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The SFFaudio Podcast #556 – Anne Of Green Gables by Lucy Maud Montgomery, read by Karen Savage.
This UNABRIDGED AUDIOBOOK (8 hours, 23 minutes) comes to us courtesy of LibriVox. Anne Of Green Gables was first published in 1908.
The next SFFaudio Podcast will feature our discussion of it!
Posted by Jesse Willis
The SFFaudio Podcast #555 – Jesse, Paul Weimer, Terence Blake, Mark Finn, Alex talk about Shadows In The Moonlight aka Iron Shadows In The Moon by Robert E. Howard
Talked about on today’s show:
Posted by Jesse Willis
The SFFaudio Podcast #554 – Featuring a complete and unabridged reading of Shadows In The Moonlight by Robert E. Howard
First published in Weird Tales, April 1934
It comes to us courtesy of Protecting Project Pulp and is read by Nick Camm.
Posted by Jesse Willis
The SFFaudio Podcast #543 – The Elf Trap by Francis Stevens; read by Josh Roseman.
This unabridged reading of the story (51 minutes) comes to us from the Protecting Project Pulp podcast is followed by a discussion of it.
Participants in the discussion include Jesse, Paul Weimer, Marissa VU, Terence Blake and Fred Heimbaugh
Talked about on today’s show:
THE chateau into which my valet had ventured to make forcible entrance, rather than permit me, in my desperately wounded condition, to pass a night in the open air, was one of those piles of commingled gloom and grandeur which have so long frowned among the Appennines, not less in fact than in the fancy of Mrs. Radcliffe.
Jesse’s amazing news, The Garden Of Forking Paths by Jorge Luis Borges, change the trend, if they’re so impatient, if you don’t hook them in the first paragraph they’re going to walk, the perception in publishing, a whole bunch of readers who liove the slow build, the publishers are enforcing that rule, its anti-science fiction, Inconstant Moon a line only written by Larry Niven (or Jerry Pournelle), that ending line, Footfall, the humans are more conquery and tankie, giant elephants, The Tower Of The Elephant by Robert E. Howard, an adulteration, why are we being told this, changing microscope magnifications, micrometer, a blurry chaos becomes crystal clear, The Outer Limits, Fitz James O’Brien’s The Wondersmith, How I Overcame My Gravity, What Was It?, a haunted boarding house, smoking opium in the backyard, an invisible creature, plaster of Paris, The Horla by Guy de Maupassant.
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The SFFaudio Podcast #552 – Jesse, Paul Weimer, Marissa VU, and Evan Lampe talk about City Of Endless Night by Milo Hastings
Talked about on today’s show:
Posted by Jesse Willis
The SFFaudio Podcast #546 – City Of Endless Night by Milo Hastings, read by Kate Follis.
This UNABRIDGED AUDIOBOOK (9 hours, 35 minutes) comes to us courtesy of LibriVox. City Of Endless Night was first serialized as Children Of Kultur in True Story Magazine, May – November 1919.
The next SFFaudio Podcast will feature our discussion of it!
Posted by Jesse Willis
The SFFaudio Podcast #550 – Jesse, Evan Lampe, and Terence Blake talk about A World Of Talent by Philip K. Dick
Talked about on today’s show:
We are better off not being able to look ahead, she said to herself. Thank God we can’t see.
a vision and a return, what parents of autistic kids are worried about, pretty traumatizing.
Posted by Jesse Willis
The SFFaudio Podcast #549 – Jesse, Paul Weimer, Maissa Bessada, Julie Davis, and Terence Blake talk about Mockingbird by Walter Tevis
Talked about on today’s show:
LD: You paint a pretty bleak picture in terms of literacy in Mockingbird.
WT: It comes from twenty-five years of being an English teacher.
RW: Do you see a decline in literacy? I do, but do you?
