One of 2016’s cinematic treasures.

The film’s unsettling power is in the question it poses about active and passive responsibility.

You can tell why a filmmaker would want to adapt The Girl on the Train.

Guest critic Alex Munt explores the expanding genre of 'Museum Films' and a new docu-drama about the Nazi occupation of the Louvre. Plus Frederick Wiseman on his film about London's National Gallery.

A glorious, high tension package.

Is not magnificent.

An impressively coherent, thoughtful work in both theme and style. The best film directed by an Australian so far this year.

A unique, affecting insight into a family situation that’s often framed in much narrower, bleaker terms.

An endless cycle of slightly glamorous office arguments, lovers’ tiffs and newsroom debates.

University of Manchester film scholar Omar Ahmed discusses the current state of Indian cinema beyond Bollywood.