Selected Shorts

Pride Inside by Symphony Space

A Point of Honor by Symphony Space

Host Meg Wolitzer presents four stories in which characters give, and get, a little assistance, from friends, strangers and family. A daughter copes with a cantankerous parent in “How to Take Dad to the Doctor,” by Jenny Allen, performed by Jennifer Mudge. A woman moves to a new town and makes a strange new friend in Laura van den Berg’s “Friends,” performed by Roberta Colindrez. A Tyrolean café improbably situated in South America is home to mysterious strangers and new and old romances, in Isabel Allende’s “The Little Heidelberg.” It’s performed by Kathleen Turner. And a budding singer and socialist gets unwelcome help from Mom in Grace Paley’s “Injustice,” performed by Jackie Hoffman.

Host Meg Wolitzer presents our annual celebration of this important collection. This year’s show features a pick by 2022 Best American guest editor Andrew Sean Greer, “The Little Widow from the Capital,” by Yohanca Delgado, performed by Krystina Alabado. And our second story was selected by John Updike for the volume Best American Stories of the Century. It’s Grace Stone Coates’ “Wild Plums,” read by Mia Dillon. This episode features on stage commentary by Greer. It's dedicated to mix engineer Dennis Jacobsen.

No Filter by Symphony Space

Host Meg Wolitzer presents stories chosen by On the Media’s Brooke Gladstone. Gladstone was our guest for a live Selected Shorts event in which all the stories explore the theme of tales we tell ourselves—and others. The title says it all in Mary Gordon’s “My Podiatrist Tells Me a Story about a Boy and a Dog” read by Bebe Neuwirth and Richard Masur. Two imaginative cooks reinvent themselves in a new country in Meron Hadero’s “A Down Home Meal for These Difficult Times” read by Chinasa Ogbuagu. And a child imagines an absent parent through her postcards in “Love, Your Only Mother” by David Michael Kaplan, read by Bebe Neuwirth. In addition to Gladstone’s on-stage remarks, this episode features backstage interviews with actors Masur, Neuwirth and Ogbuagu.

Meg Wolitzer presents two stories about secret spaces, and what they represent. In N.K. Jemisin’s speculative fantasy “Elevator Dancer” a security guard in a totalitarian regime is beguiled by an act of freedom. The reader is Laura Gomez. And Hugh Dancy reads Greg Jackson’s “The Hollow,” about a secret room, a purposeless life, and a guy who can’t stop talking about Vincent Van Gogh.

Meg Wolitzer presents three provocative works about rituals that reshape and define their characters. In “oh she gotta head fulla hair,” by Ntozake Shange, a woman’s attention to her hair consumes her life. The reader is Tamara Tunie. In “Half a Day,” by Naguib Mahfouz, performed by Bruce Altman, time collapses and a lifetime goes by in a flash. And in Charles Baxter’s “Fenstad’s Mother,” a mother and son rehearse old patterns and find new ones. The reader is Edie Falco.

On this Selected Shorts, host Meg Wolitzer shares our tribute to the influential and outspoken New Yorker Grace Paley, who would have turned 100 in 2022. Her emphasis on friends, family, and doing the right thing are evident in the three stories on this show. In “Wants,” a woman has a chance encounter while returning a lot of overdue library books. It’s read by Adina Verson. Two old friends work their way from childhood to middle age in “Ruthy and Edie,” read by Rita Wolf. And we meet a woman with a wonderfully checkered past in “Goodbye and Good Luck,” read by Joanna Gleason. Backstage interviews with Wolf and Gleason are featured.

On this show, host Meg Wolitzer gets friendly, and shares three stories about friendships of all kinds. Kelly Stout’s zinger “Let’s Get Drinks,” offers up the perils of conducting a social life via hyperbolic texts, which are hilariously performed by Jane Curtin and Jane Kaczmarek. Next, “True Friendship,” by Jorge Hernandez describes a life-long friend who’s almost too good to be—true. The reader is Michael Urie. And three misfits fit together in Anthony Marra’s “The Last Words of Benito Picone,” performed by John Turturro. A brief interview with Turturro follows the story.