Scholarly Communication

Whether you’re hoping to publish your first book or you’re a seasoned author with an unfinished proposal languishing on your hard drive, The Book Proposal Book provides honest and invaluable advice on how to overcome common sticking points and get your book published. It also shows why a well-conceived proposal can help lead to an outstanding book. The Book Proposal Book cuts through the mystery and guides you through the process of crafting a compelling proposal and pitching it to university presses and other academic publishers.

This episode explores: what a book proposal is and isn’t; why you have to write one; the importance of seeking the right “fit” for your manuscript; pitching quirky books; the difference between a book’s topic and argument; and how to summarize your project in just one sentence.

Guest: Dr. Laura Portwood Stacer is a developmental editor and publishing consultant for academic authors. She is the author of The Book Proposal Book and Make Your Manuscript Work.

Host: Dr. Christina Gessler is the creator of the Academic Life podcast and the show’s weekly newsletter. She is a writing coach and dissertation coach.

Playlist for listeners:

• Where Does Research Begin
• Make Your Manuscript Work
• Project Management For Researchers
• Find Your Argument
• Dissertations Wanted: An Acquiring Editor Explains
• Turning A Dissertation Into A Book
• The Dissertation To Book Workbook
• The Top Ten Struggles in Writing A Book Manuscript and What To Do About It
• Dealing With Rejection
• Facing Failure
• Subatomic Writing
• Becoming The Writer You Already Are
• Open-Access Publishing Explained
• DIY Writing Retreats
• PhDing While Parenting
• The Peer Review Process
• Before And After The Book Deal
• Finishing Your Book When Life Is A Disaster

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 325+ Academic Life episodes? Find them here. And thank you for listening!

This episode was originally published on 8/12/2021

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The Grant Writing Guide: A Road Map for Scholars (Princeton UP, 2023) is an essential handbook for writing fundable grants. This easy-to-use guide features writing samples, a glossary of important terms, answers common questions, and explains pitfalls to avoid. Dr. Betty Lai focuses on skills that are universal to all grant writers, not just specific skills for one type of grant or funder. She explains how to craft phenomenal pitches and align them with your values, structure timelines and drafts, communicate clearly in prose and images, solicit feedback to strengthen your proposals, and much more. This incisive book walks you through every step along the way, from generating ideas to finding the right funder, determining which grants help you create the career you want, and writing in a way that excites reviewers and funders.

This episode explores: how to align your values and interests with a grant opportunity;

why most of us will end up needing a grant; things you can learn from a grant proposal that succeeded, and from one that didn’t; what your grant reviewer really needs from you and why; and how to use the funder’s guidelines and terminology to your advantage.

Guest: Dr. Betty S. Lai is an associate professor in the Lynch School of Education and Human Development at Boston College. Her research has been funded by the National Science Foundation, the National Institute of Mental Health, and the Gulf Research Program of the National Academies of Sciences, Engineering, and Medicine, among others. Her work has been recognized with awards from the American Psychological Association and the American Psychological Foundation.

Host: Dr. Christina Gessler is the producer of the both Academic Life podcast and the show’s weekly newsletter. She is a writing coach and developmental editor for academics.

Listeners to this episode may be interested in:

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 325+ Academic Life episodes? Find them here. And thank you for listening!

This episode was originally published on Feb 2, 2023.

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Are you a scholar sitting on a manuscript that you think could be a book — but you have no idea where to start? In this episode of The Publishing Playbook, host Sarah Russo sits down with Laura Portwood-Stacer, founder of Manuscript Works and author of two books about academic publishing: “The Book Proposal Book” and “Make Your Manuscript Work.” Laura shares what pulled her out of academia and into editorial consulting, and why “publish or perish” no longer guarantees the payoff it once promised. She breaks down the essential elements of a strong academic book proposal, the real differences between the types of publishers out there, and why authors and editors are on the same team more often than they realize. Laura also dishes on whether academic authors actually need a literary agent, and how generative AI is reshaping trust in publishing. Plus: what it was really like competing on “Jeopardy!”

For more information on Laura’s work, please visit Manuscript Works.

