Scare U

Scare U

By Bradford Louryk & Eric WinickTV & FilmFilm Reviews
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Scare U episodes

  • The Wicker Man (1973) with Tom Foley

    Summoned to a remote island off the coast of Scotland by a report claiming a young girl, Rowan Morrison, has gone missing, West Highland Constabulary Sergeant Neil Howie finds himself far from any reality he’s ever known, due to the strange customs and people of the island, called Summerisle. A god-fearing, Christian man in every way, Howie is put off, then shocked by the the island’s free-thinking, sexually explicit ways. He refuses the advances of Willow, a landlord’s daughter, and threatens to arrest Miss Rose, a schoolteacher, for discussing phallic symbols. Summerisle, Howie comes to understand, believes only in gods of fertility, and pagan ways, as overseen by Lord Summerisle, a tall, imposing chap with a fantastic house and even snappier wardrobe. When no one can seem to recall having met or seen Rowan, Howie’s investigation leads down a series of increasingly strange dead ends. And as May Day approaches, he becomes increasingly convinced that he has become the subject of a bizarre, dangerous game.


    Intro, Math Club, and Debate Society (spoiler-free) 0:00-18:05
    Honor Roll and Detention (spoiler-heavy) 18:06-55:11
    Superlatives (so. many. spoilers.) 55:12-1:13:11

    Director Robin Hardy
    Screenplay Anthony Shaffer
    Featuring Diane Cilento, Britt Ekland, Christopher Lee, Ingrid Pitt, Edward Woodward

    Tom Foley is an award-winning filmmaker. He has helmed national TV commercials for iconic brands like Nike, Harley Davidson, and Burger King, and recently created branded content films for Tito’s Vodka and the Alzheimer’s Association. Tom’s work keys on human emotion — from narrative comedy to heartfelt documentary storytelling. Always presenting a strong visual point of view, Tom emphasizes the unique humanity of his subjects. Tom is currently represented by Element Productions (Boston/LA) and is a member of the Directors Guild of America. Learn more about Tom at www.tomfoley.tv.

    Our theme music is by Sir Cubworth, with embellishments by Edward Elgar.  Music from “The Wicker Man” by Paul Giovanni.
       
    For more information on this film, the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple or Google Podcasts, Stitcher, Spotify, or wherever you get your podcasts.  If you like what you hear, please leave us a 5-star rating.    

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    1 hr 14 min
  • Session 9 (2001) with Jason Ragosta

    Time:  the present.  Location:  Danvers, Massachusetts.  Given the opportunity to clear asbestos from the long-dormant Danvers State Hospital, a sprawling asylum for the insane, abatement specialist Gordon jumps at the chance, claiming in his bid that he and his crew can do the job in one short week.  Gordon brings on four guys:  the dependable yet hot-headed Phil, would-be lawyer Mike, self-styled ladies man Hank, and Gordon’s nephew Jeff, who suffers from nyctophobia. Things seem to be moving along, but when Mike discovers the reel to reel tapes of a former patient named Mary Hobbes and becomes fascinated by her story, a larger tale begins to play out – one that shows startling parallels to the lives of the men shucking fiber in the hospital today.


    Intro, Math Club, and Debate Society (spoiler-free) 0:00-17:18
    Honor Roll and Detention (spoiler-heavy) 17:19-52:05
    Superlatives (so. many. spoilers.) 52:06-1:10:42

    Director Brad Anderson
    Screenplay Brad Anderson & Steven Gevedon
    Featuring David Caruso, Larry Fessenden, Steven Gevedon, Paul Guilfoyle, Josh Lucas, Peter Mullan, Brendan Sexton III

    Jason Ragosta is a horror writer, director, and illustrator. He has written and directed multiple short films including Boy In The Dark, Ztv: Sympathy For The Devil, and Mother Love (a section of Sinphony: A Clubhouse Horror Anthology). He is also the writer and illustrator of “ZTV: Undead Empire,” a graphic novel expansion of his ZTV universe. By day, Jason serves as the editorial manager at Halon Entertainment, an NEP Virtual Studios Company.

    Our theme music is by Sir Cubworth, with embellishments by Edward Elgar.  Music from “Session 9” by Climax Golden Twins.  

    For more information on this film, the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple or Google Podcasts, Stitcher, Spotify, or wherever you get your podcasts.  If you like what you hear, please leave us a 5-star rating.  

    Join our Facebook group. Follow us on Instagram.