WT: Oh, you hear about it a lot. Yes, I’ve seen it a bit, but my private experience as an English teacher has been that Americans don’t read books. They didn’t read books in 1949 when I started teaching. They don’t read books now Television did make a difference. It deepened the slack of the slackjaws and gave another great quantity of garbage for people to fill their lives with. But, you know, there was other garbage around before television. Mockingbird does sometimes, I think, weaken into an attack solely on television and on the modern world, and “weaken” I say because I’m not completely convinced of all those things that I say. But what I am convinced of is that it is very bad for people to find substitutes for living their lives, and that’s what I hope I do say, and say well, from time to time in the book.
reading is the tool that opened up his mind and taught him how to think, a photograph of notes to the editor, the surprise that she’s going to narrate, destructive to our view of his wonderful relationship, she came to appreciate him, he forgot her too, what they had wasn’t super-deep, she was Dante’s Beatrice, Edward Hopper, there’s no door in Nighthawks, alone together, some lady sitting on a bed looking out a window, beautifully painted, what makes us care about his paintings is the emotions in these characters, the emotions that make Hopper’s paintings so powerful, a criticism of the kind of television being shown in the book, stimulating arrangements of color form and design, the psychedelic, Tevis’ take on Hopper’s quote, yeah exactly, four things you can get from films (books), manipulating one’s mental states, a means of learning something about the past, why memory is not enough, sympathizing with other people from other times, knowing about other people’s feelings you discover your own feelings, he captures that experience, jokes from 200 years ago, a line that crystallizes something you’ve always known but never seen before, before Plato, the only book he never reads is Gone With The Wind, See Spot Run, the alphabet is arbitrarily ordered, this is science fiction, the scene in Frankenstein where the creature learns how to read and speak, Paradise Lost, Plutarch’s Lives, his creation book (Frankenstein’s lab notes), this is a Frankenstein-fixed story, the creation of the world, how to service robots and thought-buses, a masterpiece, nature is always pulled in, puzzling over how to fix the thought-bus, a large dramatic spiderweb, the moon, made of pure light, the elaboration and power of life that could make such a design, this makes me feel something, Julie’s favourite Psalm is Psalm 19, so mysterious, the way you hold that cup, so much bigger, the human experience, he wrote it for us, the earlier scene with the spiderweb, the court is a plastic building, you go clean the judge’s face, yellow powder, they all have the same look on their face, the system turns on and gears up, other prisoners, the prison sequence, I didn’t see this coming, Belasco, tattoos, Queequeg!, rule breakers, paintings of trees and birds, have a fire on the beach, as free as people in that world can be, a temptation to stay there?, the escape itself, a community of people to help him toughen up, the beginning of his journey, The Handmaid’s Tale. reading is powerful, the way we got there, our own fucking laziness, go along get along, rage rage rage against the machine, read a fucking book, you’ll like it it’s good, not just shore-dinners, a so coddled society, memorizing your life, a kind of writing, a book that feels like its in dialogue with Fahrenheit 451, drop out communities, finding the libraries (it’s treasure!), insistence of family and community, Annabelle becomes his mother, enriched by other communities, great risks to my individuality, the robots who taught me, yup, individualistic, you’re not letting me help anyone, a balance, a really good job of pointing that stuff out, it doesn’t feel like a sermon, super-funny, Buster Keaton, he’s baptized in the mall, the SEARS (catalogue) was a big part of Jesse’s life in 1980, a book of pictures of things, the world in the background economically makes sense, could you game in this world?, a survival game, rebuild society, back to board-games, Scrabble, role-playing games, a very New York thing to do, California, The Last Chase (1981), how the credit card system worked, the pricing, what are they teaching in those classrooms?, yoga and meditation?, sopors, soma, give yourself to the screens, Terence is right!, social media, stream everything, everybody is literate now (to read stop signs and instructions), people who never read anything (maybe a magazine once a year), a super-nice person, what is wrong with you, there are these parallel societies, Anabelle is that representation, part of this is looking at creativity, Spoforth wasn’t creative but he learned, Exhalation Stories: (The Lifecycle Of Software Objects) by Ted Chiang, the whole him trying to find his earlier incarnation, recapture what he had lost from his earlier mind, in the dream, its a baby, just before he dies, the missing peice in the puzzle of his dream, in Westworld for recipe for an intelligent robot is a reverie, the reverie we get from literature, its made him more human, he’s trying trying trying, another element of information, what humanizes him, he felt love, the most beautiful thing she’s ever seen, I love you, still strange, the mockingbird sings from the edge of the woods, Scott Danielson, “Whose woods these are I think I know”, the mockingbird is the creative artist, always in association with creativity, a deepening sadness, more creative than we give him credit for?, the boy’s drawings, it works on multiple levels, the fake, the marginal, mocking, a mockery of a man, the emotions of a man and he can’t connect, this mock level, mockingbird songs, things stung together, Tevis is the mockingbird, there’s this hybridization, a very literary book, To Kill A Mockingbird, it sings its heart out, to deal with race again, is it because you’re a black man, it’s 1978, the most advanced beautiful man ever, he was the pinnacle and they made him a black man, still enslaved, in his dream his feet are white, Typee by Herman Melville, an Anabelle like character, only one person’s working hard all day line, Bentley see this as an injustice, is it an injustice?, her choice, making something of value, cooking is work, its still good to feed the kids (even if they can’t thank you), making the mistake of thinking humans are all one way, objectivism, let’s be greedy together, reading Ayn Rand, is Anthem a rip-off of We, moms being moms, I’m a loner, everybody’s talking to each other all the time, invading privacy is the worst thing, it was the robots that did it, the society happened almost by accident, quite beautiful, we fall into the trap of amusing ourselves to death, John Savage likes pain, they twist it against him, “that’s illegal”, those people are all around us, he had his stash, dumping herself full of Valium, him living in her house, thank your mom for us, how many people heard about it through you through her through this podcast, Marissa would have been here very happily, the Westworld connection, good choice, thank you!
