In this episode of Sci-Fi Graveyard, Joseph, Jeremy, and Josh return for Season 2 to review the 1954 Universal Monster classic, The Creature from the Black Lagoon. The hosts discuss how this film, often overshadowed by its predecessors like Dracula and Frankenstein, holds up surprisingly well with its atmospheric underwater photography and iconic Gill-man design.

The discussion centers on the impressive practical effects, particularly the creature suit worn by Ricou Browning for the underwater scenes (without an air tank!) and Ben Chapman for the land scenes. The crew praises the film's pacing, the scientific curiosity driving the plot (rather than pure greed), and the character of Kay Lawrence (Julie Adams), whom they appreciate for being more than just a damsel in distress. They also touch on the film's influence on later movies like The Shape of Water, the failed "Dark Universe" reboot attempt, and the constant rumors of a modern remake. Despite being nearly 70 years old, the hosts agree that the film is a must-watch for sci-fi and horror fans, debating whether it should "Rise from the Grave" with a remake or "Rest in Peace" as a classic.

Key Highlights
[02:08] The Two Gill-Men: Joseph explains that two different actors played the creature: Ricou Browning for the swimming scenes (holding his breath for up to 4 minutes) and Ben Chapman for the land scenes.
[05:07] Bathroom Break Scare: A funny anecdote about Ricou Browning emerging from the water in full costume for an emergency bathroom break, terrifying a mother and daughter on the shore.
[16:29] Not a B-Movie: The hosts argue that despite its age and genre, the film avoids the "schlocky" feel of many 50s sci-fi movies thanks to high production values and a serious tone.
[21:28] The Mad Scientist: A critique of Dr. Carrington, whose obsession with studying the creature puts the entire crew in danger, fitting the classic "science over safety" trope.
[30:29] Kay Lawrence: Praise for the female lead, who is portrayed as intelligent and capable, participating in strategy meetings and not just screaming (until the very end).
[36:29] Remake Potential: A discussion on the long history of failed remake attempts and the wish for a modern version that respects the original, potentially with practical effects enhanced by CGI.

In this Halloween special of Sci-Fi Graveyard, Joseph, Jeremy, and Josh celebrate the 13th episode by reviewing James Cameron's 1986 masterpiece, Aliens. The crew discusses why this film is widely considered one of the few sequels to equal or surpass the original, blending sci-fi with intense action-horror.

The discussion centers on the film's incredible practical effects, particularly the Alien Queen (designed by Cameron himself) and the gruesome death of Bishop. The hosts praise the ensemble cast, highlighting Bill Paxton's memorable performance as Hudson ("Game over, man!") and Jenette Goldstein's iconic role as Vasquez. They also touch on the film's influence on pop culture, including video games like Dead Space and Alien: Isolation. The group debates the controversial opening of Alien 3, which kills off Newt and Hicks, and expresses a wish that the franchise had continued with these characters instead. Ultimately, they agree that Aliens is a timeless classic that holds up perfectly today.

Key Highlights
[02:00] Vasquez Trivia: Joseph reveals that Jenette Goldstein (Vasquez) was almost cast as Tasha Yar in Star Trek: The Next Generation and that her role in Aliens inspired the character.
[08:05] Practical Effects: The crew marvels at how the practical effects, especially the Bishop torn-in-half scene and the Alien Queen puppet, hold up better than modern CGI.
[17:45] Musical Score: Joseph points out that composer James Horner was given so little time to write the score that he cannibalized music from Star Trek II: The Wrath of Khan and Star Trek III.
[20:39] Scream 2 Reference: A fun discussion on how Scream 2 references the famous line "Get away from her, you bitch!" but attributes it incorrectly in the dialogue due to a script mix-up.
[48:00] Burke's Plan: A breakdown of Carter Burke's villainy, noting how he intentionally picked an inexperienced lieutenant and planned to smuggle alien embryos back inside the crew members.
[53:42] New Podcast Announcement: The hosts announce the launch of their new horror podcast, Scream Creeps, which will debut with a chronological review of The Conjuring Universe.

