John welcomes writer and director Joachim Trier (Sentimental Value, The Worst Person in the World) to ask, how do you introduce your characters and their world to the audience? Using the screenplay for Sentimental Value, Joachim lays out how he sets up his themes, characters, conflicts and narrative authority in the first few pages.

We also look at Joachim’s process of developing stories with his co-writer Eskil Vogt, and answer listener questions on endings, casting, and work-life balance.

In our bonus segment for premium members, Joachim and John flip through how we present screenplays on screen, why Joachim translates his scripts in pre-production, and the one little detail you might not have noticed in Sentimental Value.

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UPDATE 2-17-26: The transcript for this episode can be found here.

John and Craig ask, what makes a useful comp? Writers often use comparisons when pitching or discussing projects, but what separates good comps from bad comps, why do we use them, and when do comps hurt more than they help? Basically, it’s The Studio meets My Dinner with Andre.

We also follow up on orality and “film by” credits, answer listener questions on getting AI feedback and attaching an actor to a microbudget feature, plus bring you another installment of John Recently Learned.

In our bonus segment for premium members, John and Craig are having weird issues with their email servers and need your help!

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UPDATE 2-17-26: The transcript for this episode can be found here.

John and Craig ask, are screenwriters just oral storytellers who happen to write things down? They compare the literate and oral markers of the medium, how it separates screenplays from other literary forms, and consider whether screenplays are just one long pitch.

We also look at the upcoming WGA member meetings, follow up on having enough time in the edit bay, Steve Jobs, Eva Victor, justifiable Dad pride, and answer listener questions on deliverables and what makes a script “undeniable.”

In our bonus segment for premium members, we look at the incredible slate of upcoming movies and make predictions for the 2026 box office.

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UPDATE 2-17-26: The transcript for this episode can be found here.

John and Craig welcome the actor-writer-director of the acclaimed indie Sorry, Baby to discuss preparing to direct your first feature.

Eva Victor’s year-long bootcamp included reverse-shotlisting movies, shadowing other directors, and lots of visual development. It earned them Best Directorial Debut by the National Board of Review.

We also examine how Eva chose which scenes to cut, answer a listener question on how to talk to actors, and follow up on some excellent reviews of the Scriptnotes Book.

In our bonus segment for premium members (like Eva!), Eva revisits their early career to think about how short-form video intersects with Hollywood.

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UPDATE 2-17-26: The transcript for this episode can be found here.

John welcomes back Susanna Fogel and David Iserson (The Spy Who Dumped Me) to steal their secrets on creating an original tone in their new series PONIES. They look at how the writers room was built to match their sensibilities, using characters to anchor the audience, and what it takes to sell and produce an original period TV series in 2026.

We also talk about the pros and cons of filming in Budapest, and answer listener questions on trusting your judgement, recognizing your talent, differentiating character voices, and whether spec pilots are out of fashion.

In our bonus segment for premium members, Susanna and David look at how our taste develops, including what we can learn about taste from The Beatles.

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UPDATE 2-5-26: The transcript for this episode can be found here.

John and Craig consider all the words they have to write and ask, how do you know when something deserves your best effort? They offer a useful rubric for deciding when something is worth perfecting, and when over-optimization is a waste of time.

We also follow up on compulsive writing habits, industry euphemisms, back issues, and the impact and legacy of the WGA’s 2019 agency negotiations.

In our bonus segment for premium members, it’s a new year! John looks back at things he accomplished in 2025 and his goals for 2026, while Craig sighs and gestures in the direction of The Last of Us.

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UPDATE 1-22-26: The transcript for this episode can be found here.

John and Craig circle back on all the euphemisms and stock phrases that float around Hollywood. Using some favorite examples, they attempt to define and demystify the current industry-speak so everyone is looped in when we come up for air after the holidays.

We also wrap-up 2025 with a look at Scriptnotes by the numbers, check-in on Disney’s deal with OpenAI, follow up on that director who scammed Netflix out of $11 million, and answer listener questions on the guilds’ involvement in video podcasts and reps who won’t send out co-written scripts.

In our bonus segment for premium members, John and Craig navigate how to deal with difficult collaborators.

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UPDATE 1-21-26: The transcript for this episode can be found here.

In a Christmas crossover event, John and Craig join Meg LeFauve (Inside Out) and Lorien McKenna (Tab Time) on their podcast, The Screenwriting Life.

We talk about why rigid structure can miss the point, how theme emerges from character, what fear and denial really look like on the page, and how writers can survive rejection without letting it define them.

In our bonus segment for premium members, John breaks Drew’s heart with his lovely memories of Rob & Michele Reiner.

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UPDATE 1-2-26: The transcript for this episode can be found here.

John and Craig celebrate the release of the Scriptnotes Book with a sold-out show full of arguments, games and holiday cheer at Dynasty Typewriter in LA.

Slate’s Julia Turner returns to interview John and Craig about the fifteen year journey towards creating the book, and challenges Craig’s dismissal of critics. We also welcome back Ashley Nicole Black (Shrinking, Ted Lasso) to help us get through a fridgeful of leftover questions, and invite three lucky audience members to play our new game: “Somewhat strange lines from Christmas movies.”

In our bonus segment for premium members, we invite our audience to ask us questions in a live Q&A.

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You can download the episode here.

UPDATE 12-10-25: The transcript for this episode can be found here.

John and Craig gather a congregation of writers in St. David’s Episcopal Church for a live round of the Three Page Challenge. They look at three listener-submitted scripts to offer them their honest feedback, face-to-face.

They offer suggestions on world building in the apocalypse, making military characters specific, building mystery and suspense, and crafting con-artist logic.

In our bonus segment for premium members, we answer questions from our audience on how to know if a script looks correct, what we want to see in the first three pages, using actor names in character descriptions, what comedy requires, and how to direct a reader’s attention on the page.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 12-10-25: The transcript for this episode can be found here.