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Let Us Know Your Thoughts!
This week, Craig and Kevin turn their attention to 2001, uncovering a pair of albums that may have slipped under the radar but remain worthy of rediscovery.
Craig spotlights From Here on In by South, a debut album packed with atmospheric production, melodic songwriting, and a sound that feels both distinctly of its era and surprisingly timeless. Kevin counters with Welcome by Doyle Bramhall II, a soulful and adventurous release that showcases the depth of Bramhall's songwriting and musicianship.
The album discussion naturally evolves into a broader conversation about artists who expand beyond performing and find success in other creative roles. From production and engineering to visual design and behind-the-scenes influence, the guys explore how some musicians leave their mark in ways that go far beyond the spotlight.
It's another episode full of hidden gems, musical rabbit holes, and the kinds of conversations that happen when two lifelong music fans start connecting the dots.
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📩 Which artists do you think made the most interesting transition into another creative role? Let us know your thoughts at [email protected].
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Let Us Know Your Thoughts!
This week, Craig and Kevin travel back to 1963, revisiting a year dominated by hit singles and exploring what was happening beyond the top of the charts.
The guys begin by reviewing some of the year's biggest songs before turning their attention to albums they feel deserve more recognition. Kevin spotlights Back Porch Bluegrass by The Dillards, a groundbreaking release that helped expand the possibilities of bluegrass music. Craig counters with Mess of Blues, a bluesy jazz collaboration from Johnny Hodges and Wild Bill Davis that also features the masterful guitar work of one of Craig's all-time favorites, Kenny Burrell.
Along the way, the conversation touches on the difference between popular success and lasting artistic value, as well as the challenge of uncovering overlooked gems from an era often remembered primarily for its singles.
From bluegrass innovation to jazz-blues excellence, this episode shines a light on some of 1963's lesser-known treasures.
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📩 What album from 1963 do you think deserves more attention? Let us know at [email protected].
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Let Us Know Your Thoughts!
This week, Craig and Kevin kick things off with an interesting music-industry comparison: the most acclaimed albums versus the best-selling albums. Using a list of Time Magazine's top-rated records, the guys compare critical darlings against commercial giants and explore what separates artistic acclaim from mass appeal.
From there, they dive into their featured year: 2017.
Craig spotlights Green Twins by Nick Hakim, a soulful and adventurous release that blends psychedelia, R&B, and indie rock into a uniquely immersive listen. Kevin counters with The Mission by Styx, the veteran band's ambitious concept album that proves there's still plenty of creativity left in the tank decades into their career.
The conversation touches on critical consensus, commercial success, musical evolution, and the different paths albums take toward finding an audience.
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📩 What album would make your list of the most acclaimed—or most overlooked—of all time? Hit us up at [email protected].
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Let Us Know Your Thoughts!
This week, Craig and Kevin head back to 1969, but with a twist.
After comparing notes, both hosts agreed that UFO by Jim Sullivan would have been their shared Album of the Week. Rather than doubling up, they decided to dig a little deeper and each bring a runner-up selection to the table.
Craig shines a light on Fast Fingers by Jimmy Dawkins, a blues record packed with sharp guitar work and Chicago grit. Kevin counters with Orgasm by Head Machine, a heavy and often-overlooked psychedelic hard rock release that showcases a very different side of 1969.
The conversation then shifts from albums to collecting, as the guys dive into a lively discussion about how they organize their vinyl collections. From genres and artists to alphabetical systems and pure chaos, they compare approaches and debate the best way to manage a growing catalog.
It's an episode filled with deep cuts, collector talk, and another reminder of just how much great music came out of 1969.
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📩 How do you organize your vinyl collection? Let us know at [email protected]
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Let Us Know Your Thoughts!
This week, Craig and Kevin revisit 2004, a year that holds special significance for both hosts and marked the beginning of a friendship built around a shared love of music.
For their album picks, Craig spotlights LP by Ambulance LTD, a shimmering indie-rock release filled with memorable hooks, layered guitars, and the kind of songs that seemed tailor-made for the era. Kevin counters with Exhibit A by The Features, an energetic and underrated record that blends sharp songwriting with plenty of Southern-rock swagger.
Along the way, the conversation naturally drifts into memories of 2004 itself—a pivotal year in music and culture—and reflects on how much has changed since then, from the way we discover music to the way we listen to it.
Whether you're revisiting the mid-2000s or discovering these albums for the first time, this episode is packed with nostalgia, hidden gems, and plenty of music discussion.
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Let Us Know Your Thoughts!
