Every year there are announcements of new, exciting 2D music projects. And for every new announcement, a beloved project that failed to be popular fades away is shelved, goes on a hiatus, or is downright discontinued.

In this episode, let's talk about a couple of projects that deserved and deserve all the love you can give them.

A guide to:

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The seiyuu industry is saturated with good singers. Usually, this wouldn’t be an issue but it is starting to become one. What are the challenges and are there any options for good singers to shine?

Thank you to listener Grecia Delgado for the comment on our YouTube channel that inspired this episode! 

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Because there is a long list of talented singers among male seiyuu that don't often get the spotlight or even if they get, they aren't appreciated, it's time to cover another set of 7 seiyuu with underrated singing skills.

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For this episode, I bring you 4 seiyuu artists that have a unique sound or concept, which is to say one of two things: either no one else has the same concept + sound combo they have, or their whole deal is so complex and deeply developed that, honestly, no other seiyuu even bothers with trying to copy them.

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CUT magazine, one of the most interesting interview magazines active in Japan, has written that “Seiyuu are now, the most versatile entertainers”. This is an interesting observation that had me thinking: have seiyuu really turned into something else? Let's check why seiyuu are now considered the most versatile entertainers out there.

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How many times has a favorite project of yours ended? Or struggled with visibility? How many times did you wish you could revive a 2D music project you love? Time to talk about crowdfunding for 2D music projects and how those can help revitalize them.

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Theoretically, everyone can sing. Even without proper training, everyone can sing.

But sing well? Being genuinely technical singers? Knowing what they are doing on the vocal end and how to control their singing voice?

Now, that’s tough. But that’s what separates seiyuu that sing from those that sing well and are genuinely good. Time to cover some of the reasons why most voice actors (seiyuu) can sing well.

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There comes a time in which it is hard to promote all their biggest new talents or up-and-coming seiyuu and talent agencies have to come up with a good way to put them on the radar of seiyuu fans. 

Time to talk about the extremely rare cases of seiyuu units launched by talent agencies (or comprised of only seiyuu from the same talent agency).

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Time to cover the 6th generation of seiyuu units.

This is the generation that you and I are experiencing in 2022, a generation of diamonds in the rough trying to revitalize the concept of "seiyuu unit" even if still a niche.

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After covering the origins of seiyuu units, learning how far they’ve come since the 70s, the innovations in the 80s and 90s, the boom of seiyuu units in the 00s, and the creative vein of some seiyuu units in the early 10s, it’s time to dive deep into the 5th generation of seiyuu units, one plagued by lack of interest by the seiyuu fans.

Seiyuu units covered in this episode:

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