Season of the Glitch

Season of the Glitch

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Season of the Glitch episodes

  • David Lynch-The Elephant Man

    It's Season of the Glitch's 50th episode, and Annie and Kelley have a little surprise in store. To celebrate, they take a break from their series on Artificial Love to introduce their first episode about beloved director David Lynch's feature films. This special series is both a tribute and an exploration, and each film will be discussed over the next year on the anniversary of their release date, starting today with 1980's The Elephant Man.

    1 hr 31 min
  • Artificial Love - The Stepford Wives Pt. 2

    Annie and Kelley are back from our little time away and once again they have not been replaced or altered with in any way. There is nothing to worry about and there for sure won't be any glitches. This week they conclude their conversation about The Stepford Wives, a 1975 film whose reputation for pop culture cache proceeds itself. They complete their litigation about whether it is all that or just a bit mid, like the men who populate the Men's Group. Kelley also shares some thoughts about why body snatcher films were so popular in the 70s, and what they might mean today.

    37 min
  • Artificial Love - The Stepford Wives Pt. 1

    Kelley and Annie return after a little time away and lucky for you they have not undergone any nefarious experimental personality procedures. They are exactly the same! This week the series on Artificial Love continues, and they get way into a classic of undeniable influence but dubious quality- Brian Forbes's 1975 pop schlock classic The Stepford Wives. Who is to blame for this sunken soufflé? Is Forbes just all Polanski-cribbed style and no substance? Did William Goldman botch the screenplay to please his irl wife? Is Katherine Ross just super mid? Find out, and also hear us steer off topic as usual and touch on Beyond the Black Rainbow, Argento, Betty Friedan, Todd Haynes , and more.

    1 hr 2 min
  • Artificial Love- Westworld

    Annie and Kelley are back to get into the themes and insights of the 1973 film Westworld, directed by prescient weirdo Michael Crichton. They discuss its portrayal of artificial intelligence, the ethics of simulation, and its influence on modern sci-fi and AI narratives.

    As they tour of glitchy android theme park Delos, they make side trips from Crichton's own catalog (Jurassic Park, Disclosure), through film touchstones like The Magnificent Seven, The Terminator, Jaws, Mulholland Drive, Pasolini's Salò, and Alphaville, into TV and pop culture nods to He-Man (Skeletor), Sweet Valley High, Black Mirror, Midsommar, Severance, and Pluribus, visit the Manson Family at Spahn Ranch, Kim Stanley Robinson's sci-fi, Dan Brown-era airport thrillers, Tim Ferriss's The 4-Hour Workweek, and even perform a closing Bechdel Test check.

    1 hr 8 min
  • Artificial Love- Alphaville (part two)

    Annie and Kelley are back with our second and final installment of our episode about Jean Luc Godard's 1965 French New Wave touchstone Alphaville. They explore the themes of artificial intelligence, dystopian futures, and the influence of French New Wave cinema through a detailed analysis of Jean-Luc Godard's film Alphaville and its cultural implications.

    Chapters

    00:00 Introduction to Alphaville and its cultural context

    02:12 Themes of control and censorship in Alphaville

    03:48 French New Wave techniques and their significance

    05:53 The character of Lemmy Caution and detective archetypes

    07:48 The dystopian city of Alphaville and its symbolism

    10:13 The role of Alpha 60 and AI governance

    12:06 Cinematic analysis: black and white, available light filming

    14:02 The influence of French literature and existentialism

    16:03 The flat delivery style and its psychological impact

    17:57 The film’s commentary on language and free thought

    19:56 The technological and aesthetic choices in Alphaville

    21:47 The character of Natasha von Braun and love in dystopia

    24:06 The significance of the detective genre in Alphaville

    26:02 The film’s production details and behind-the-scenes insights

    28:05 The influence of contemporary events and personal lives of the creators

    30:03 The film’s legacy and relevance to modern AI discourse

    31:58 Conclusion: What Alphaville teaches us about technology and society

    resources

    Alphaville (1965) - IMDb - https://www.imdb.com/title/tt0061852/

    Jean-Luc Godard - [Wikipedia](https://en.wikipedia.org/wiki/Jean-Luc_Godard) - undefined

    French New Wave - [Encyclopedia Britannica](https://www.britannica.com/art/New-Wave-cinema) - undefined

    2001: A Space Odyssey - [Wikipedia](https://en.wikipedia.org/wiki/2001:_A_Space_Odyssey) - undefined

