A special edition dedicated to the recent films of one of the most exciting directors working in the world today, Jean-Luc Godard, who turned eighty-five last week.

The forty five minute, uncut audio of the panel discussion on Godard.

It is indeed an amazing tale, but if you're looking for the film to satisfy the dramatic expectations laid out at the beginning, you'll be slightly disappointed.

There’s a fascinating switch of perspective in Phoenix if you compare it to a film like Hitchcock’s Vertigo, which also explored the idea of a woman who is the subject of mistaken identity.

The new president of the Australian Directors' Guild Samantha Lang and Deakin University film researcher Deb Verhoeven discuss how to fix low participation rates for women in the screen sector.

I can’t think of a recent American film that’s so thoughtfully engaged with the frictions and undertows of a long term relationship.

It made over $7million, but that's barely enough to break even. Greg Hughes, CEO of the Dendy/Icon Group, explains...

Ben Foster, an actor of almost banal all-American good looks, exudes a kind of magnetic, aggressive charisma that holds the room.

While it’s a little awkward, what this film attempts to work through, in terms of America’s wounded, angry post 9/11 soul, is definitely worth exploring.

A compelling, intelligently structured and well acted film that has the politically engaged feel of a pre-blacklist era thriller.