Suzuki Book 2 Lesson Fo Beginners Free Lesson with Sarnia Music School Podcast music, chords, musicians, sarnia-de-la-mare,tools,teaching,suzuki,cello,piano, music,composer,wellveing,artpodcasting,free-lessons,learn-online
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Suzuki Book 1 Song of the Wind with the Tale Teller Orchestra Play Along and Listen to Track

Suzuki Cello Book 2 Long Long Ago Free Audio Lesson Learn to Play with Sarnia

Slow Backing Track for the Suzuki Book 2 Bourrée by Tale Teller Club Free Audio Lesson sarnia-de-la-mare,tools,teaching,suzuki,cello,piano, music,composer,
jazz,theory-of-music,blues, classical, ABRSM,suzuki,ABRSM,free-music-lessons,intrumentalist-tools,free-education,100%-free-school,

Slow Backing Track for the Suzuki Book 2 Bourrée by Tale Teller Club Free Audio Lesson sarnia-de-la-mare,tools,teaching,suzuki,cello,piano, music,composer,
jazz,theory-of-music,blues, classical, ABRSM,suzuki,ABRSM,free-music-lessons,intrumentalist-tools,free-education,100%-free-school,

Vapor-Punk Lesson Long Lonng Ago Suzuki Piano School 1 Easy Play Along Listen and Learn
hey everybody i'm vapor punk i'm going to play cello will you play with me let's play the variation of long long ago from suzuki book two i love suzuki vapor punk says yay let's play

foreign um

vapor punk loves suzuki

Twinkle Twinkle Little Star With MoMo and the Space Flies Play-Along Track Suzuki Cello 1
ahi tail tellers welcome to our first preliminary class for twinkle twinkle little star now this kind of works for the cello school and the piano school so either instrument um can listen to this class and we're going to be playing momo and the space um flies version in a bit and i know you're probably waiting to hear that but what i want you to do today is if you can read music have the read the music in front of you and point to the notes as momo sings the words okay and just follow it with your fingers and if you've got a teacher there or somebody who's perhaps better at reading music they can show you how to do it okay and the other thing i want you to do i want you to play it more than once i want you to play it as many times as you really well not as you want five times there we go homework play it five times so the first time just listen to it and enjoy it the second time i want you to dance to it okay i want you to understand where it's going is it going higher or lower is it going around in a circle does it make you feel like going around in a circle does it make you feel like jumping like a punk rocker up and down all of these things i want you to make up a dance it doesn't have to stay the same every time you play it i just want you to feel the movement okay move your arms in the air wave your hands around while momo sings okay then i want you to clap can you do that it's quite interesting isn't it you'll find you're clapping to a rhythm and then i want you to mime an instrument so if you're a cellist you could mime the cello to it if you're a pianist you could mime the piano and then when you've done all of those things i want you to think about how you would play it and i want you to imagine that you're singing it or playing it or dancing to it in front of an audience this is your special performance now if you're really shy and you would hate to perform this performance is a performance to yourself in the mirror mirrors are very important to musicians mirrors do a couple of things they help you imagine that somebody's watching which makes you more comfortable when people are watching because you've even got to be comfortable with your teacher okay and sometimes people get very shy even in front of their teachers is it quite difficult if you can only play on your own it's going to be much more fun if you learn to be able to play with somebody else in the room okay so a mirror helps you imagine that there's somebody else there the other thing a mirror does is it makes sure that your posture is correct okay so if you're a pianist you need to have a straight back well actually all instrument instrumentalists have to have a straight back it's very very important um but also if you're a string player it helps make sure that your um your bow is straight okay so i recommend that you have a mirror in front of you now there are several classes available today for um twinkle twinkle little star for piano and cello so if you just when you're searching through um just pop in twinkle twinkle uh into the search menu and if you hopefully you've got the app there's lots of apps there's a spreaker app an itunes app um a spotify app you can get me on alexa all of these places so you just need to look up tail telekids or telltale club and then look up when you've got there look up twinkle twinkle twinkle twinkle little star or suzuki okay or actually probably momo and the space flies so i'm going to leave you now with momo and you know if you don't want to do any of that it doesn't matter you can just listen because momo's fabulous we absolutely love momo so um i'll be back soon with our first class which isn't a twinkle twinkle we're going to move to one of the other tunes because we've already done all the twinkle twinkles that we can do okay so just sit back and enjoy and then try and do those things that i suggested you do

