If you’re a fan of the Bond fantasy world, go see it, if not, stay away.

An interview with the producer of The Social Network, Fifty Shades of Grey and House of Cards.

Two films in competition at the Asia Pacific Screen Awards in Brisbane this month both reflect on killing, and what it means to kill...

Guest critic Adrian Martin remembers filmmaker Chantal Akerman.

Filmmaker Joshua Oppenheimer discusses the legacy of Indonesia's anti-leftist purges in the mid 1960s.

Tegraphs its intentions on occasion, but the tender heart of the story beats strongly.

Its many exquisite details are undeniable, but its boldest moments lack power and resonance.

Fascinating as an exploration of the tensions in an ethnically divided Sydney suburbia that’s materialistic, fearful and paranoid. It's not so great as comedy.

The film’s accomplished but distancing style stands in the way of emotion.

There are some questions that Spielberg's entertaining but limited vision could never answer.