    HAL 9000 - [Wikipedia](https://en.wikipedia.org/wiki/HAL_9000) - undefined

    guest links

    Instagram - https://www.instagram.com/seasonoftheglitch/

    42 min
  • Artificial Love- Alphaville (part one)

    Kelley and Annie continue their conversation about how AI love has shown up in the history of cinema with Jean-Luc Godard's 1965 Alphavill. Let's explore the themes of artificial intelligence, dystopian futures, and the influence of French New Wave cinema through a detailed analysis of Jean-Luc Godard's film Alphaville and its cultural implications. We also get into:

    • Themes of AI and censorship in Alphaville
    • French New Wave cinema techniques
    • The influence of 1960s sci-fi on modern media
    • The role of language and control in dystopian societies
    • Cinematic techniques and their cultural implications

    Chapters

    00:00 Introduction to Alphaville and its cultural context

    02:12 Themes of control and censorship in Alphaville

    03:48 French New Wave techniques and their significance

    05:53 The character of Lemmy Caution and detective archetypes

    07:48 The dystopian city of Alphaville and its symbolism

    10:13 The role of Alpha 60 and AI governance

    12:06 Cinematic analysis: black and white, available light filming

    14:02 The influence of French literature and existentialism

    16:03 The flat delivery style and its psychological impact

    17:57The film’s commentary on language and free thought

    19:56 The technological and aesthetic choices in Alphaville

    21:47 The character of Natasha von Braun and love in dystopia

    24:06 The significance of the detective genre in Alphaville

    26:02 The film’s production details and behind-the-scenes insights

    28:05 The influence of contemporary events and personal lives of the creators

    30:03 The film’s legacy and relevance to modern AI discourse

    31:58 Conclusion: What Alphaville teaches us about technology and society

    Resources
    • Alphaville (1965) - IMDb
    • Jean-Luc Godard - [Wikipedia](https://en.wikipedia.org/wiki/Jean-Luc_Godard)
    • French New Wave - [Encyclopedia Britannica](https://www.britannica.com/art/New-Wave-cinema)
    • 2001: A Space Odyssey - [Wikipedia](https://en.wikipedia.org/wiki/2001:_A_Space_Odyssey)
    • HAL 9000 - [Wikipedia](https://en.wikipedia.org/wiki/HAL_9000)

    57 min
  • Artificial Love- The Perfect Woman

    This week on Season of the Glitch, we continue our journey through the history of artificial lovers with the delightfully strange 1949 British comedy The Perfect Woman. While the film itself is a lightweight bedroom farce about a lifelike female robot, it proved to be the perfect jumping-off point for a conversation about gender, performance, censorship, and the enduring fantasy of the "perfect" partner. Along the way, we explore postwar British cinema, the uncanny space between human and machine, and how even the most disposable cultural artifacts can illuminate deeper anxieties about technology, love, and control.

    Chapters

    00:00 Introduction to 'The Perfect Woman' and episode overview

    01:53 Historical and cultural context of the 1949 film

    04:52 Main characters and plot setup

    09:48 Themes of AI, gender, and control in the film

    14:50 Analysis of the robot Olga and its significance

    20:05 Humor, censorship, and cultural constraints

    24:53 Imagination, desire, and the prompt of the film

    30:00 Genre, style, and film techniques

    34:55 Final thoughts on the film's cultural impact

    resources

    'Metropolis' (1927) - Film - https://www.imdb.com/title/tt0017136/

    'Sleepless in Seattle' (1993) - Film - https://www.imdb.com/title/tt0108160/

    'Lost Highway' (1997) - Film - https://www.imdb.com/title/tt0118884/

    British Film Censorship - Article - https://en.wikipedia.org/wiki/Film_censorship_in_the_United_Kingdom

    1 hr 6 min
  • Artificial Love- Metropolis (part two)

    Annie and Kelley conclude our discussion of Fritz Lang's 'Metropolis,' its themes of industrial capitalism, class struggle, and the depiction of artificial love through AI and robotics. We also discuss modern parallels, filmmaking techniques, and cultural implications, can continue to dog on its ideological cop out. Along the way we touch on: The Invite, Dirty Dancing, Joker, Crazy Stupid Love, Ghost, Tony Scott, Stir of Echoes, non-sequitur crushes, Ex Machina, Mountainhead, Succession, Joan of Arc, Terminator, ancient Buddhist cautionary tales, The Tenant, Stir of Echoes, and Madonna.

