How do you keep doing creative work when the world is falling apart around you? To sift through the despair and doubt, John welcomes back legendary Scriptnotes guest, writer-turned-psychotherapist Dennis Palumbo. They discuss the many feelings that catastrophic events can bring up in artists, the personal narratives that often inform those feelings, and how to keep moving forward when you feel like the band on the Titanic.

We also follow up on AI, and answer listener questions on competing with brain trusts and how to support a friend embroiled in controversy.

In our bonus segment for premium members, Dennis guides us through the best examples and worst mistakes of portraying therapists on screen.

Links:

Email us at [email protected]

You can download the episode here.

The original transcript for this episode can be found here.

John and Craig sit down with Ryan Condal, showrunner of House of the Dragon, just as its third season airs.

They dive into Ryan’s late start in Hollywood, spec scripts, the anatomy of a writers room, and thinking as a product of movement. They also answer a listener question about the mechanics of writing a sequel.

In our bonus segment for premium subscribers, John, Craig and Ryan discuss perhaps the most popular fictional creatures ever: dragons!

Links:

Email us at [email protected]

You can download the episode here.

John and Craig welcome Curry Barker, the writer-director behind this summer’s surprise blockbuster, Obsession. It’s a rom-com, a horror film and a great example of trusting your audience.

We discuss Curry’s roots, his writing process, learning from YouTube, as well as the pressure to follow up a hit.

In our bonus segment for premium subscribers, John and Craig pose the #1 most important question for all filmmakers to consider: What will the popcorn bucket be?

Links:

Email us at [email protected]

You can download the episode here.

UPDATE o7/17/26: Transcript for this episode can be found here.

This week, Craig answers listener questions about rewriting on set, AI coverage, when and how to kill off characters, sizing up producers, and more.

There’s also an extra-special guest appearance for this week’s One Cool Thing.

In the bonus segment for premium subscribers, Craig discusses how to be wrong—something he feels he knows all too well.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 07/17/26: Episode transcript can be found here.

Why is it so satisfying to watch a highly-skilled character complete their goals? And why can it be equally hilarious to watch an incompetent character bumble through a slew of screw-ups? In this episode, John and Craig discuss how to play with competence in your characters.

We also say goodbye to our producer Drew Marquardt with a thoroughly embarrassing exit interview, and reveal our new producer. However, it’s not really goodbye, because Drew will be staying on to work with John on an upcoming project (TBA).

In our bonus segment for premium members, John and Craig deliberate on the question: Should you quit LOUDLY?

Links:

Email us at [email protected]

You can download the episode here.

John and Craig welcome writer and showrunner David E. Kelley (Big Little Lies, Ally McBeal) to look at his process for adapting books to TV, particularly with his latest series Margo’s Got Money Troubles. They explore where to find your act breaks, crafting complicated tones, and when to trust the writer of the book.

We also look at how TV has changed over David’s storied career, how he runs a writers room, creating story engines, the difference between writing for broadcast TV and streaming, and the one thing a TV show should never be.

In our bonus segment for premium members, David coaches John and Craig on how to survive a long running series.

Links:

Email us at [email protected]

You can download the episode here.

 UPDATE 6-10-26: The transcript of this episode can be found here.

John welcomes writer and showrunner Courtney Kemp (Power, Nemesis) to ask, how do you find an audience and build momentum on television? They look at how writers can match their voice to an underserved audience, the pitfalls of being boxed in by a niche, and what new writers can do to get people excited about their work.

We also chart how Courtney built her career from magazine writer to creating the television franchise Power, look at the exciting success of Obsession and Backrooms, and answer listener questions on talking to your reps about financial struggles, and how to find your project’s “why now?”

In our bonus segment for premium members, Courtney shot her new show Nemesis entirely in Los Angeles, and you can too!

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 6-5-26: The transcript for this episode can be found here.

John welcomes back Phil Hay (Destroyer, The Invitation) to ask, how do you get a movie made with independent financing? They look at how indie movies get made, where you get the money, deciding when to go indie, and whether streamers complicate the picture.

We also follow up on testing movies with focus groups and answer listener questions on how to navigate the editing room, daily routines, and what to do when your story has too many themes.

In our bonus segment for premium members, we look back on what Phil learned about D&D from his documentary The Dungeon Masters.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 6-5-26: The transcript for this episode can be found here.

John and Craig welcome back Aline Brosh McKenna (The Devil Wears Prada, Crazy Ex-Girlfriend) to explore the timely questions about art and human labor posed by her long-awaited sequel, The Devil Wears Prada 2. We’ll warn you now: Spoilers ahead!

We also look at what AI knitting podcasts can tell us about the future of industrially-produced slop, and answer a listener question on how to approach the engine of a TV show.

In our bonus segment for premium members, what would a hypothetical Scriptnotes Screenplay Club look like? Aline weighs in to make sure the design is impeccable.

That’s all.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 5-28-26: The transcript for this episode can be found here.

John and Craig go back to the beginning to examine the mechanics of the flash-forward opening — or as it’s known on this podcast, the “Stuart Special.” They look at what makes a strong flash-forward, when to avoid them, and how to pay back the narrative debt they incur.

We also follow up on the Scriptnotes survey and answer a massive grab-bag blitz of listener questions including the potential pitfalls of child protagonists, “unfilmable” elements, and how to end a scene.

In our bonus segment for premium members, how do you socialize at Hollywood parties? We’ve made all the mistakes so you don’t have to.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 5-13-26: The transcript of this episode can be found here.