In this episode of Sci-Fi Graveyard, Joseph and Josh travel back to the golden age of sci-fi to review the 1951 classic The Thing from Another World. Directed by Christian Nyby (and reportedly Howard Hawks), the film is based on the novella Who Goes There? by John W. Campbell. The hosts discuss how this black-and-white film compares to John Carpenter's beloved 1982 remake, noting key differences like the monster being a "super carrot" (a plant-based creature needing blood) rather than a shape-shifter due to budget constraints.

The discussion highlights the film's snappy dialogue, camaraderie among the military characters, and the surprisingly strong female lead, Nikki, who isn't treated as a damsel in distress. The crew laughs about the scientist trope embodied by Dr. Carrington, whose obsession with studying the alien almost gets everyone killed. They also share trivia about James Arness (the actor playing The Thing) being embarrassed by his role and the recent discovery of the expanded manuscript Frozen Hell. Despite being almost 70 years old, the hosts agree the movie holds up remarkably well as a suspenseful sci-fi drama.

Key Highlights
[02:44] Based on a Novella: Joseph explains the film's origin from the story Who Goes There? and the differences between the 1938 text, the 1951 movie, and Carpenter's 1982 version.
[04:47] The "Super Carrot": A discussion on the creature design, noting it's an intelligent plant that feeds on blood, a departure from the shape-shifting alien in the book and remake.
[13:53] James Arness Trivia: The hosts share that James Arness (famous for Gunsmoke) played The Thing but was so embarrassed by his costume that he skipped the premiere.
[21:28] The Mad Scientist: A breakdown of Dr. Carrington's character, who fits the "scientist putting knowledge over safety" trope, nearly sacrificing the crew to communicate with the hostile alien.
[30:29] Strong Female Lead: Praise for Nikki's character, who participates in the strategy sessions and isn't sidelined, defying 1950s gender stereotypes in film.
[36:05] Rapid-Fire Dialogue: The crew notes the overlapping, naturalistic dialogue style (a Howard Hawks trademark) that gives the film a realistic and energetic pace.

In this episode of Sci-Fi Graveyard, Joseph, Jeremy, Josh, and Stephen race into the colorful world of the Wachowskis’ 2008 live-action adaptation of Speed Racer. The crew debates whether this box-office bomb was simply ahead of its time or a visual overload that alienated general audiences.

The discussion centers on the film's unique aesthetic, which aimed to bring the look and feel of the original anime directly to life. While Joseph and Stephen praise the faithful adaptation, the casting (especially Emile Hirsch and John Goodman), and the kinetic race sequences, Jeremy and Josh critique the overwhelming CGI and "fake" look of the world. They dive deep into the differences between the movie and the original cartoon, specifically regarding the Mach 5's gadgets and the expanded role of the Mach 6. The group also shares trivia about the original Japanese series Mach GoGoGo, the voice actors, and the potential for a sequel script that was reportedly written. Ultimately, the verdict is a surprising unanimous vote to "Rise from the Grave," with the hosts hoping for a reboot or sequel that balances the anime style with a more accessible visual palette.

Key Highlights
[02:29] Mach 5 Gadgets: A detailed comparison of the steering wheel buttons (A-G) in the original cartoon versus the changes made for the movie, noting the shift from auto-jacks to jump jacks.
[06:05] Box Office Bomb: The hosts discuss the film's poor financial performance ($93 million gross on a $120 million budget) and attribute it to the niche appeal of the source material.
[31:37] Royalton vs. Tim Curry: Joseph asks if the villain Royalton (Roger Allam) felt like he was channeling Tim Curry, leading to a wish that Curry had actually played the role.
[41:10] Visual Style Debate: A heated discussion on the polarizing visual effects. Jeremy found the hyper-colorful, "fake" look distracting, while others appreciated it as a stylistic choice to mimic anime.
[56:59] Homages to the Cartoon: The crew points out specific scenes lifted directly from the anime, like Sparky's cowering reaction to a gun and Pops' wrestling moves.
[01:02:30] Sequel Potential: Stephen reveals that Emile Hirsch mentioned a script for a sequel was written, sparking a conversation about whether a follow-up could succeed today.