    1 hr 11 min
  • The Exorcism of Emily Rose (2005) with David Grimm

    Based on a true story, The Exorcism of Emily Rose opens on a desolate landscape, a weathered farmhouse the only dwelling in sight. One thing we learn right away: Emily Rose, a girl of 19, is dead, and her condition shakes the medical examiner who comes to visit. Emily, we discover, has died as the result of demonic possession… or six demonic possessions… or maybe none.  Erin Bruner, a top-notch defense attorney, is assigned to defend the priest who exorcised Emily, Father Richard Moore, who stands accused of having cut off the girl from medical treatments she was undergoing.  Father Moore is offered a plea deal, but rejects it, as he feels Emily’s story must be told.  Hoping to make partner at her law firm, Erin is determined to follow her instincts, but between Father Moore’s compelling testimony and some very strange happenings in her own life, Erin starts to wonder if perhaps, against all odds, possession is real, and can be proven in a court of law.


    Intro, Math Club, and Debate Society (spoiler-free) 0:00-15:20
    Honor Roll and Detention (spoiler-heavy) 15:21-41:47
    Superlatives (so. many. spoilers.) 41:48-1:01:58

    Director Scott Derrickson
    Screenplay Paul Harris Boardman & Scott Derrickson

    David Grimm is a Brooklyn-based award-winning playwright and screenwriter. His plays include Ibsen in Chicago (Seattle Rep.); a new adaptation of Cyrano de Bergerac (Perseverance Theatre); Tales From Red Vienna (Manhattan Theatre Club); Measure for Pleasure (Public Theater; Bug ’n Bub Award; GLAAD Media Award nominee, Outstanding New York Theater, Broadway and Off-Broadway); The Miracle at Naples (Huntington; Best New Play IRNE Award); Steve & Idi (Rattlestick); Chick (Hartford Stage); The Learned Ladies of Park Avenue (Hartford Stage); Kit Marlowe (Public Theater; GLAAD Media Award nominee, Outstanding New York Theater, Broadway and Off-Broadway); Sheridan, Or Schooled In Scandal (La Jolla); Enough Rope (Williamstown Theatre Festival, starring Elaine Stritch), and Susanna Centlivre's The Gaming Table (for which he wrote additional material; Folger Library Theatre). Grimm’s film work includes the dialogue for Matthew Barney’s River of Fundament. His work for television includes “The Exorcist” (FOX Television, Seasons 1 and 2) and “NOS4A2” (AMC, Season 2). David is the recipient of an NEA/TCG Residency Grant and has received commissions from The Public Theater, Roundabout Theatre Company, Seattle Rep., Huntington Theatre Company, Hartford Stage, and Pittsburgh’s City Theatre Company. He has developed work at the Sundance Theatre Lab, Old Vic New Voices, and New York Stage & Film. David holds an MFA from NYU, a BA from Sarah Lawrence College, and has lectured in Playwriting and Screenwriting at the Yale School of Drama, Brown University, Columbia University, and NYU.

    Our theme music is by Sir Cubworth, with embellishments by Edward Elgar.  Music from “The Exorcism Of Emily Rose” by Christopher Young.

    For more information on this film, the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple or Google Podcasts, Stitcher, Spotify, or wherever you get your podcasts.  If you like what you hear, please leave us a 5-star rating.

    Join our Facebook group. Follow us on Instagram.

    1 hr 2 min
  • Tragedy Girls (2017) with Sarah Parvis

    McKayla and Sadie are best friends with a mutual love of social media and murder. The proprietors of the Instagram, Twitter, and every other platform account Tragedy Girls, the ladies initially befriend, then capture serial killer Lowell, and, over the course of the film, proceed to use him as a rationale for a series of grisly murders around their small, midwestern town of Rosedale.  Meanwhile, Jordan, the son of the local sheriff, is assisting the girls with their online videos, but soon comes to suspect there may be more to their story than they’re letting on. Tragedy Girls is a dark comedy about the course of true love and friendship, and what happens when a town beset by terrible misfortunes falls prey to a couple of influencers who only have mayhem on their minds.


    Intro, Math Club, and Debate Society (spoiler-free) 0:00-14:05
    Honor Roll and Detention (spoiler-heavy) 14:06-51:18
    Superlatives (so. many. spoilers.) 51:19-1:11:35

    Director Tyler MacIntyre
    Screenplay Chris Lee Hill & Tyler MacIntyre, based on an original screenplay by Justin Olson
    Featuring Andy Bethea, Rosalind Chao, Kevin Durand, Brianna Hildebrand, Keith Hudson, Josh Hutcherson, Savannah Jayde, Timothy V. Murphy, Elise Neal, Alexandra Shipp, Jack Quaid, Craig Robinson, Katie Stottlemire, Nicky Whelan

    Sarah Parvis is a writer and editor by day, having published more than 40 books on topics ranging from haunted castles and superheroes to bird-watching and starting your own business, and she’s worked with brands including DC Comics, PBS Kids, Disney, Time for Kids, and Warren Buffett’s Secret Millionaires Club. Her first favorite book was “There’s A Monster at the End of This Book.” She’s been chasing that high ever since.

