Weird fiction sits on the edge of the speculative fiction genre but what makes it so uncanny?

Tony Grybowski, the Chief Executive of the Australia Council, on the impact that the government's scrapped Catalyst arts fund has had, both on the Australia Council and on the arts sector across Australia.

We examine the life and fiction of the twentieth-century English novelist Elizabeth Jane Howard, best-known for her series The Cazalets.

International theatre producer Richard Jordan reviews the Adelaide Festival, Adelaide Fringe, and Tasmania's Ten Days on the Island festival.

What if the man downstairs began spying on you? Began listening to your conversations? Dirk Kurbjuweit on his novel Fear.

Why are unmarried older women still so negatively stereotyped in contemporary fiction?

On old weatherboard house in the suburban Brisbane is at the heart of of Ashley Hay's new novel, A Hundred Small Lessons.

The shifts in the power balance between China and the US since 1989 are explored in the new Sydney Theatre Company production, Chimerica.

This letter is by writer Helen Garner, inspired by Johan Sebastian Bach's Sonata No. 3 in D Minor, Adagio e Dolce

Is swearing a sign of moral failing? Or an important mode of expression?