Books mentioned in this episode:

“The Book Proposal Book” by Laura Portwood-Stacer

“Make Your Manuscript Work” by Laura Portwood-Stacer

“Trans Technologies” by Oliver Haimson (both Laura and the Page One team worked with Oliver on his book)

“The Seven Wonders of the Ancient World” by Bettany Hughes

Key Moments

00:00 – “That’s Not the Answer” 😤
Laura names the fantasy that finishing a book will magically change your life, and why that unrealistic expectation sets writers up for disappointment.

03:25 – “Publish or Perish” Isn't So Simple Anymore 📚
Laura explains why the old academic career formula has broken down: you can do everything right and still lose the job, the promotion, or the department.

07:12 - The Anatomy of a Strong Book Proposal 📝
Laura walks through exactly what publishers are looking for, breaking down the unspoken checklist most scholars never see.

10:40 – “You’re on the Same Team” 🤝
Laura pushes back on the idea that authors and editors are adversaries, arguing most writers misunderstand just how aligned they actually are with their publisher.

16:37 - Trade, Academic Trade, or Monograph? 🎯
Sarah and Laura unpack the three buckets publishers sort academic books into, and why so many authors overestimate how “trade” their book really is.

20:33 - Do You Actually Need an Agent? 🙋
Laura levels with authors chasing representation: most scholars publishing with university or academic presses don’t need one at all.

21:13 - AI Has Made Everyone a “Paranoid Reader” 🤖
Laura gets candid about how generative AI is eroding trust between editors and authors — and why she resents having become an accidental AI expert.

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The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema’s most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama.

Melodrama is the focus of what would become Williams’s final project. In the last few years of her life, she was working on a project that traced melodrama’s divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture.

Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams’s unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media.

For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University.

Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague’s unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us.

Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world.

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For centuries, many of the world’s most influential thinkers relied on helpers who performed tasks such as taking dictation, correcting, indexing, composing, and endless copying. In the Scholar’s Workshop: Hidden Histories of Collaboration and Authorship (Princeton UP, 2026) introduces readers to these unsung scribes, assistants, and collaborators, showing how the scholarly enterprise is rarely as solitary as we tend to think. Dr. Blair traces how the learned have relied on helpers since antiquity, discussing how and when these amanuenses became visible in manuscript and occasionally in print and explaining why they were uniquely positioned to shape the posthumous legacy of their principal.

Taking an in-depth look at the later Renaissance, she reconstructs the private lives and academic pursuits of leading figures from the period such as the renowned humanist Erasmus, the reformer Martin Bucer, and Paris professors Adrien Turnèbe and Petrus Ramus. Dr. Blair paints multifaceted portraits of the servants, students, and family members who assisted in their work, drawing on sources ranging from scholarly texts in both draft and published forms to correspondence, annotations, biographical accounts, and household rules. Panoramic in scope, In the Scholar’s Workshop challenges conventional views about authorship and attribution while affirming the enduring importance of collaboration in scholarly work today.

Guest: Dr. Ann Blair is the Carl H. Pforzheimer University Professor in the Department of History at Harvard University. Her books include Too Much to Know: Managing Scholarly Information Before the Modern Age and (with Paul Duguid, Anja-Silvia Goeing, and Anthony Grafton) Information: A Short History.

Host: Dr. Christina Gessler is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast.

Playlist for listeners:

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

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In the mid-1930s a group of New York Yiddishist intellectuals established the Central Jewish Library and Press Archive, whose collections became the nucleus of the YIVO Library when the Institute relocated from Vilna to New York in 1940. Over the succeeding decades, the Library grew by leaps and bounds, thanks to the dedication of its librarians and supporters. It emerged as a “collection of collections,” absorbing the extensive personal libraries of prominent Yiddish writers, scholars, and book collectors. Crucially, after 1945 the Library also recovered large portions of the Vilna YIVO’s prewar holdings along with thousands of rabbinic works from Vilna’s Strashun Library. Throughout its history, the YIVO Library has been a beehive of scholarship and bibliography, which has been fostered by such outstanding figures as Mendl Elkin and Dina Abramowicz.

In this presentation, Zachary M. Baker will offer some personal reflections on the legacy that the YIVO Library’s founders and builders have left behind.

View the bibliography for this talk: here

This lecture originally took place on February 19, 2025.

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What does it take to turn a self-published book into a traditional publishing deal? Science writer Siri Carpenter — executive director of The Open Notebook and author of The Craft of Science Writing — joins host Sarah Russo on The Publishing Playbook to break down her path from self-publishing to an expanded second edition with University of Chicago Press.