    Our theme music is by Sir Cubworth, with embellishments by Edward Elgar.  Music from "Tragedy Girls" by Russ Howard III.

    For more information on this film, the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple or Google Podcasts, Stitcher, Spotify, or wherever you get your podcasts.  If you like what you hear, please leave us a 5-star rating.

    Join our Facebook group. Follow us on Instagram.

    1 hr 12 min
  • BONUS EPISODE: Crimes of the Future (2022)

    Note: from Oct 2021-June 2022, the Scare U podcast was known as 21 Jump Scare and was organized in a slightly different fashion, with different awards.


    Director David Cronenberg's films of late have strayed from the body horror for which he came to be known:  films like THE FLY, VIDEODROME, SCANNERS, DEAD RINGERS, NAKED LUNCH, and THE BROOD have become classics in the genre.  But this year, he has returned to the subject of body modification, with a strong environmental message, in CRIMES OF THE FUTURE, featuring Viggo Mortensen, Lea Seydoux, and Kristen Stewart. Eric and Bradford find themselves on opposite sides of the critical divide on this one, and like our previous episode, are left with more questions than answers.  

    Background (spoiler-free) 0:00-18:15
    Discussion (spoiler-heavy) 18:16-53:10
    Awards (spoilers for days) 53:11

    Our theme music is by Sir Cubworth, with selections from the COTF soundtrack by Howard Shore.

    For more information on this film, essays from your hosts, and other assorted bric-a-brac, visit our website, scareupod.com.  Please subscribe to this podcast via Apple or Google Podcasts, Stitcher, Spotify, I Heart Podcasts, or wherever you get your podcasts.

    If you like what you hear, please leave us a rating.  Follow us on Facebook. Follow us on Instagram.

    1 hr 4 min
  • BONUS EPISODE: Men (2022)

    Note: from Oct 2021-June 2022, the Scare U podcast was known as 21 Jump Scare and was organized in a slightly different fashion, with different awards.


    Seeking some downtime after the death of her husband, Harper (Jessie Buckley) settles into a stately home in a quiet English country village.  Unfortunately, all is not as it seems.  The house's caretaker (Rory Kinnear) seems a bit off, and there's a strange familiarity to all of the men in the village.  The product of writer/director Alex Garland (Ex Machina, Devs, Annihilation), and released by A24, MEN is a phantasmagoric odyssey into the heart of the human psyche, folk horror for the moment.  Bradford and Eric agree the film raises more questions than answers, but that it's a wholly unsettling work featuring images and scenes that sear themselves into your brain, and do not let go.

    Background (spoiler-free) 0:00-10:55
    Discussion (spoiler-heavy) 10:56-49:17
    Awards (spoilers for days) 49:18

    Our theme music is by Sir Cubworth, with selections from the MEN soundtrack by Geoff Barrow and Ben Salisbury. “Love Song” is by Lesley Duncan.  

    For more information on this film, essays from your hosts, and other assorted bric-a-brac, visit our website, scareupod.com.

    Please subscribe to this podcast via Apple or Google Podcasts, Stitcher, Spotify, I Heart Podcasts, or wherever you get your podcasts.  If you like what you hear, please leave us a rating.

    Follow us on Facebook. Follow us on Instagram.

    59 min
  • A Nightmare on Elm Street (1984)

    Program note:  This was one of the earliest episodes we recorded, and as such, the audio isn't great in certain spots.  We enjoyed recording this episode, though, and IOHO, think it's smart and funny enough to include in the season.  Also, from Oct 2021-June 2022, the Scare U podcast was known as 21 Jump Scare and was organized in a slightly different fashion, with different awards.


    "I'm your boyfriend now, Nancy."  Where were YOU on November 11, 1984?  If that was anywhere other than your local multiplex, you missed out on a seminal cultural event of the decade: the premiere of A NIGHTMARE ON ELM STREET, Wes Craven's surreal slasher, in which a long-(thought)-dead child murderer begins haunting (and killing) teenagers in their dreams.  With a cast led by Heather Langenkamp, Amanda Wyss, Robert Englund, and "introducing Johnny Depp," ELM STREET struck a chord in the zeitgeist, and went on to spawn a franchise than only became funnier and campier as it went along.  But the original remains a landmark of indelible images and ingenious practical effects.


