This time around, there is no way you can't know about these composers as they are or were either a vital part of those projects or are known for their trademark sound that doesn't change across franchises and artists.

Let's talk about Noriyasu Agematsu (Utapri, GHOST CONCERT, VISUAL PRISON, Mamoru Miyano, Shouta Aoi) and MIKOTO (Marginal #4, Lagrange Point, Unicorn Jr., MEZZO, Re:vale).

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From soul and hip-hop music to heavy rock and fancy electro-rock, these 2 composers have had their hands creating some of the most iconic songs by your favorite male seiyuu and 2D music projects.

You and I are going to talk about Shinnosuke (TRIGGER, IDOLiSH7, Daisuke Namikawa, TRD, Jin Ogasawara) and R.O.N (Dear Vocalist, FABULOUS NIGHT, HYPNOSIS MIC, A3!, STEREO DIVE FOUNDATION).

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Dreamy soundscapes, beautiful vocals, and some of the coolest and most chill songs you will ever hear.

This is how I describe the music composed by zakbee and Leeep, the composers you and I are going to talk about in this episode.

This time around I put in the same episode composers that have actually collaborated in the same 2D music projects, sometimes, even composed music for the same groups.

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Now, this episode features two composers that will be known to many fans of 2D music. They are ridiculously versatile, composing high-quality music in various music genres, giving unique identities to several groups within the same franchises, while keeping things always fresh for each group.

It’s time to talk about Akira Takizawa and Satoru Kuwabara.

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Do you love the music by TRIGGER, UNDEAD, or even QUELL and Loulou*di? Do you know who is behind some of their songs? The ones that create the wonderful worlds you experience in those?

In this episode, you and I are going to talk about two absolutely amazing composers: Tomohiro Nakatsuchi and Takeshi Hama.

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So when you think about 2D music… what do you pay the most attention to?

Is it the performances, the voices in detail, the compositions, the stories (which is to say, the lyrics), or the whole package?

In this episode let’s talk about some of your favorite composers for 2D music projects as well as mine.

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THTFHQ's chill discord server: https://discord.gg/APrmUu8e (valid until February 10)

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Awesome nominees, amazing music that kept on pushing the boundaries of quality and technicality for seiyuu artists and 2D groups. Memorable performances and outstanding CD releases.

It’s time to check the winners - as voted by you - at THTFHQ AWARDS 2022.

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If you want to know my take on 2022’s best songs, albums, and the voice actors that impressed me the most check the articles below (I promise it's all good music and insights in there!):

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We’re already well into 2023 but it is time to talk a bit about what I expect to change this year, which will be the big comebacks/new releases or which 2D music projects will jump popularity-wise.

Now is the time to share what I anticipate for 2023 and check if I got any predictions right for the past year.

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2022 is already well behind us. But who were the male seiyuu that stood out the most last year?

Who were the seiyuu that made sure to impress with outstanding performances in various 2D groups, some even in their solo artist activities?

It’s time to check the 12 seiyuu that impressed in 2022.

To create this episode, I have into consideration several things about the seiyuu in question:

Check my picks in:

2020: https://open.spotify.com/episode/4RshXI0ITSyTBwtFPnL93D?si=9e09b18bf7b64cc8

2021: https://open.spotify.com/episode/2sAyUIWr2VmviJDDJrWGip?si=d8fd5178279a4541

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After talking about the best songs and albums by male seiyuu and 2D music projects released last year, it’s time to cover the albums that I feel were completely overlooked yet, they are awesome and deserve all your love and attention.

From insanely technical performances to laidback ones, from pitch-black songs to aggressive rock anthems, emotional ballads, and passionate tunes. There was a little bit of everything, catering to fans of the widest variety of music genres, voices, singing styles, and overall group vibes.

These are just some, of the various CDs I loved in 2022 that, unfortunately, due to how the projects they are from are not that popular, never got to be in the spotlight as they deserved. Please do check them out if you can:

EROSION “OneThing”

https://www.handthatfeedshq.com/review-erosion-with-you-from-carnelian-blood-vol-4-yoru/

TOBARI “In - Black with High Purity”

https://www.handthatfeedshq.com/review-tobari-in-black-with-high-purity/

Loulou*di “Pensée”

https://www.handthatfeedshq.com/review-louloudi-incomplica-it-pensee/

KAGARIBI “Noroshi”

https://www.handthatfeedshq.com/review-kagaribi-noroshi/

Gakuto Kajiwara “Road Movie”

https://www.handthatfeedshq.com/review-gakuto-kajiwara-road-movie/

Sir Vanity “Ray”

https://www.handthatfeedshq.com/review-sir-vanity-ray/

Makoto Furukawa “Ibara Rinbukyoku"

https://www.handthatfeedshq.com/review-makoto-furukawa-ibara-rinbukyoku/

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