Literary work, Natrinai 252, penned by Ammeyyan Naakanaar. Set in the drylands of ‘Paalai’, the verse speaks in the voice of the confidante to the lady, intending to calm the lady, who is worried by the man’s intention to part away.

In this episode, we listen to a curious conversation with millets, as depicted in Sangam Literary work, Natrinai 251, penned by Madurai Perumaruthan Ilanaakanaar. The verse is set in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to millets growing in the field, conveying a hidden message to the man, listening nearby.

In this episode, we perceive the novel techniques employed by an estranged man to allay the ire of his lady, as portrayed in Sangam Literary work, Natrinai 250, penned by Madurai Olaikadaiyathaar Nalvellaiyaar. Set in the agricultural landscape of ‘Marutham’, the verse speaks in the voice of the man to the singer-messenger, in a bid to make the lady, who is listening, welcome him back to the house.

In this episode, we relish the rich natural imagery that reflects inner landscape, as portrayed in Sangam Literary work, Natrinai 249, penned by Ulochanaar. The verse is set in the coastal regions of ‘Neythal’ and speaks in the voice of the lady, expressing her angst as the man has not returned from his mission to gather wealth.

In this episode, we relish a unique way of dissuading despair, as depicted in Sangam Literary work, Natrinai 248, penned by Kaasiban Keeranaar. Set in the forest country of ‘Mullai’, the verse speaks in the voice of the confidante to a cloud, in a bid to comfort the lady, who is disheartened by the arrival of the rains.

In this episode, we perceive a unique way of changing the heart of another, as portrayed in Sangam Literary work, Natrinai 247, penned by Paranar. The verse is situated in the mountain country of ‘Kurinji’ and speaks in the voice of the confidante to the man, conveying a subtle message as he prepares to part away on a mission.

In this episode, we observe how events in nature become tools of consolation, as depicted in Sangam Literary work, Natrinai 246, penned by Kaappiyan Chenthanaar. Set in the drylands of ‘Paalai’ landscape, the verse speaks in the voice of the confidante to the lady, relaying a heartening message about the man’s arrival.

In this episode, we perceive the nuances in courtship during ancient times, as portrayed in Sangam Literary work, Natrinai 245, penned by Allankeeranaar. The verse is set in the coastal landscape of ‘Neythal’ and speaks in the voice of the confidante to the lady, trying to understand the lady’s mind as she conveys a message from the man.