Paradox House presents… Episode 9 of Scripted hosted by Daisy Lewis.
Episode 9 is here and Daisy sat down with the unstoppable Clint Dyer to chat all things theatre, process and how positive representation at the National Theatre can pave the way for a brighter, more inclusive industry. We also are joined by the brilliant Rachel De-Lahay. It’s not double trouble this week, listeners. It’s double value and we can’t wait for you to tune in.
Clint Dyer is the Deputy Artistic Director of The Royal National Theatre. Clint is one of only a very small number of people, and the only Black British artist, to have worked at the National Theatre as an actor, writer and director on full-scale productions. His breadth of experience and creative work will be invaluable as the NT adapts following the impact of the coronavirus pandemic, and focus on the future. Clint continues to act, write and direct his own work away from the National Theatre. His most recent project saw him directing Get Up, Stand Up! The Bob Marley Musical which opened at the Lyric Theatre in the West End this year.
Additionally, he reopened the National Theatre with Death of England: Delroy, which he directed and co-wrote with Roy Williams.
Directing credits include: The Big Life (Theatre Royal Stratford East/Apollo, West end), The Westbridge (Royal Court), Kingston 14 (Theatre Royal Stratford East).
Writing & Directing credits include: Death of England (National Theatre), Sylvia Plath (Royal Court), The Happy Tragedy of Being Woke (Complicité) – co-directed with Simon McBurney.
Writing credits include: The Big Idea – The New Order (Royal Court), Starter Motor – part of Soon Gone Windrush Monologues (BBC), Redacted – The Lock Down Plays Podcast, 846 – Stratford East, My White Best friend/3.3 - Royal Court Theatre.
Acting credits include: For Stage – Clint has worked with the likes of Mike Leigh, Simon McBurney, Dominic Cooke, Michael Attenborough, Ian Brown, Mike Bradwell, Madani Younis, Gbolahan Obisesan, Dawn Walton and Philip Hedley. He starred in the Oliver Award-winning Ma Rainey’s Black Bottom (National Theatre).
For Film – Mine, Sus, The Trail, Cherps, Mr Inbetween, Everybody Love Sunshine, Love Me Still, Act of Vengeance, The Club, Montana, Unknown, Sahara, Agora, Mr Bean 2 and Shopping.
Awards include: Best Actor – I.A.R Awards (for Ma Rainey’s Black Bottom), British Urban Film Awards, Screen Nation Film and Television Awards, Liege International Film Festival and The Texas Black Film Festival (for SUS).
Rachel De-Lahay is an award winning playwright and screenwriter.
Rachel’s debut THE WESTBRIDGE premiered at the Royal Court in 2011 and went on to win the 2012 Writers Guild Award for Best Play as well as the 2011 Alfred Fagon Award. Rachel followed this up with ROUTES, which opened Vicky Featherstone’s first season at the Royal Court in 2013. The play went on to earn Rachel the Charles Wintour Award for Most Promising Playwright at the Evening Standard Awards 2013. Rachel’s third full-length play CIRLCES debuted at Birmingham Rep and transferred to the Tricycle Theatre. In 2015, the Bush commissioned Rachel to write a monologue for Black Lives, Black Words. The monologue became MY WHITE BEST FRIEND, which became the template for Rachel to collaborate with and commission a number of established and emerging voices in theatre under the Bunker and the Royal Court. In television, Rachel has collaborated with Jack Thorne on Channel 4’s KIRI and Netflix’s THE EDDY. She has written on episodes of THE FEED and NOUGHTS AND CROSSES, as well as developing and adapting material of her own with various production companies in the UK and the US.
Enjoy!
