Selected Shorts

Host Meg Wolitzer presents two stories from a live evening at Symphony Space celebrating the prolific writer Stephen King. It was hosted by Pulitzer Prize-winning author Colson Whitehead.

The program presents King in two different modes: the legendary scare-master who entered the horror genre with Carrie, and the author of stories that draw on memory and family like “The Last Rung on the Ladder.” An excerpt from Carrie is read by Carrie Coon, and “The Last Rung on the Ladder” is read by John Benjamin Hickey. Colson Whitehead speaks briefly from the stage.

Host Meg Wolitzer presents two stories in which some things are saved and some are left behind. In Haruki Murakami’s “Lederhosen,” performed by Aasif Mandvi, the traditional German shorts become a singular obsession for one half of a married couple. In Elizabeth McCracken’s “Robinson Crusoe at the Waterpark,” a couple and their son find themselves in over their heads. Mike Doyle is the reader.

Host Meg Wolitzer presents stories that were presented as part of an evening with the writer Judy Blume that explored the issues around book banning, and featured works by two authors whose works have been banned. (Blume’s works have also frequently been banned.). First, Xu Mason’s witty “Finally a Book that Cannot be Banned,” imagines what it would take to write a work that could escape all censure. It’s read by Troy Iwata. Celebrated children’s author Roald Dahl cooks up the perfect murder in “Lamb to the Slaughter,” read by Catherine O’Hara. And David Sedaris recounts a challenging encounter with a young man in “Bruised,” read by Maulik Pancholy. Some of Blume’s onstage remarks are included.

On this Selected Shorts program, host Meg Wolitzer presents stories about journeys—physical and emotional—that end in unexpected places. In “A Woman Driving Alone,” by Marie-Helene Bertino, the main character travels s long way to see a friend, but seems also to be escaping a challenging moment in her life. The piece was commissioned for Selected Shorts’ anthology Small Odysseys, and is read by Amber Tamblyn. In Tom Perrotta’s “Nine Inches”, a teacher drives only across town, to chaperone a middle school dance, but almost gets into trouble himself. The story is performed by Santino Fontana.

Host Meg Wolitzer presents three stories in that look at some of the ways we “keep score” in life even though we know it’s not a game. Simon Rich explores the game as intergenerational competition in “The Tribal Rite of the Strombergs,” read by John Hodgman. In Dylan Marron’s “Some News,” a man carefully tracks an old friend on social media, while eyeing his own accomplishments. Marron is the reader. And Joanne Harris’ “Fule’s Gold,” a teacher tries to put himself on the board—by stealing points from an unwitting student. The reader is Gildart Jackson.

Guest host Meg Wolitzer presents our holiday show--two stories about being home for the holidays and how you can count on your Mom to be there for you—and possibly to complicate things. First, memoirist Augusten Burroughs recalls a disastrous—and hilarious—childhood cooking project. Reader Michael Cerveris relishes every bite. And in “Live Wires” by Thomas Beller, a young man invites his girlfriend to his mother’s annual Hanukkah party. The reader is Jane Curtin.

Guest host Meg Wolitzer presents three stories in which games are featured. Brian Agler’s “The Rules of this Board Game Are Long, But Also Complicated” speaks for itself as the unnamed host of game night makes it clear there is no way to win this one. Meg Wolitzer is the reader. In John Updike’s “Still of Some Use,” a family clears its attic of old games; memories and emotions surface, along with battered boards and random game pieces. The reader is James Naughton. In Susan Perabo’s “Some Say the World,” a fragile young woman holds the world at bay with Parcheesi. The reader is Colby Minifie.

Host Meg Wolitzer presents stories of inspiration small and large. In these tales, writers investigate moments in which art inspires life, or life inspires art, especially in a visual medium. In Elizabeth Crane’s “Blue Girl,” read by Valorie Curry, a young woman's secret life is given an unusual public forum. In Jai Chakrabarti’s “Lessons with Father,” commissioned for our Small Odysseys anthology, a middle-aged child tries to connect with her late father through brushstrokes. The reader is Purva Bedi. And in William Boyd’s “Varengeville,” read by Dan Stevens, a young man strays from his famous family as he discovers himself on canvas.

On this week’s SELECTED SHORTS, Meg Wolitzer presents three stories that offer unpredictable life lessons, from characters who are adolescent, and those who love them—a little eccentrically. In “The Facts of Life,” by Anthony Marra, a preteen learns about the birds and the bees from an icon of ’90s masculinity. The reader is Santino Fontana. In “Leave Me in St. Louis,” by Tania James, sisters tap their way into a new life. The reader is Rita Wolf. And in Elizabeth McKenzie’s “Hope Ranch,” a granddaughter discovers that her grandmother is a road warrior. The reader is Mia Dillon.

On this week’s SELECTED SHORTS, we're going to hear stories about students and schools that abandon the usual rules to follow their own, unusual, codes of behavior. In "Singin' in the Acid Rain," by Patricia Marx, performed by Katrina Lenk, it’s recess at a post-apocalyptic school. Marx talks with Meg Wolitzer about the story and her unique brand of humor after the read. The class in “The School,” by Donald Barthelme, performed by Laura Esterman, is facing a difficult test; and young love is framed by larger issues in "Melvin in the Sixth Grade," by Dana Johnson, performed by Nikki M. James. We hear from James about this nuanced rite-of-passage story.