The SFFaudio Podcast #548 – Jesse, Paul Weimer, Marissa VU, Maissa Bessada, Evan Lampe, and Terence Blake talk about The Ministry Of Truth by Dorian Lynskey
Talked about on today’s show:
And, here are Marissa’s notes about UTOPIAS & DYSTOPIAS mentioned in The Ministry Of Truth:
1516 – Utopia by Thomas More
Posted by Jesse Willis
The SFFaudio Podcast #547 – Jesse, Paul Weimer, Maissa Bessada, Julie Davis, and Terence Blake talk about The Angel Of Terror by Edgar Wallace
Talked about on today’s show:
The novel revolves around Montgomery Brewster, a young man who inherits 1 million dollars from his rich grandfather. Shortly after, a rich uncle who hated Brewster’s grandfather (a long-held grudge stemming from the grandfather’s disapproval of the marriage of Brewster’s parents) also dies. The uncle will leave Brewster 7 million dollars, but only under the condition that he keeps none of the grandfather’s money. Brewster is required to spend every penny of his grandfather’s million within one year, resulting in no assets or property held from the wealth at the end of that time. If Brewster meets these terms, he will gain the full 7 million; if he fails, he remains penniless.
Edgar Wallace’s dream, the house always wins, whatchu gonna do with that money?, the kind of plot premise that starts off this money, she marries a murderer, he’s suicided, she’s an heiress loose on the goose, study with the Italian masters, It’s A Mad, Mad, Mad, Mad World (1963), our anti-hero is a “femme fatale”, she cuts the guy’s hand, your handkerchief please, she’s a monster, a very attractive monster, brought to justice?, she hoodwinks one more guy, it’s for the wildlife, you don’t want to hurt a dolphin, she’s met her match, Jesse got the sense the cycle was going to repeat, she meant it, he’s an interesting man, the last line, five million francs, money did not interest her, a sphere of might and power, an intellectual is somebody who has discovered something more interesting than sex, he was likeable, he loves her anyway, simpering, saving Lydia, love was more important, chose something good at the end, fooled by Mr Jags, the train station, he’s gonna follow her, because I have a criminal mind, a wholesome respect for the law, Jack Glover = Jag, who was the angel of terror?, at no moment does she inspire terror, Jag is the Hyde aspect of Jack Glover, the two angels, she conducts terror, she feels terror, Jean might corrupt Lydia, a first class criminal, born 600 years to late, Lucrezia Borgia, Dexter, a do good framework, did Edgar Wallace know Jags was gonna be Jack, the character shift is pretty massive, a very good fellow (illiterate and speaks amazing French), I wouldn’t mind a pipe, a disguise, Julie agrees with Terence, too much weight on the dictation?, a flow of consciousness, increasingly outlandish, he knew and he didn’t know, fiction writing, seeing connections, plots in opposition, a twist that inverts, deliberate, trying to hide identity, Carmilla, Mircalla, an acronym of your own name, a tribute to Edgar Wallace, its hard to tell, this is a job for Superman!, from a writer’s perspective, he was there the whole time, one alternate title: The Destroying Angel, a quote from Duino Elegies by Rainer Maria Rilke, maybe both are the angel of terror, disguised, her beauty is her disguise, lookism, I’ll get you my pretties!, the opening of Chapter 2, the writing is “choice”, mmmm yes,
Lydia Beale gathered up the scraps of paper that littered her table, rolled them into a ball and tossed them into the fire.
