A rich, if flawed portrait of a haunted man, and a romantic tribute to the Australian bush as a mirage of freedom.

In 1975 Dennis Hopper came to Australia to play an Irish bushranger...

Film critic and editor of SBS Movies Fiona Williams reports on last week's Asia Pacific Screen Awards held in Brisbane.

The casting of an actor like Michael Keaton – who in late middle age still manages to project a wide eyed enthusiasm that borders on manic – proves to be a perceptive choice in a film about the birth of an American fast-food chain.

Formulaic as the film sometimes feels, Härö is not a director who takes his audience for granted, and the emotional core is strong.

It’s a film of shards of light and fleeting moments that take on operatic intensity on the big screen.

I, Daniel Blake reminds us of how human dignity survives, even in the face of the most comprehensive neglect and indifference, when there are good people who persevere.

A new series beckons and the magic is back.

Seldom does a film’s title so vividly evoke the feeling you get watching it.

Bold, radical. The film’s ambition – as a small story with a grand commentary - is remarkable.