In this episode of Sci-Fi Graveyard, Joseph, Jeremy, Josh, and Stephen ignite their lightsabers to discuss Rian Johnson’s polarizing 2017 film, Star Wars: The Last Jedi. The crew debates whether the film's bold choices—like killing Supreme Leader Snoke and portraying a disillusioned Luke Skywalker—were genius subversions or narrative missteps that derailed the sequel trilogy.

The discussion covers the divisive Canto Bight subplot, which the hosts generally agree felt unnecessary and padded the runtime. They critique the lack of communication from Admiral Holdo that led to Poe Dameron's mutiny and analyze the controversial "Holdo Maneuver." The group is split on Luke's portrayal; while some found his cynicism jarring, Stephen appreciates the connection to Yoda's teachings about failure. They also touch on the "Rey Nobody" reveal, the sudden death of Snoke without backstory, and the missed opportunity to reunite the original trio. Ultimately, the crew votes to "Rest in Peace," accepting the film for what it is rather than wishing for a remake.

Key Highlights
[15:02] Rian Johnson's Direction: A critical look at Johnson's creative freedom and the lack of an overarching plan from Disney/Lucasfilm, leading to a disjointed trilogy.
[25:16] Luke's Lightsaber Toss: The crew reacts to the opening scene where Luke throws away his father's lightsaber, setting the tone for his character's arc.
[27:55] Canto Bight Subplot: A unanimous critique of the 12-13 minute casino planet sequence, calling it a waste of time that didn't serve the main plot effectively.
[34:47] The Holdo Maneuver: A discussion on the visually stunning but lore-breaking scene where Admiral Holdo jumps to lightspeed through the First Order fleet.
[54:06] Snoke's Death: The hosts express disappointment in Snoke being killed off so easily without any explanation of his origins or power. [58:54] Luke vs. Kylo Ren: Praise for the final confrontation on Crait, specifically Luke's Force projection and the callback to Han Solo's dice.

In this episode of Sci-Fi Graveyard, host Joseph is joined by Jeremy, Josh, and Stephen to review the 1986 cult classic Maximum Overdrive. Written and directed by Stephen King (his only directorial credit), the film depicts a world where machines come alive and turn homicidal after Earth passes through the tail of a comet.

The discussion highlights the film's "so bad it's good" status, fueled by a heavy metal soundtrack from AC/DC (their Who Made Who album) and a legendary production history involving a director who was admittedly "coked out of his mind." The hosts break down the campy plot, the iconic Green Goblin semi-truck, and the memorable (if not necessarily good) performances by Emilio Estevez and Yeardley Smith (the voice of Lisa Simpson). They share trivia about the practical effects, the North Carolina truck stop set that real truckers tried to visit, and the infamous steamroller scene. While acknowledging its flaws, the crew agrees that the movie’s unique 80s charm makes it a must-watch for fans of cheesy horror/sci-fi, ultimately voting for it to "Rest in Peace" as a standalone gem that shouldn't be remade.

Key Highlights
[02:52] The "Co-Director": Joseph shares the well-known trivia that Stephen King was heavily under the influence of cocaine during filming, which explains the movie's chaotic energy and King's erratic behavior in the trailer.
[03:45] The Green Goblin Truck: A nod to the film's most iconic villain, a Western Star truck with the face of Marvel's Green Goblin, which becomes the leader of the machine uprising.
[04:12] AC/DC Soundtrack: The hosts discuss how Stephen King, a massive fan of the band, personally convinced AC/DC to provide the soundtrack, which became integral to the film's identity.
[07:43] King's Cameo: A laugh at Stephen King's cameo as the guy at the ATM who gets called an "asshole" by the machine, setting the tone for the film's humor.
[16:23] Character Relatability: The crew debates which characters they relate to most, with Joseph picking Curtis (the newlywed trying to help) and Stephen controversially choosing the ill-fated little league coach.
[34:41] The Ending Text: A discussion on the film's abrupt ending, which uses a text crawl to explain that a Russian "weather satellite" (armed with lasers) destroyed the UFO causing the phenomenon.