Siri shares how she landed an agent after self-publishing, why course adoption became the key to her book’s success, and the design decisions that helped it stand out. She also previews her newest project, The Best Science Stories and How They Work (also published by UCP), which features articles and annotations from Mary Roach, Ed Yong, and other leading science journalists.

Plus: Siri's take on empathy as a core writing skill, how science writers can combat misinformation, and what she’s currently reading, underwater!

In this episode:

If you’re a writer, editor, or aspiring author weighing self-publishing vs. traditional publishing, this episode is for you. Subscribe to The Publishing Playbook for new episodes every week.

For more information on Siri’s work, please visit The Open Notebook

Books mentioned in this episode:

“The Craft of Science Writing,” edited by Siri Carpenter

“The Best Science Stories and How They Work,” edited by Siri Carpenter

“A Sand County Almanac: And Sketches Here and There,” by Aldo Leopold

“Why We Swim,” by Bonnie Tsui

“You Are Here: Poetry in the Natural World,” by Ada Limón

“The Sea Around Us,” by Rachel Carson

Key Moments

00:57 — Why Siri Started The Open Notebook 📓

Siri opens up about feeling isolated as a freelance science writer, and how a friendship with a fellow journalist sparked the side project that became a major nonprofit.

02:58 — The Real Reason Siri Self-Published Her First Book 📖

Agents wouldn't touch "The Craft of Science Writing,” so Siri went the self-publishing route instead, admitting just how naive she was about the workload ahead.

05:18 — From Self-Published to University of Chicago Press 🎓

Siri walks through how a self-published book still sold over 3,000 copies and eventually landed her an agent and a traditional book deal for a second edition.

10:32 — Designing a Book You Can Read in a Hammock 🌳

Siri describes the collaborative design process behind “The Best Science Stories and How They Work,” where original articles sit side-by-side with expert annotations in the margins.

15:39 — “Every Story Is a Science Story” — Even Traffic Reports 🚗

Siri unpacks The Open Notebook’s tagline with a hilarious real-life story about a stranger shouting “what’s a science story today?” out a truck window.

19:46 — Can Journalists Actually Fight Misinformation? 🔍

Siri gets real about the uphill battle science journalists face against well-funded disinformation campaigns, and the role storytelling still plays in helping readers think critically.

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The opening of Iraq's Ba'th

The

This interview was conducted by Dr. Miranda Melcher whose book

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Since 1925, the YIVO Institute for Jewish Research has been a pioneer in the field of Jewish studies. At the core of YIVO since its founding was its commitment to scholarship which supported the Jewish “folk.” This manifested in a variety of initiatives, including youth autobiography contests and a youth research division (yugfor), an Economic-Statistical section (ekstat), and the establishment of various YIVO branches. These YIVO's activities continue to pique the interests of scholars, who have recently produced new scholarship analyzing these initiatives through the lens of new pioneering research methods.

Join YIVO for a panel discussion sharing new research on these historic YIVO initiatives featuring presentations by William Pimlott, Kamil Kijek, and Nicolas Vallois, followed by a conversation led by Jessica Kirzane.

This panel discussion originally took place on June 11, 2025.

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This is a special edition of the New York Institute for the Humanities’ Vault podcast. On May 13, 2026, Princeton’s Center for Human Values hosted a day-long conference titled Audio and Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton’s Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research.

In the fourth panel, Jody Avirgan led a discussion about what it takes for someone to make an academic podcast. Jody Avirgan is a podcast host, producer, and editor. His production company is Roulette Productions; Sara McCrea is a writer, audio producer, and researcher, who leads podcast strategy and production at Random House Publishing Group. She has produced podcasts for Slate, Pushkin Industries, TED Audio Collective, Audible, and the Center for Humane Technology. She created and produced the "Attention Lab" series for the Strother School of Radical Attention, and wrote and produced the award-winning "McCartney: A Life in Lyrics", a 24-episode narrative journey through Paul McCartney's songwriting, hosted by poet Paul Muldoon; Caleb Zakarin is the CEO and Publisher of the New Books Network.; Julia Barton  is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She’s the editor of Malcolm Gladwell’s The Bomber Mafia, Michael Specter’s Fauci, and Michael Lewis’s unabridged Liar’s Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She writes the audio history newsletter, Continuous Wave.

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