Suzuki Book 2 Cello Class Ear Training with Sarnia Free Podcast Lesson Beginner Musicians

hi child sellers welcome to suzuki book two with the tail teller and we're going to be going over today um a little exercise which is really going to help your ear and it's really good for ear training okay now let me just go over the four main points of study for the volume two suzuki method book um so the the main purpose of volume two is that your tonalization improves okay it's really really um it's time now to um almost take a leap of faith and move on from just getting that sort of fingering correct to actually you know hitting the spots that we need to hit and it becomes imperative now um so if you haven't done that already uh you should really focus on these these techniques that we're doing in volume two we're going to do the all of the volumes obviously so you should listen to the reference recordings every day at home and develop a musical sensitivity okay now you will find that your advanced your advancement and your progress becomes increasingly um successful and rapid when you start listening it's absolutely amazing and you this never ends actually because even a fairly advanced musician can benefit from doing these um sort of warm-ups each day and for just um putting back and remembering and the other thing about the one of the exercises we're going to do today it really helps you tune your instrument you can tell when you're in tune because we're going to do something called a ringing exercise and it's quite fascinating how you get very used to it i mean can you hear romeo in the background eating he's making he's being a bit noisy actually now then um we're focusing each lesson now on terminalization we're going to really uh you know strive to bring that home consistently um the position attitudes or studies are going to be practiced well before each lesson okay now if you're doing a class with me i'm going to ask that you come prepared having already done those you know why why waste time with me going over it but i may give you a gentle nudge each lesson and just say look have you done those and from time to time i'm going to dip into them okay now the constant attention for accurate intonation means that i'm going to be using a lot of drones and i'm going to be quite insistent that we get things correct um correct posture and bow hold is also really important and i'll give gentle reminders as we progress through book two okay so let's um i believe we've done the tonalization exercise already so i'm not going to do that now but what i am going to do is i'm going to do this ringing sound tonalization okay so let me just get a bit uh i've got a new music stand actually and you know i bought it in a thrift shop and the reason i i liked it so much it's a really heavy base which means romeo you know romeo's prone to sort of um knocking into things and i did a music stand those metal things you know the very lightweight ones that you sort of transport everywhere are really um fragile aren't they and this one has got a big huge chunky wrought iron base and i actually managed to carry it home on my bicycle i can't believe it i'm really surprised anyway it's um i've got to get used to it so it's a little bit uh yeah i have to fiddle around you whenever you do anything new uh with your um equipment you you're gonna have to have a little fiddle around all right little i nearly said a bit of a rude word then uh uh well best not say it had i so let's have a look shall we it wasn't really rude by the way it was just uh you know uh begins with f and ends in t anyway fiddle fart there we go i've told you now i hope that's uh not upset anymore so let's have a look that didn't sound good did it now why didn't it sound good the first time i played it well because there was there was no ringing sound there was no i knew it was wrong because when you're a bit flat you don't feel the cello body with a resonating sound it's...

Suzuki Book 2 Cello For Young Cellists Making a Start With Sarnia Free Podcast Lesson
hello little tail tellers welcome to book two suzuki cello i can't believe we're already on book two this is amazing we're so so advanced already we haven't been playing very long i feel really quite smug about it if i was you i'd congratulate yourselves and give yourself a big tap on the back because getting through all of book one was no mean feat but if you haven't done book one all of the podcasts are uh sort of in order more or less and you can just go back and retrace the steps that um myself and the other little mini tail tellers have been uh crossing over the last few months actually i think it's taken us about two months um or if not you can just jump in now because if you already have a little bit of a clue about fingering of the cello and where to what first position is and things like that then you don't need to do book one and we can jump straight into book two we are going to start looking at second position though in this book so you you're going to need your wits about you somewhat and we're also um starting to think a bit more about tonalization and what that means in terms of the cello is hitting the right note and hearing ringing sounds we're going to be doing the ringing sound tonalization tomorrow morning bright and early for now we're just going to do the first exercise internalization in suzuki book 2 okay so let's have a little look at it each lesson should begin with tonalization try to produce a beautiful tone use full bows okay we can do that we can do that can't we we don't need too much practice with that because we've been doing lots of that why do you think they ask us to do that well i'll tell you learning to manage the bow beautifully with a light smooth touch really um takes it it becomes second nature when you're used to doing these very very long bows and you just you don't have to push in no pushing in no pressing hard just really relaxed really gentle um don't forget to come around as you're you know always try and look in the mirror if you've got a mirror that really would help you with your icky screechy um and the and the slower you go

no i could i could sing the national anthem while i do this in the key of c obviously

the slower you go the better you become at controlling but you see you don't want to be thinking too hard about it you want it to become second nature and that's why we do these exercises at the start of each lesson so we'll go over this now and you can use the terminalization exercises to prepare not just for your ear but also for the way that you uh differentiate between your strings and the way that you um glide glide we're going to be looking at gliding today so first things first what have we got here we've got common time it's four full time we've got lots of um minimalism we're going to spend a count of two on each note so one two three four one two three four etcetera except for the end we've got a dotted one and um we're going to we're going to count that before three and then we've got look a rest there a squiggly bird i i like to think of that as a seagull trying to get my chips that's what i always think when i see that one beat rest um so uh i think should we just start let's just pop our hands up ready into first position mm-hmm the taster the taster now look you'll notice we've got a four four four four four four four four four what's that about four four four four four four four four four now you could if you wanted put your finger across but i'm i'm not going to do that i'm going to ask you to actually move your fingers across and the reason i'm asking that is so that you really understand where the axis lies the axis is the line on which all these notes occur because if you look at your cello it's not dead straight is it with with it's not completely vertical perpendicular with the with um the horizon it's sloping a bit so that it can get...