    Background (spoiler-free) 0:00-19:30
    Discussion (spoiler-heavy) 19:31-42:05
    Awards (spoilers for days) 42:06

    Our theme music is by Sir Cubworth, with selections from the ANOES soundtrack by Charles Bernstein. The song “Nightmare” is by 213.

    For more information on this film, essays from your hosts, and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple or Google Podcasts, Stitcher, Spotify, I Heart Podcasts, or wherever you get your podcasts.  If you like what you hear, please leave us a rating. 

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    51 min
  • Martyrs (2008)

    Note: from Oct 2021-June 2022, the Scare U podcast was known as 21 Jump Scare and was organized in a slightly different fashion, with different awards.


    Warning:  this episode contains audio and descriptions of violence towards women, as depicted in the film.

    Martyrs has been described many ways, but one word that keeps coming up is "brutal."  Pascal Laugier's entry into the New French Extremity is a film few see more than once, and if you've experienced it, you know why.  The story of two women who set out to discover what became of the people who captured and tortured one of them as a girl, Martyrs is unsparingly bleak, yet is packed full of ideas; its plot starts out as standard revenge fare, then takes a hideous turn halfway through.  It is a film that demands to be seen, but one neither Bradford nor Eric will likely choose to revisit.


    Background (spoiler-free) 0:00-12:58
    Discussion (spoiler-heavy) 12:59-51:50
    Awards (spoilers for days) 51:51

    Our theme music is by Sir Cubworth, with selections from the Martyrs soundtrack by Willie and Alex Cortes.

    For more information on this film, essays from your hosts, and other assorted bric-a-brac, visit our website, scareupod.com,

    Please subscribe to this podcast via Apple or Google Podcasts, Stitcher, Spotify, or wherever you get your podcasts.  If you like what you hear, please leave us a rating.

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    Follow us on Instagram.

    1 hr 7 min
  • The Devil Rides Out (1968)

    Note: from Oct 2021-June 2022, the Scare U podcast was known as 21 Jump Scare and was organized in a slightly different fashion, with different awards.


    With a script by sci-fi/fantasy legend Richard Matheson (based on Dennis Wheatley's novel), and direction by journeyman Terence Fisher, THE DEVIL RIDES OUT is a Hammer horror classic. Dated by its early 20th century setting and late Sixties production, this tale of Satanic panic became infamous for earning an X rating from the British censors. Bradford makes the case that time has been kind to the film, and with a cast led by not one but two James Bond villains (Christopher Lee and Charles Gray), even Eric is convinced that this little DEVIL should take its rightful place in the horror pantheon.

    Background (spoiler-free)  0:00-15:40
    Discussion (spoiler-heavy) 15:41-31:04
    Awards (spoilers for days)  31:05

    Our theme music is by Sir Cubworth, with selections from the "TDRO” soundtrack by Philip Martell.

    For more information on this film, essays from your hosts, and other assorted bric-a-brac, visit our website, scareupod.com,

    Please subscribe to this podcast in Apple or Google Podcasts, Stitcher, Spotify, or wherever you get your podcasts.  If you like what you hear, please leave us a rating.

    Follow us on Facebook.

    Follow us on Instagram.

    45 min
  • The People Under the Stairs (1991)

    Note: from Oct 2021-June 2022, the Scare U podcast was known as 21 Jump Scare and was organized in a slightly different fashion, with different awards.


    Why do Mommy and Daddy Robeson want a child?  What's going on inside the walls of their palatial home?  And why, for the love of God, is Wendy Robie not more famous?  These and other questions are posed and answered (sort of) in this week's installment of 21 Jump Scare, as Bradford and Eric take a long, hard look at the sleazy goings-on in Wes Craven's underappreciated THE PEOPLE UNDER THE STAIRS, featuring Everett McGill, A.J. Langer, Brandon Adams, Ving Rhames, Sean Whalen, and Ms. Robie.

    Background (spoiler-free) 0:00-9:00
    Discussion (spoiler-heavy) 9:01-31:13
    Awards (spoilers for days) 31:14

    Our theme music is by Sir Cubworth, with selections from the "TPUTS” soundtrack by Don Peake (main theme), and Redhead Kingpin & the FBI.

    For more information on this film, essays from your hosts, and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast in Apple or Google Podcasts, Stitcher, Spotify, or wherever you get your podcasts.  If you like what you hear, please leave us a rating!

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    45 min

About Scare U

From the publisher's feed

Scare U (2021-24) was a podcast that dissected horror, one terrifying film at a time.