    Chapters

    00:00 Introduction to 'Metropolis' and its significance

    02:03 The Moloch metaphor and industrial sacrifice

    04:03 Class reconciliation and ideological critique

    05:48 Filmmaking techniques and visual effects analysis

    09:51 The robot Maria and early science fiction technology

    15:03 Themes of artificial love and deepfakes

    19:49 Cultural fears and technological anxieties

    24:54 Modern parallels: AI, deepfakes, and misinformation

    29:49 Climax: rebellion, destruction, and societal collapse

    35:11 Resolution and the message of unity

    39:03 Conclusion: 'Metropolis' in contemporary context

    resources

    Metropolis (1927 film) - https://en.wikipedia.org/wiki/Metropolis_(1927_film)

    Fritz Lang - https://en.wikipedia.org/wiki/Fritz_Lang

    Deepfake Technology - https://en.wikipedia.org/wiki/Deepfake

    AI and Society in Film - https://www.example.com/ai-society-film

    44 min
  • Artificial Love- Metropolis (part one)

    The Glitch is back with a brand new series about love and artificial intelligence, a timely topic that has actually been captivating dreamers since time immemorial. We're focusing on how artificial love has been imagined throughout cinematic history, and we're starting with a big one: Fritz Lang's 1927 sci fi epic Metropolis. This silent visual marvel is one the first, and to this day, one of the most ambitious entries into the science fiction genre. While its philosophical center may disappoint, Metropolis is a stunning visual index that culture endlessly borrows from and possibly always will. So join Annie and Kelley as they explore Metropolis and get side tracked by Madonna, Kim Gordon, Battleship Potemkin, Blade Runner, The Big Lebowski, Her, River's Edge, Office Space, Star Trek, Black Mirror, Fascist Aesthetics, and more.

    Chapters

    00:00 Introduction to Season of the Glitch

    01:24 Exploring AI Lovers in Cinema

    03:14 Metropolis: A Cinematic Masterpiece

    08:45 The Length and Pacing of Metropolis

    12:56 AI and Love: A New Series

    15:37 Historical Context of Metropolis

    21:34 Reception and Legacy of Metropolis

    28:23 Visual and Thematic Analysis of Metropolis

    36:13 The Complexity of Art and Creation

    37:03 The Garden Scene: A Visual Feast

    39:20 Class Commentary in a Garden of Delights

    41:04 Freider's Awakening: A Journey to the Lower City

    43:43 The Machine and the God Moloch

    47:20 The Hallucination of Moloch: A Symbol of Destruction

    50:56 Family Ties: The Connection Between Freider and Rotwang

    53:42 The Unveiling of the Robot: A New Creation

    58:35 Maria's Role: The Heart of the Revolution

    01:00:42 The Mediator: Heart Between Head and Hands

    01:03:09 Aesthetic and Philosophy: The Legacy of Metropolis

    01:05:08 Philosophical Questions: Consciousness and Identity

    resources

    Metropolis (1927) on IMDb - https://www.imdb.com/title/tt0017136/

    Fritz Lang - Wikipedia - https://en.wikipedia.org/wiki/Fritz_Lang

    Thea von Harbou - Wikipedia - https://en.wikipedia.org/wiki/Thea_von_Harbou

    Metropolis Restoration Project - https://digitalcommons.unl.edu/filmhusker/1/

    Black Mirror - 'Be Right Back' episode - https://www.netflix.com/title/70264888

    1 hr 15 min
  • Pluribus - La Chica o El Mundo

    Annie and Kelley conclude their conversation about Pluribus and its heady questions about the integration of AI and human life, ethical implications of bioengineering and consent, along with surprisingly down home themes of relationships and codependence. They also chit chat about Chicago location scouting, Mike and Molly, Tim Robinson, Nathan Fielder, Mad Men, Dune, Henry Portrait of a Serial Killer, Lost, Severance, and the current state of television.

    Chapters

    00:00 Navigating the Solstice Vibes

    02:44 Cultural Reflections on TV Shows

    11:12 Exploring Hive Mind Dynamics

    18:09 Surveillance and Relationships

    26:32 Jealousy and Love in a Hive Mind

    29:54 Luxury Amidst Conflict

    31:59 The Fragility of Relationships

    36:12 The Nature of Nonconformity

    38:18 Character Dynamics and Revelations

    39:12 The Emotional Weight of Breakups

    44:46 The Symbolism of the Nuclear Bomb

    48:09 The Dangers of Technology and Isolation

    50:41 The Complexity of Codependency

    56:32 The Impact of Loss and Grief

    59:52 The Irony of Modern Threats

    1 hr 8 min

About Season of the Glitch

From the publisher's feed

A culture podcast to distract you as you hurtle toward climate collapse, your cubical on Mars, or the Singularity.