There’s something seductive about the alignment of his physical presence and his photographic one.

One of the most intelligent and compassionate films ever made about the intersection of identity and power in daily life.

Spin Out presents familiar clichés about Aussie blokes who can’t express emotion and straight talking sheilas who don’t want to spell things out for them, but doesn’t offer any particularly hot new takes.

There’s a version of this film that’s like a fist pump for single motherhood, and the idea of bringing up baby alone is even championed by Bridget’s gynaecologist. But as if that's going to happen.

A small miracle of cinematic craft.

Guest critic Rose Capp takes a look at the 1971 Civil War drama starring Clint Eastwood, set to be remade by Sofia Coppola.

It has 'Sundance crowd pleaser' written all over it, though you might say, if that’s it’s worst flaw, it’s doing pretty well.

This is a first feature with too many promising ideas, perhaps, not enough focus on getting the core right.

Gibson’s performance channels such raw emotion you’re liable to feel worn out by the end of it.

Both rich and immersive, with a central performance from a relative newcomer that’s remarkably good.