Craig and Kevin jump into 2016 this week with two albums that couldn’t be more different in style, but both leave a lasting impression.
Craig spotlights The Party by Andy Shauf, a beautifully crafted indie-folk record filled with intimate storytelling, subtle arrangements, and late-night atmosphere. Kevin counters with The Last Days of Oakland by Fantastic Negrito, a powerful and genre-blending release packed with grit, soul, funk, and social commentary.
From there, Craig opens up the ever-growing GPT-powered vault of Dig It or Dump It topics, putting Kevin on the spot with rapid-fire reactions to a mix of music industry trends, modern habits, and everyday debates. As always, a few answers spark some unexpected conversation along the way.
From intimate indie songwriting to explosive blues-funk energy — this episode covers a wide range of sounds and opinions.
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📩 Got a favorite 2016 album or a Dig It or Dump It suggestion? Send it to [email protected].
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Let Us Know Your Thoughts!
Craig kicks things off this week by putting Kevin through another round of Dig It or Dump It, featuring a mix of music-related debates, random lifestyle topics, and a few curveballs that spark some strong reactions along the way.
From there, the guys move into their featured year: 2009.
Kevin spotlights For the Whole World to See by Death, the once-lost release from the pioneering Detroit band whose sound was far ahead of its time. Craig follows with Tight Knit by Vetiver, a mellow and richly layered folk-rock record filled with warmth and subtle detail.
The episode bounces between proto-punk energy, laid-back indie folk, and plenty of spontaneous conversation in between.
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📩 Got a favorite 2009 album or a Dig It or Dump It topic? Send it our way! - [email protected].
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Let Us Know Your Thoughts!
Craig and Kevin kick things off with a listener recommendation, diving into Black Monk Time by The Monks — a raw, proto-punk release from 1966 that still sounds ahead of its time.
From there, the guys jump to 2018 for their albums of the week. Kevin spotlights Cry No More by Danielle Nicole, a powerhouse blend of blues, soul, and rock. Craig counters with Chrome Neon Jesus by Teenage Wrist, delivering a hazy, emotional mix of shoegaze and alt-rock textures.
To close things out, it’s another round of Dig It or Dump It, with quick-hit takes and plenty of strong opinions to wrap the episode.
From proto-punk beginnings to modern blues and alt-rock — this one spans decades and styles.
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📩 Got a recommendation like Black Monk Time? Send it to [email protected].
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Let Us Know Your Thoughts!
Craig and Kevin kick things off this week by diving into a couple of listener emails, sparking some early conversation before shifting into their featured year: 2013.
Craig brings Jesse Woods’ Get Your Burdens Lifted, a smooth, soulful record that blends folk, pop, and vintage textures into something quietly captivating. Kevin counters with Ricky Byrd’s Lifer, a rock-driven release packed with grit, heart, and lived-in storytelling.
From there, the guys debut a new segment: “3 Letters.” Craig throws out three random letters, and Kevin has to guess which artists pop up first in Apple Music — leading to some surprising pulls and unexpected directions.
As the episode winds down, things open up into free-flowing conversation, with spontaneous topics and side tangents keeping things loose and unpredictable.
From listener shoutouts to 2013 deep cuts to off-the-cuff music moments — this one covers a little bit of everything.
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Let Us Know Your Thoughts!
Craig and Kevin take it back to 1971, digging into a pair of albums that showcase very different sides of the era’s sound.
Craig highlights Lee Moses’ Time and Place, a soulful, gritty release packed with raw emotion and powerful guitar work — a true hidden gem that never got its full due. Kevin follows with Dr. Hook and the Medicine Show’s self-titled debut (Dr. Hook), blending country, rock, and storytelling with a laid-back charm that would help define their early sound.
From there, the guys jump into Dig It or Dump It, with Craig throwing out 10 topics for Kevin to react to on the spot. The conversation covers everything from albums vs. playlists and algorithm-driven recommendations to more obscure curveballs like Angine de Poitrine — keeping things unpredictable as always.
It’s a mix of rediscovery, debate, and off-the-cuff reactions that keeps the energy moving throughout.
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📩 Got a favorite 1971 album or a Dig It or Dump It topic? Send it our way to [email protected]
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From the publisher's feed
A genre-jumping, decade-spanning music podcast where Craig and Kevin riff, rank, and occasionally roast their way through underrated albums, ridiculous matchups, and unexpected…
Expect deep cuts, rapid-fire games, trivia twists, and the ever-growing series: “The Soundtrack to…”. Zero rules. Just riffs.
The Schizophrenic Music Podcast isn’t just a show — it’s a platform for sonic disobedience and musical pluralism.