Artistic Director Patrick Dupre Quigley interviews scholar Honey Meconi and guest conductor Amanda Quist about the music on Seraphic Fire's January 2025 concert, Renaissance: The Capilla Flamenca.
Honey Meconi is the inaugural Arthur Satz Professor at the University of Rochester, where she is also Professor of Musicology at the Eastman School of Music. She is the founding editor of the monograph series “Oxford Studies in Early Music” for Oxford University Press. She is a specialist in music before 1600, and her many publications include Hildegard of Bingen (the first English-language book on Hildegard as composer), Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court, and a continually expanding series of performing editions of Hildegard’s music, freely available online. Her research has been supported by Fulbright, Mellon, and NEH Fellowships as well as numerous other grants. A lifelong performer, she is co-recipient of the American Musicological Society’s Noah Greenberg Award “for distinguished contribution to the study and performance of early music.” Her public musicology blog, The Choral Singer’s Companion: Music History with a Soupçon of Snark, is read worldwide.
Dr. Amanda Quist joined Western Michigan University’s Irving S. Gilmore School of Music as Director of Choral Activities beginning Fall 2024. A WMU alum and Michigan native, Dr. Quist comes to Western from the University of Miami, where she has served as Director of Choral Studies for the Frost School of Music. Quist’s previous post was at Westminster Choir College, where she served as Associate Professor and Chair of the Conducting, Organ, and Sacred Music Department. She is the recipient of Westminster Choir College’s Distinguished Teaching Award, and the Mazzotti Award for Women’s Leadership. The New York Times, Philadelphia Inquirer, and New York Classical Review have described Amanda Quist’s work as “transformative, beautifully prepared, gripping,” “bridging the vocal and instrumental textures with perfect intonation,” and “leaving the audience breathless.” Dr. Quist has collaborated in choral preparations with the Philadelphia Orchestra, New York Philharmonic, New World Symphony, Palm Beach Symphony, Dresden Staatskapelle, Seraphic Fire, and the Spoleto Festival.