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We've got socially conscious comedies that are just barely conscious, like SO FINE and CARBON COPY, as well as a slew of wacko horror films like HOME SWEET HOME and DON'T GO IN THE WOODS, and we've got Robert Duvall and Robert De Niro as brothers tangled up in the Black Dahlia case in '40s Los Angeles.
Walter Hill, young Rachel Ward, a tame John Belushi, a trio of very different movie mothers, and one of the best scores of the '80s. All of this, and we get to determine if Mel Gibson did or didn't in TIM? It must be September 1981.
By Scott Weinberg and Drew McWeeny4.7
711711 ratings
We've got socially conscious comedies that are just barely conscious, like SO FINE and CARBON COPY, as well as a slew of wacko horror films like HOME SWEET HOME and DON'T GO IN THE WOODS, and we've got Robert Duvall and Robert De Niro as brothers tangled up in the Black Dahlia case in '40s Los Angeles.
Walter Hill, young Rachel Ward, a tame John Belushi, a trio of very different movie mothers, and one of the best scores of the '80s. All of this, and we get to determine if Mel Gibson did or didn't in TIM? It must be September 1981.

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