Martin Scorsese is back with a film about faith, set in 17thcentury Japan.

A film about the internet that will remind you of just how bizarre, wondrous and scary life has become since we began living it so much of it online.

When actor Michael Keaton accidentally referred to Hidden Fences whilst reading out the nominations for best supporting actress at the Golden Globes late last year, he was conflating the titles of two separate films about African Americans.

Filmgoers may soon have an app that lets them decide how much they want to pay to see a film.

Radio producer Sheila Pham discusses her upcoming Earshot feature about a Vietnamese Australian family who ran a small town cinema before and after the war.

The cumulative power of grief, guilt and regret rises in the film like a flood, until it almost washes over every last outcrop of human happiness and joy.

This month the Melbourne Cinematheque screens a retrospective of films starring the late Italian actor Marcello Mastroianni.

A corporate satire that’s also a father daughter road movie.

Moonlight's depiction on conflicted masculinity is built on sophisticated contrasts.

An excerpt from a critics panel discussion at the Melbourne International Film Festival on the current state of cinephilia.