In this episode of Sci-Fi Graveyard, Joseph, Jeremy, Josh, and Stephen ignite their lightsabers to discuss the controversial conclusion to the Skywalker Saga, Star Wars: The Rise of Skywalker. Recorded eight months after its release, the crew debates whether J.J. Abrams’ attempt to course-correct after The Last Jedi resulted in a satisfying finale or a disjointed mess.

The discussion is heated as the hosts break down the major plot points: Rey being a Palpatine, the sudden return of the Emperor (and his fleet of Star Destroyers), and Ben Solo’s redemption and death. While they appreciate the fan service—including Lando’s return, the voice cameos of past Jedi, and the inclusion of the Ghost from Star Wars Rebels—they critique the pacing and lack of explanation for key elements like the Sith dagger and Palpatine's survival. The group is divided on the "Rey Skywalker" ending but generally agrees that while the movie has flaws, it doesn't deserve the extreme hate it receives. Ultimately, they vote to "Rest in Peace," letting the film stand as it is without needing further retcons.

Key Highlights
[01:59] Rebels Connection: Joseph points out a cool easter egg for fans of Star Wars Rebels: Hera Syndulla's ship, the Ghost, is visible during the final space battle.
[19:59] Force Healing: The crew defends the introduction of Force healing in the movie, noting it has existed in Star Wars games and books for years, even if it's new to the films.
[28:57] Palpatine's Return: A critical look at the sudden reappearance of Emperor Palpatine and his "Snoke clones," with the hosts questioning why this wasn't hinted at in previous films if it was the plan all along.
[30:26] Kylo Ren's Arc: The team agrees that Kylo Ren/Ben Solo was the best character of the trilogy, but they debate whether he should have died or lived to atone for his actions.
[35:52] Force Dyad: A discussion on the "Force Dyad" connection between Rey and Kylo, specifically the ability to physically transport objects (like a lightsaber) across space, which some found baffling.
[52:17] Finn's Secret: Jeremy highlights the dropped plot thread of Finn trying to tell Rey something throughout the movie, which J.J. Abrams later confirmed was Finn revealing he is Force-sensitive.

In this special "Watch-Along" episode of Sci-Fi Graveyard, the Heart of Geek crew (Joe, Jeremy, Josh, and Stephen) gathers to endure—and enjoy—Ed Wood’s infamous 1959 cult classic, Plan 9 from Outer Space. Often cited as the worst movie ever made, the hosts provide live commentary as they witness the baffling plot involving aliens resurrecting the dead to stop humanity from creating a solarbonite bomb.

The discussion is filled with laughter as the group points out the film's many production flaws: the visible strings on the UFOs, the cardboard tombstones that wobble when touched, and the inexplicable shift from day to night in consecutive shots. They pay tribute to horror legend Bela Lugosi in his final (and posthumously edited) role, noting the obvious use of a body double covering his face with a cape. The hosts also delight in the performances of Vampira and Tor Johnson, the bizarre dialogue ("future events such as these will affect you in the future"), and the nonsensical "Plan 9" itself. It's a celebration of "so bad it's good" cinema that fans of Mystery Science Theater 3000 will love.

Key Highlights
[01:05] Bela Lugosi's Last Role: The hosts discuss the tragedy and absurdity of Lugosi dying mid-production, leading Ed Wood to use a chiropractor as a body double who hid his face with a cape.
[16:28] Cardboard Sets: A running joke about the flimsy graveyard set, where tombstones wobble and fall over when actors brush past them. [30:44] The Cockpit: The crew mocks the airplane cockpit set, which consists of a shower curtain, a cardboard yoke, and zero actual instruments, with the pilots seemingly flying by holding clipboards.
[41:07] Day-for-Night Errors: The hosts point out the jarring editing where scenes switch between broad daylight and night within seconds, a hallmark of Ed Wood's lack of continuity.
[56:04] Product Placement: A hilarious observation of the blatant Coca-Cola and L&M cigarettes product placement, with labels conveniently facing the camera.
[01:22:42] The "Plan": A breakdown of the alien's nonsensical plan to kill humans to save the universe from humans, which the hosts agree is completely counterproductive.

