Scriptnotes Podcast

John and Craig tackle the scourge of free work and offer strategies to avoid it. They look at established norms, potential remedies, the things that should work but often don’t, and how writers should think about the time and effort they’re putting in before getting paid.

We also follow up on useful comps, AI coverage, what to do with our DVDs, and answer listener questions on pitching at an internship and a sensitive situation when naming an award.

In our bonus segment for premium members, how do we write American law enforcement officers now that their jobs don’t function the way they used to?

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 3-16-26: The transcript for this episode can be found here.

John welcomes writer-directors Natalie Musteata and Alexandre Singh (Two People Exchanging Saliva) to ask, what happens when your short film is nominated for an Oscar? They look at each step from their initial idea to awards season to see how they positioned their short to be considered for an Academy Award.

We also reflect on the lessons learned from short films, and answer listener questions on how to give actors your script and finding representation after your Oscar heat has cooled.

In our bonus segment for premium members, we turn up the contrast on the many reasons for shooting in black and white.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 3-5-26: The transcript for this episode can be found here.

John and Craig gather our listeners’ favorite news articles and ask, How Would This Be a Movie? Stories include an underground network delivering menstrual supplies in Minneapolis, a millennial travel group, how the US hacked ISIS, and a fake college squash team.

But first we follow up on modern comps, email issues, teaching screenwriting, and what it means to be undeniable. We also answer listener questions on querying reps with a published book and whether writers really need to repeat the plot for a second-screen audience.

In our bonus segment for premium members, what do we do with all our old CDs and DVDs? We weigh the pros and cons of physical media.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 3-5-26: The transcript for this episode can be found here.

John welcomes writer and director Joachim Trier (Sentimental Value, The Worst Person in the World) to ask, how do you introduce your characters and their world to the audience? Using the screenplay for Sentimental Value, Joachim lays out how he sets up his themes, characters, conflicts and narrative authority in the first few pages.

We also look at Joachim’s process of developing stories with his co-writer Eskil Vogt, and answer listener questions on endings, casting, and work-life balance.

In our bonus segment for premium members, Joachim and John flip through how we present screenplays on screen, why Joachim translates his scripts in pre-production, and the one little detail you might not have noticed in Sentimental Value.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 2-17-26: The transcript for this episode can be found here.

John and Craig ask, what makes a useful comp? Writers often use comparisons when pitching or discussing projects, but what separates good comps from bad comps, why do we use them, and when do comps hurt more than they help? Basically, it’s The Studio meets My Dinner with Andre.

We also follow up on orality and “film by” credits, answer listener questions on getting AI feedback and attaching an actor to a microbudget feature, plus bring you another installment of John Recently Learned.

In our bonus segment for premium members, John and Craig are having weird issues with their email servers and need your help!

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 2-17-26: The transcript for this episode can be found here.

John and Craig ask, are screenwriters just oral storytellers who happen to write things down? They compare the literate and oral markers of the medium, how it separates screenplays from other literary forms, and consider whether screenplays are just one long pitch.

We also look at the upcoming WGA member meetings, follow up on having enough time in the edit bay, Steve Jobs, Eva Victor, justifiable Dad pride, and answer listener questions on deliverables and what makes a script “undeniable.”

In our bonus segment for premium members, we look at the incredible slate of upcoming movies and make predictions for the 2026 box office.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 2-17-26: The transcript for this episode can be found here.

John and Craig welcome the actor-writer-director of the acclaimed indie Sorry, Baby to discuss preparing to direct your first feature.

Eva Victor’s year-long bootcamp included reverse-shotlisting movies, shadowing other directors, and lots of visual development. It earned them Best Directorial Debut by the National Board of Review.

We also examine how Eva chose which scenes to cut, answer a listener question on how to talk to actors, and follow up on some excellent reviews of the Scriptnotes Book.

In our bonus segment for premium members (like Eva!), Eva revisits their early career to think about how short-form video intersects with Hollywood.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 2-17-26: The transcript for this episode can be found here.

John welcomes back Susanna Fogel and David Iserson (The Spy Who Dumped Me) to steal their secrets on creating an original tone in their new series PONIES. They look at how the writers room was built to match their sensibilities, using characters to anchor the audience, and what it takes to sell and produce an original period TV series in 2026.

We also talk about the pros and cons of filming in Budapest, and answer listener questions on trusting your judgement, recognizing your talent, differentiating character voices, and whether spec pilots are out of fashion.

In our bonus segment for premium members, Susanna and David look at how our taste develops, including what we can learn about taste from The Beatles.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 2-5-26: The transcript for this episode can be found here.

John and Craig consider all the words they have to write and ask, how do you know when something deserves your best effort? They offer a useful rubric for deciding when something is worth perfecting, and when over-optimization is a waste of time.

We also follow up on compulsive writing habits, industry euphemisms, back issues, and the impact and legacy of the WGA’s 2019 agency negotiations.

In our bonus segment for premium members, it’s a new year! John looks back at things he accomplished in 2025 and his goals for 2026, while Craig sighs and gestures in the direction of The Last of Us.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 1-22-26: The transcript for this episode can be found here.

John and Craig circle back on all the euphemisms and stock phrases that float around Hollywood. Using some favorite examples, they attempt to define and demystify the current industry-speak so everyone is looped in when we come up for air after the holidays.

We also wrap-up 2025 with a look at Scriptnotes by the numbers, check-in on Disney’s deal with OpenAI, follow up on that director who scammed Netflix out of $11 million, and answer listener questions on the guilds’ involvement in video podcasts and reps who won’t send out co-written scripts.

In our bonus segment for premium members, John and Craig navigate how to deal with difficult collaborators.

Links:

Email us at [email protected]

You can download the episode here.

UPDATE 1-21-26: The transcript for this episode can be found here.