There was a knock at the door, and she half turned in her chair to meet with a smile her stout landlady who came in carrying a tray on which stood a large cup of tea and two thick and wholesome slices of bread and jam.
“Finished, Miss Beale?” asked the landlady anxiously.
“For the day, yes,” said the girl with a nod, and stood up stretching herself stiffly.
She was slender, a head taller than the dumpy Mrs. Morgan. The dark violet eyes and the delicate spiritual face she owed to her Celtic ancestors, the grace of her movements, no less than the perfect hands that rested on the drawing board, spoke eloquently of breed.
“I’d like to see it, miss, if I may,” said Mrs. Morgan, wiping her hands on her apron in anticipation.
Lydia pulled open a drawer of the table and took out a large sheet of Windsor board. She had completed her pencil sketch and Mrs. Morgan gasped appreciatively. It was a picture of a masked man holding a villainous crowd at bay at the point of a pistol.
“That’s wonderful, miss,” she said in awe. “I suppose those sort of things happen too?”
The girl laughed as she put the drawing away.
“They happen in stories which I illustrate, Mrs. Morgan,” she said dryly. “The real brigands of life come in the shape of lawyers’ clerks with writs and summonses. It’s a relief from those mad fashion plates I draw, anyway. Do you know, Mrs. Morgan, that the sight of a dressmaker’s shop window makes me positively ill!”
at the end of this chapter is a review of this book, Philip K. Dick, the promise of the book:
“Since when has the Daily Megaphone been published in the ghastly suburbs?” asked the other politely.
He saw the girl, and raised his hat.
“Come along, Miss Beale,” he said. “I promise you a more comfortable ride—even if I cannot guarantee that the end will be less startling.”
a nice turn of phrase, Mrs Cole Mortimer was a chirpy pale little woman of forty-something, descriptions of the south of France, my soul has been in a hundred collisions, she had no sense of metaphor, page 52, waiting for the detective to arrive, picturesque dressing gown and no-less picturesque pajamas, to impress, the staging and artifice, hoodwinked all the way through, the ability to surprise while we’re in the know, cotton candy, it’s very old, on LibriVox, Lee Elliott was a good narrator, getting professional about our amateurism, Terence is sounding good, our show, Terence’s sound is terrible, content is king, sometimes narrators have really good taste, Phil Chenevert does tonnes of science fiction, narrating a novel is a huge commitment, “yup I’m doing another one for money, Jesse”, the narrator of Weiland (Karen Joan Kohoutek), Greener Than You Think by Ward Moore, almost like reading a super-old style comic book, this mysterious cloaked and masked character, no one knows who he is, Moon Knight, a minor Marvel character, The Joker, The Riddler, youre almost on the evil guy’s, The Shadow, Orson Welles, a giant prosthetic nose, Wallace didn’t live that long, proto-superhero magazines, the foreshadowing of that, The Spider, Doc Savage (the guy with the big shiny muscles), Remo Williams: The Adventure Begins, Buckaroo Banzai, failed MCUs (Marvel Cinematic Universes), an aspect like the Watchmen, Sherlock Holmes, Zorro, the evolution, James Bond, superhero-like stories, going in blind, understanding the phenomenon, we couldn’t quit reading, on his writing process, Brian Aldiss, you begin with a striking image, a crazy robot on the moon firing into the void, he probably began with the beautiful evil woman, there is a huge unity to the story, imagistic unity, Jack and Jean’s story, there’s this 1971 movie, nope it’s not that, conventions stuck in the period in which it is set, House, M.D. works much better, differential diagnostics, he’s a consulting doctor, what Arthur Conan Doyle really did, very Agatha Christie territory, to see the actors chewing up the scenery, set it after WWII, Casino Royale by Ian Fleming, get some colour, Jean would laugh at Dexter, you’re wasting your talents!, as any flapper would pick up any nut, proto-feminism, F. Scott Fitzgerald, Scarlett Johansson as Jean,
Posted by Jesse Willis
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