In this episode of Sci-Fi Graveyard, Joseph, Jeremy, Josh, and Stephen dive into the 1996 cyberpunk anime film Armitage III: Poly-Matrix. Starring the voice talents of Kiefer Sutherland (Ross Sylibus) and Elizabeth Berkley (Naomi Armitage), the movie is a condensed "movie cut" of a four-part OVA series set on a terraformed Mars.

The discussion centers on the film's rich world-building, which draws heavy comparisons to Blade Runner and Ghost in the Shell, and the mystery surrounding the "Thirds"—androids capable of reproduction. The hosts debate the pacing issues caused by editing four episodes into a single film, resulting in a sometimes choppy narrative. They praise the voice acting (despite Sutherland's distinct voice being distracting at first) and the intriguing premise of Mars-Earth political tensions. The group also touches on the sequel, Dual-Matrix, and the desire for a modern live-action remake or a fleshed-out series that could better explore the lore and characters without the constraints of a 90-minute runtime.

Key Highlights
[01:03] Plot Summary: A brief recap of the plot: Ross Sylibus transfers to the Martian Police Department and partners with Naomi Armitage to solve the murder of a country singer who turns out to be a "Third."
[03:52] Title Confusion: The crew discusses the confusing title, noting that "Armitage III" refers to the third generation of androids, not the third movie in a trilogy.
[13:29] Voice Acting: A discussion on the surprisingly star-studded English dub cast, including Kiefer Sutherland, Elizabeth Berkley, and Bryan Cranston, and how well they fit the roles.
[18:42] Cyberpunk Influences: The hosts compare the film's aesthetic and themes to other cyberpunk classics like Blade Runner, Battle Angel Alita, and even Detroit: Become Human.
[23:07] The "Thirds" Reveal: A breakdown of the key plot twist: the "Thirds" are androids capable of getting pregnant and having children, a concept meant to solve Mars' low birth rate.
[30:54] Rest in Peace or Rise from the Grave: The verdict is mixed, with the hosts agreeing the movie should "Rest in Peace" as a standalone product but "Rise from the Grave" as a potential modern remake or expanded series.

In this episode of Sci-Fi Graveyard, the crew reviews the 1984 sci-fi film The Philadelphia Experiment. The movie explores the urban legend of a US Navy experiment gone wrong, transporting two sailors from 1943 to 1984. The hosts compare it to the previously reviewed The Final Countdown, noting that while Countdown had better production values (thanks to the US Navy's cooperation), The Philadelphia Experiment offered a more engaging, character-driven story.

The discussion highlights the film's "popcorn flick" nature, with the hosts appreciating the chemistry between Michael Paré and Nancy Allen. They delve into the plot's time-travel mechanics, the government conspiracy elements, and the somewhat convenient romance. Unlike The Final Countdown, which they felt wasted its premise, the group found this film to be a fun, if slightly cheesy, 80s adventure. They also touch on the film's production history, including John Carpenter's involvement as an executive producer, and ultimately decide that the film should "Rest in Peace" rather than be rebooted, as the 2012 TV movie remake was lackluster.

Key Highlights
[01:07] Plot Summary: A brief recap of the movie's premise: sailors aboard the USS Eldridge are transported from WWII to 1984 due to a failed invisibility experiment.
[02:14] Government Distancing: Trivia about how the US Navy refused to cooperate with the film due to the actual urban legend surrounding the Philadelphia Experiment.
[05:28] Trailer Spoilers: The hosts laugh about how 80s trailers, including this one, tended to give away the entire plot of the movie in four minutes.
[08:11] Better Than Final Countdown: A consensus that despite a lower budget, this film was more enjoyable and better paced than The Final Countdown because it focused on a smaller cast of characters.
[13:00] Payment Issues: A humorous observation that the time-traveling sailors never seem to struggle with paying for things like food in 1984, despite having 1943 money.
[25:04] Rest in Peace: The verdict is in: the crew agrees the movie doesn't need another remake (especially after the 2012 attempt) and stands well enough on its own as a product of its time.